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"Star power": Dancing with the Stars salaries leaked

<p>Break out the sequins and brace for the paso doble – <em>Dancing With The Stars</em> is back for its 22nd season on Sunday June 15, and while the celebrity cast is polishing their foxtrots and fake tans, the real drama has already begun… in their bank accounts.</p> <p>Twelve familiar Aussie faces will take to the floor in a blur of feathers, fringe and footwork, all in the name of charity (and, let’s be honest, a shot at the gloriously glittery Mirror Ball Trophy). But thanks to a <a href="https://www.nowtolove.com.au/entertainment/reality-tv/dancing-with-the-stars-australia-2025-salaries/" target="_blank" rel="noopener">cheeky little leak by <em>Woman's Day</em></a>, we now know what else they’re dancing for: a surprisingly tiered pay system that splits the cast into three star-powered salary brackets.</p> <p>According to an “insider” who clearly missed the memo about NDAs, <em>Woman’s Day</em> has revealed that the 2025 cast is being paid based on a heady mix of legacy status, Logie nominations and possibly how many times Sonia Kruger has said their name on TV.</p> <p>Sitting pretty at the top of the pyramid (and we imagine, in the nicest rehearsal rooms) are national treasures Rebecca Gibney, Osher Günsberg and Shaun Micallef, each reportedly waltzing away with a cool $100,000. Between them, they’ve got decades of TV experience, Gold Logie nods and more charm than a Bunnings sausage sizzle.</p> <p>In the mid-range tier – the cha-cha-<em>ching</em>, if you will – are Olympic gold medallist Susie O’Neill, AFL great Trent Cotchin and 7NEWS stalwart Michael Usher, each allegedly earning $47,000. Not quite six figures, but still a pretty decent reward for risking public humiliation in Lycra.</p> <p>And finally, rounding out the glitterati is the budget-conscious brigade, earning a still-respectable $27,000: radio personality Brittany Hockley, influencer Mia Fevola, boxer Harry Garside, comic Felicity Ward, <em>Home and Away</em> heartthrob Kyle Shilling and 7NEWS’ Karina Carvalho. If enthusiasm and willingness to wear rhinestones were currencies, they'd all be millionaires.</p> <p>This tiered approach marks a departure from the great equal-pay kumbaya of 2023, when every one of the 14 celebrity contestants – including Matt Preston and Paulini – reportedly took home “just under $50,000”. Democracy in action... or perhaps just a simpler year for Channel 7’s payroll department.</p> <p><em>Dancing With The Stars</em> premieres Sunday, June 15, with sparkly stalwart Sonia Kruger and fresh-faced co-host Dr Chris Brown returning to oversee the glittery chaos. Expect tears, twirls and at least one dramatic tumble — hopefully not from the top earners.</p> <p><em>Image: Channel 7</em></p>

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"Bloodbath": Mass defection at Channel 7 as top reporters jump ship

<p>Channel 7 is facing a growing crisis, with three of its prominent journalists abruptly resigning to join rival Network 10 in what’s being dubbed a “bloodbath” in the newsroom.</p> <p>Senior 7News Sydney reporter Bill Hogan, seasoned foreign correspondent Amelia Brace, and Denham Hitchcock – a key figure in the network’s flagship current affairs show <em>Spotlight</em> – have all defected, according to <em>The Australian</em>. The trio will join a new long-form investigative unit at Network 10, led by head of broadcast news Martin White.</p> <p>Brace and Hitchcock reportedly began their new roles on Monday, leaving Seven’s Martin Place offices just hours after resigning. Hogan is expected to follow suit after completing a three-week notice period.</p> <p>Network 10, owned by US media giant Paramount since 2017, is bolstering its news division with a renewed focus on in-depth investigative reporting. The initiative is seen as an effort to compete with established programs such as the ABC’s <em>Four Corners</em>, Nine’s <em>60 Minutes</em> and Channel 7’s own <em>Spotlight</em>.</p> <p>Brace, whose new role comes with a reported $270,000 salary – a $50,000 jump from her Seven pay – bid farewell to colleagues last Friday with a candid message.</p> <p>“It feels off to not have an official ‘last day’ to say goodbye,” she said, “but it’s best for me to just fade away for now. Stand up for yourselves, and each other… and think of me every time you have to find a f**king case study.”</p> <p>Hitchcock’s move adds another layer of drama. Having returned to <em>Spotlight</em> in February after a sabbatical spent sailing with his family, he now departs again – this time for what he calls a full-circle moment. His father once worked at Channel 10, and Hitchcock shared his enthusiasm in a social media post.</p> <p>“Well, here we go. I’ve switched channels,” he wrote. “But also in a way – I’ve come full circle. I grew up watching my father on Channel 10 News every night. I had a bunk bed with Eyewitness News stickers all over it – and can still sing the theme song.”</p> <p>As the talent exodus accelerates, questions are mounting about the future of Seven’s news strategy – and whether the network can stem the flow of high-profile losses.</p> <p><em>Images: Instagram, Network 10</em></p>

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Karl fires up on Sussan Ley over “ruthlessly personal” purge

<p>A major reshuffle of the Coalition’s frontbench has erupted into political controversy, with Liberal leader Sussan Ley facing accusations of conducting a “ruthlessly personal” purge in her first major test since taking the reins from Peter Dutton.</p> <p>In a fiery interview on the <em>Today</em> Show, host Karl Stefanovic grilled Ms Ley over her decision to dump high-profile Senator Jane Hume – architect of the Coalition’s controversial work-from-home policy – and Victorian MP Sarah Henderson from the shadow cabinet.</p> <p>“I am not saying this is a bad thing, but you are ruthlessly personal,” Stefanovic said.</p> <p>“That’s not my view, Karl,” Ms Ley replied, defending the overhaul as part of building a “fantastic team” focused on challenging the Labor government. “Our job is to take the fight up to Labor to be the strongest possible Opposition on behalf of the Australian people.”</p> <p>When asked if she simply didn’t like Senator Hume, Ms Ley deflected: “Jane is a fantastic colleague and contributor and will remain in exactly the role she has as senator for Victoria.”</p> <p>The exclusion of Senator Hume, alongside the demotions of Senator Jacinta Nampijinpa Price and other senior women, has fuelled discontent within the party, especially amid concerns over gender representation. Ms Ley insisted that 40% of her shadow ministry are women when the outer ministry is included, but the shadow cabinet now includes just eight women out of 27 – fewer than under Peter Dutton.</p> <p>The removal of Senator Price from the shadow cabinet, now relegated to the defence industry portfolio in the outer ministry, has also raised eyebrows. Ms Ley said Price was “excited” about the new role and emphasised the Coalition’s focus on national security under Angus Taylor, who has moved from Treasury to Defence.</p> <p>Meanwhile, Senate leader Michaelia Cash has taken on the powerful foreign affairs portfolio, squaring off against Labor’s Senator Penny Wong. Ted O’Brien has replaced Taylor as Treasury spokesman, while Senator James Paterson has been elevated to the finance and government services portfolio.</p> <p>Leadership hopeful Andrew Hastie also earned a promotion, stepping into the home affairs role after requesting a shift from Defence.</p> <p>But the reshuffle has created clear winners and losers, with former Nationals leaders Barnaby Joyce and Michael McCormack both axed from the front bench. Mr McCormack hinted at ongoing tensions in the Nationals over their separation from the Liberals, telling <em>Sky News</em> he had more to say on key issues like net zero.</p> <p>Asked if his demotion was due to past criticisms of party leadership, McCormack replied, “You would have to ask David Littleproud.”</p> <p>That leadership is now under fresh scrutiny. Nationals MP Colin Boyce has accused Mr Littleproud of misleading the party room over negotiations with Ms Ley, saying, “How can you support a bloke that misleads the partyroom? I’m calling him out.”</p> <p>Senator Matt Canavan, who recently challenged Mr Littleproud for leadership, also weighed in, warning the Liberals to stay out of National Party business.</p> <p>Back in Liberal ranks, Senator Hume’s dumping remains one of the most contentious decisions. While Ley allies insist there’s no bad blood, others suggest a falling out between the two women and suspicions over Hume’s factional allegiances played a role.</p> <p>“She’s just collateral damage,” one Liberal MP said, hinting that internal tensions and past disagreements – including Hume’s controversial remarks during the last election – contributed to her downfall.</p> <p>The reshuffle, intended to position the Coalition as a stronger force heading into the next election cycle, has instead exposed deep rifts within both the Liberal and National parties. Whether this bold shake-up will unify the Opposition or deepen divisions remains to be seen.</p> <p><em>Images: Today show</em> </p>

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The Project in peril as Channel Ten plots bold news overhaul

<p>Speculation is mounting over the future of Channel Ten’s flagship current affairs program <em>The Project</em>, <a href="https://www.dailymail.co.uk/tvshowbiz/article-14748609/Brutal-sign-Project-canned-Channel-10.html" target="_blank" rel="noopener">with reports suggesting</a> the long-running panel show may be on the chopping block amid a broader shakeup at the network.</p> <p>According to <a href="https://www.theaustralian.com.au/business/media/the-project-under-review-as-ten-plans-to-announce-new-show/news-story/280ab62724d67c2eed16bb04cafc3e97" target="_blank" rel="noopener">The Australian</a>, <em>The Project</em> is “100 per cent” under review as Ten’s current affairs division undergoes scrutiny in response to dwindling ratings. The show, which first aired in 2009, is reportedly struggling to connect with audiences across key demographics.</p> <p>“<em>The Project</em> is a bit too old and irritating for younger viewers online… and a bit too young and irritating for older viewers on television,” the outlet reported, summarising the show’s struggle to appeal to either end of the age spectrum.</p> <p>Recent ratings appear to reflect this disconnect. Over the past week, <em>The Project</em> failed to break into the top ten most-watched programs, with Tuesday night’s episode recording its highest audience at 945,000 viewers. Friday’s episode fared worst, drawing just 626,000 viewers. In contrast, rival bulletins from Seven and Nine consistently drew more than 2 million viewers during the same 6pm timeslot.</p> <p>The program’s declining viewership comes amid broader criticism of its perceived political slant and the fallout from the departures of several high-profile hosts, including Carrie Bickmore, Peter Helliar and Lisa Wilkinson. Despite a relaunch in 2023 featuring Sarah Harris, Sam Taunton, Michael Hing and Waleed Aly, the shakeup has yet to reverse the trend. Michael Hing’s departure earlier this year marked another shift in the panel’s makeup.</p> <p>Adding to the uncertainty, Daily Mail Australia <a href="https://www.dailymail.co.uk/news/article-14509357/Channel-Ten-cancels-Project.html" target="_blank" rel="noopener">reported earlier this year</a> that Channel Ten executives were eyeing a new "news magazine show" to rival established programs like Nine's <em>60 Minutes</em>, Seven's <em>Spotlight</em>, and the ABC's <em>Four Corners</em>.</p> <p>A “crack team” of producers – referred to internally as the “investigations unit” – is reportedly being assembled to lead this new venture. Dan Sutton, a seasoned Channel Ten reporter, is tipped to serve as the executive producer, with screen testing currently underway for potential reporters.</p> <p>Network Ten confirmed the formation of the investigative unit in a statement to Daily Mail Australia, saying: “Following the continued growth and success of our news brand, 10 News, we are investing in a 10 News investigative unit that will work on long-form investigative stories as part of our news offering across all our platforms.”</p> <p>When pressed about the future of <em>The Project</em>, however, a network spokesperson maintained that there were “no changes” currently planned. "The Project remains an integral part of our content line-up and rest assured, it’s not going anywhere," they reiterated, echoing a similar statement made in July of last year.</p> <p>The show has also been experimenting with new distribution strategies, including the decision earlier this year to upload full episodes to YouTube in a bid to capture younger audiences. Segments from the show continue to be shared widely across social media platforms like Instagram and X (formerly Twitter).</p> <p>One glimmer of hope for the embattled program came last Tuesday, when former host Carrie Bickmore made a brief return to the panel to celebrate the tenth anniversary of her charity, Carrie’s Beanies 4 Brain Cancer. The special appearance helped boost ratings to 945,000 viewers – the highest for the week.</p> <p>Despite the network’s reassurances, the combination of faltering ratings, a changing panel and mounting speculation over a new investigative format suggests that <em>The Project</em> could be heading into uncertain territory.</p> <p>Whether it can reestablish its place in the Australian television landscape – or be quietly phased out – remains to be seen.</p> <p><em>Image: Channel Ten / The Project</em></p>

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Q+A descends into acrimony over Welcome to Country debate

<p>The ABC’s flagship program <em>Q+A</em> erupted into heated exchanges on Monday night as panellists clashed over the role and frequency of Welcome to Country ceremonies, amid growing national debate sparked by political and community divisions.</p> <p>The discussion was triggered when audience member Peter asked how tensions over the ceremonies could be resolved "amicably" and "in the interest of all parties", following escalating disagreement between Prime Minister Anthony Albanese and Opposition Leader Peter Dutton during the current federal election campaign.</p> <p>Liberal MP Paul Fletcher argued from the Q+A panel that while it was important to recognise the “distinctive place” of Indigenous Australians, many in the community felt there were now too many ceremonial acknowledgements.</p> <p>The issue has been further inflamed after neo-Nazis booed a Welcome to Country delivered by Bunurong man Uncle Mark Brown during the Anzac Day Dawn Service at Melbourne’s Shrine of Remembrance – a move that was swiftly condemned by both major political parties.</p> <p>However, Mr Dutton later suggested that Welcome to Country ceremonies were being overused and questioned their appropriateness for solemn occasions like Anzac Day.</p> <p>On <em>Q+A</em>, Environment Minister Tanya Plibersek defended the tradition, particularly at Anzac Day events, arguing it was "perfectly appropriate" to acknowledge the service of Indigenous Australians in the military.</p> <p>Fletcher countered that veterans should be consulted on the issue, prompting a sharp exchange when Plibersek retorted that he was speaking as if Indigenous veterans did not exist. Fletcher accused her of using “straw man rhetoric”, insisting, “The role of Indigenous people in defending Australia over many conflicts has been very significant. Nobody is contesting that for a second.”</p> <p>Greens leader Adam Bandt also weighed in, launching a scathing attack on Dutton’s handling of the matter. “It’s gutter politics from an Opposition leader whose campaign is in free fall and he’s starting to punch down,” Bandt said. He accused Dutton of spreading misinformation during the Voice referendum campaign and likened his tactics to those of US President Donald Trump.</p> <p>“He’s playing from the Trump play book as his campaign is in free fall. Punching down. Playing from the Trump play book and we’ll call it out," Bandt said.</p> <p><em>Image: ABC's Q+A</em></p>

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Chaotic ending to final leaders' debate ahead of election

<p>In what historians are already calling <em>The Great Final Showdown (With Bonus Egg Chat)</em>, Anthony Albanese has emerged victorious in the fourth and final leaders' debate, with Peter Dutton bravely losing while armed only with a calculator set to 1998 and a deep mistrust of mobile phones.</p> <p>Held six days before the election and hosted by Channel 7 (who have now applied for hazard pay), the debate covered serious national issues like cost of living, housing and why Elon Musk is apparently a Marvel villain.</p> <p>Dutton, swinging from the very first second like a man who accidentally stepped on a plug, declared: "This election is all about who can best manage the Australian economy..." before launching into a heartfelt monologue about crying families, inflation and the distinct lack of cheaper servo pies.</p> <p>Albanese, armed with his Clear Decisive Policies™, clapped back: "Australians have a real choice this Saturday to continue building Australia's future or go back to the past," ... which definitely didn’t sound at all like the slogan of a time-travel movie starring Dutton as a confused tourist in 1973.</p> <p>The real drama came when the leaders tried to guess the price of eggs, which quickly devolved into an episode of <em>The Price is Wrong</em>.</p> <p>Dutton confidently guessed that a half dozen free-range eggs cost "$4.20", missing the mark by about the same distance Pluto misses Earth. Albanese, meanwhile, coolly suggested "$7 if you can find them", proving once again that he’s a man of the people – or at least a man who occasionally braves the horror of the supermarket dairy aisle.</p> <p>Dutton, adopting the highly relatable persona of Uncle Who Complains at BBQs, complained that Welcome to Country ceremonies were "overdone", claiming: "It divides the country."</p> <p>In response, Albanese reminded everyone that Australia shares its continent with "the oldest continuous culture on earth", and managed not to roll his eyes even once, a feat of diplomacy possibly more impressive than anything discussed on foreign policy.</p> <p>Speaking of diplomacy, the two also managed a spirited debate on international relations when Albanese mused: "I'm not sure that he has a mobile phone, the US president, or Joe Biden." ... leading many to wonder if Albanese thinks Biden communicates solely through carrier pigeons or interpretive dance.</p> <p>Not to be outdone, Dutton called Elon Musk an "evil genius", officially making this the first Australian leaders' debate to include a Marvel Cinematic Universe reference. Albanese, playing it safer, described Musk as "Tesla, and a very rich man", thereby demonstrating a deep and comprehensive understanding of modern economics.</p> <p>When it came to energy policy, Dutton insisted that renewable energy was going to "wreck the economy", while Albanese insisted that it was actually already powering "10 million homes". Dutton’s alternative? Nuclear energy, because nothing says "vote for me" like proposing billion-dollar facilities that won't be ready until somewhere around the next ice age.</p> <p>At the end of the night, 60 undecided voters declared Albanese the winner by a margin that was less "narrow victory" and more "rugby team versus toddlers".</p> <p>Albanese took home 50% of the vote, while Dutton earned a modest 25% and the other 25% presumably began Googling "how to move to New Zealand".</p> <p>Whether that final debate will actually change the outcome of the election is unclear. What is clear is that both men left their marks – one as the man who priced eggs like it was still 2005, and the other as the guy who thinks world leaders might communicate exclusively by yelling really loudly across the Pacific Ocean.</p> <p><em>Images: Network Seven</em></p>

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Robert Irwin announces new Hollywood career move

<p>The ballroom just got a little more... reptilian.</p> <p>Robert Irwin, the 21-year-old Aussie wildlife warrior and part-time crocodile whisperer, has officially signed on for the upcoming season of <em>Dancing With The Stars US</em>. And how did he announce it? By strutting shirtless onto a stage in Los Angeles with a snake around his neck like it was just another Tuesday.</p> <p>The announcement came during Hulu’s <em>Get Real</em> event, where Robert delivered an enthusiastic (and slightly slippery) surprise to the crowd. Cheers erupted, though it’s unclear if they were for Robert, the snake, or the possibility of a <em>paso doble</em> performed in khaki.</p> <p>Robert, who grew up watching his sister Bindi Irwin twirl and samba her way to victory on Season 21 of the show, shared his excitement, saying: “I had these little dreams, going, ‘One day’ and now that dream is a reality and I am over the moon.”</p> <p>Which, we can assume, is also how the snake felt about its brief moment of fame.</p> <p>Taking to Instagram, Robert confirmed the dream was, in fact, no hallucination caused by excessive exposure to eucalyptus.</p> <p>"It's official, I'm heading to Hollywood for Dancing With The Stars Season 34," he wrote. "This has been a dream of mine since I was a little kid watching my sister's incredible journey on the show. I cannot believe it is about to become a reality. So grateful."</p> <p>Naturally, fans flooded the comments with well-wishes, excitement and at least one person probably asking, “Is the snake going to dance too?”</p> <p>Even the official DWTS account chimed in with a warm “Welcome to the DWTS fam”. </p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/reel/DIxrOK-h6H8/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/DIxrOK-h6H8/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Robert Irwin (@robertirwinphotography)</a></p> </div> </blockquote> <p>But the pressure is real. Bindi Irwin won her season at just 17 years old, leaving Robert with some big dancing shoes to fill – and possibly a pair of backup snakes. Her most iconic moment? A moving contemporary tribute to their late father, Steve Irwin, that had the judges, the audience and half the internet sobbing into their glitter.</p> <p>Bindi said at the time: "What shaped me the most would probably be when my dad passed away. It's been nine years and I've never really dwelled on that point. I think I'm ready to tell that story."</p> <p>So, the bar is high. Emotionally and choreographically.</p> <p>While Robert’s signature style has been more khaki-and-cobra than sequins-and-salsa, we eagerly await his transformation into a glittery, rhinestone-studded dance machine. Will he bring more snakes? Will he attempt a tango with a tarantula? Will he rip his shirt off mid-routine like it’s Magic Mike: Down Under?</p> <p>Stay tuned. Season 34 is shaping up to be wild – literally.</p> <p><em>Images: Instagram</em></p>

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"Our hearts started to pound": Aussie identical twins go viral with eyewitness account

<p>A pair of identical twins from Queensland have captivated the internet after their dramatic eyewitness account of an alleged carjacking aired on Australian television, showcasing not only the chaos of the event but their uncanny ability to speak in perfect unison.</p> <p>Paula and Bridgette Powers, known for their wildlife rescue work, became an overnight global sensation following a 90-second segment aired by 7 News Queensland. The viral clip – which has amassed over 14.5 million views on X (formerly Twitter) – featured the sisters recounting <a href="https://oversixty.com.au/finance/legal/man-charged-after-fatal-carjacking-rampage-on-sunshine-coast" target="_blank" rel="noopener">a harrowing incident</a> near their Sunshine Coast home, where an SUV rolled on Steve Irwin Way.</p> <p>Wearing matching blue bunny-patterned shirts and sporting identical hairstyles, the Powers twins recounted the moment their mother and a bystander rushed to help the crash victim – only to discover he was allegedly armed.</p> <p>“And one guy, he was up there with our mum and he, he went up there and he was coming back down toward us and he goes, ‘Run, he’s got a gun,’” the sisters said in eerie synchronicity. “And oh, our hearts started to pound and I said, ‘Mum, where’s mum?’”</p> <p>The twins explained how their mother narrowly escaped the suspect, who they say had “blood all over his face” and threatened to shoot her. “Mum distracted him to make him look the other way… and mum ran into the bush behind the fence and the guy goes to her, ‘I’ll find you and I’ll shoot you,’” they recalled.</p> <p>Despite the terrifying encounter, all three family members escaped unharmed. Authorities have since charged a man with multiple offences, including dangerous driving causing death and two counts of armed robbery.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">holy shit there is nothing that can prepare you for when they cut to the interview <a href="https://t.co/UA9iVIyCIm">pic.twitter.com/UA9iVIyCIm</a></p> <p>— microplastics envelope filter (@DiabolicalSpuds) <a href="https://twitter.com/DiabolicalSpuds/status/1914418466699858250?ref_src=twsrc%5Etfw">April 21, 2025</a></p></blockquote> <p><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">The sisters are no strangers to the spotlight. In a 2021 <em>ABC News</em> profile, they shared how their passion for wildlife led them to a fateful meeting with the late Steve Irwin, who they said was “quite taken with them” when they were found comforting a sick green sea turtle. The twins later worked at the Australia Zoo and now run their own charity, Twinnies Pelican and Seabird Rescue.</span></p> <p>Speaking in unison has always come naturally to them. “Our brains must think alike at the same time,” they told the ABC. “It annoys a lot of people, but changing the way we speak doesn’t feel right to us at all.”</p> <p>Paula and Bridgette also previously made headlines during a 2016 appearance on <em>Good Morning Britain</em>, charming hosts Piers Morgan and Susannah Reid with their synchronised laughter and responses.</p> <p>“Sometimes we do feel like just one person, yes, we do,” they said at the time.</p> <p><em>Image: X (Formerly Twitter)</em></p>

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"Dumb and Dumber": Karl levels brutal accusation

<p>Treasurer Jim Chalmers has dismissed accusations that Australia’s major political parties are recklessly splurging on big-ticket promises to win votes, defending Labor’s fiscal strategy during a heated exchange with <em>Today </em>host Karl Stefanovic.</p> <p>Stefanovic didn’t hold back on Monday morning, opening the interview with a blunt comparison, saying watching the major parties was like "watching <em>Dumb and Dumber</em>, you guys recklessly buying our votes".</p> <p>Chalmers swiftly pushed back, insisting there is "a really important difference" between responsible budgeting and empty spending.</p> <p>“What we've shown as a Labor government is we’ve been able to maintain a focus on the cost of living,” Chalmers said.</p> <p>“At the same time, we’ve got the budget in much better nick, and that’s meant that we could make room for the sorts of commitments that we have been making in a really responsible way."</p> <p>Chalmers pointed to the government’s fiscal achievements, highlighting a significantly stronger budget position. “The budget’s more than $200 billion stronger than when we came to office. We’ve got the Liberal debt down,” he said. “We’ve delivered those two surpluses, and that’s meant we’ve been able to help with the cost of living. Ongoing tax relief, helping with medicines and energy, bill rebates and the like.”</p> <p>The debate comes as both Labor and the Coalition unveil costly housing policies, which economists warn could further inflate housing prices by injecting more money into an already overheated market.</p> <p>Chalmers criticised the Coalition’s approach, claiming it lacks lasting impact. “What Peter Dutton did yesterday was to borrow and burn another $10 billion and still provide no ongoing cost of living help for people who are doing it tough," he argued.</p> <p>“And then he’ll claw that back with permanently higher income taxes, lower wages and secret cuts to pay for his nuclear reactors.”</p> <p>As the election campaign heats up, both sides are under increasing scrutiny over their spending pledges and their real impact on Australians facing mounting cost-of-living pressures.</p> <p><em>Images: Today show</em></p>

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What would – and should – happen to the ABC under the next federal government?

<div class="theconversation-article-body">Who could possibly argue with the idea that the ABC should be efficiently run and produce excellent programs?</p> <p>No one, you would think. So why, then, has there been immediate resistance to Opposition Leader Peter Dutton’s <a href="https://www.smh.com.au/politics/federal/dutton-tells-abc-to-show-excellence-or-face-funding-razor-gang-20250402-p5lofu.html">statement</a> that, if elected next month, a Coalition government would “reward excellence” and “keep funding in place” if the ABC is “being run efficiently”?</p> <p>The fact that Coalition governments – and Dutton himself – have historically been deeply hostile to the public broadcaster is part of it. Many have picked up on the implicit threat that if his government did not find “excellence”, its funding would be cut.</p> <p>But there’s more than that. For example, who defines “excellence” and “efficiency”?</p> <p>Second, the ABC is set up by statute to be run independent of government.</p> <p>Third, the ABC has been subjected to a slew of efficiency reviews, in 1988, 1997, <a href="https://www.abc.net.au/news/2006-03-15/abc-efficient-under-funded-kpmg-report/8183700">2006</a>, <a href="https://www.infrastructure.gov.au/sites/default/files/ABC_and_SBS_efficiency_report_Redacted.pdf?acsf_files%20_redirect">2014</a> and <a href="https://www.infrastructure.gov.au/sites/default/files/2018-national-broadcasters-efficiency-review-redacted.pdf">2018</a>. Overwhelmingly, they found the ABC does more with fewer resources than its counterparts in the commercial media.</p> <p>For example, in 2006, at the behest of the Coalition government led by John Howard, KPMG found the ABC was a “broadly efficient organisation” providing a “high volume of outputs and quality relative to the level of funding it receives”.</p> <p>Let’s translate the consulting-speak. The ABC’s annual budget of $1.2 billion costs $43 per person in Australia. The cheapest subscription to Netflix costs more than twice that amount - $95.88 – and of course the ABC provides much more than a single streaming service.</p> <p>Fourth, Coalition governments’ record of antipathy towards the ABC is most obvious in how they fund it.</p> <hr /> <p><iframe id="WOgDZ" class="tc-infographic-datawrapper" style="border: 0;" src="https://datawrapper.dwcdn.net/WOgDZ/" width="100%" height="400px" frameborder="0" scrolling="no"></iframe></p> <hr /> <p>As ABC chair Kim Williams said <a href="https://www.abc.net.au/about/media-centre/speeches-and-articles/abc-chair-kim-williams-am-address-to-the-melbourne-press-club/105132866">last week</a>, in real terms the ABC’s funding is $150 million less than it was in 2013 when the coalition last came to power. This is notwithstanding the current Labor government’s restoring of at least some lost funding.</p> <p>Add to this the fear that Dutton is seeking to emulate Donald Trump. Amid the tempest of economic and social measures the US president has brought in since his inauguration in January, his attacks on public and international broadcasting have passed unnoticed by many.</p> <p>By executive order, Trump has <a href="https://mailchi.mp/poynter/president-trumps-latest-press-target-voice-of-america?e=1e851c3327">abolished Voice of America </a>(VOA), which began during the second world war. VOA has provided news to nearly 50 countries, including those that did not have press freedom. Its broadcasts are by statute meant to be accurate and objective. It has been an arm of soft power diplomacy for the US.</p> <p>Trump has also threatened to defund the public broadcasters, National Public Radio (NPR) and the Public Broadcasting Service (PBS), labelling them “radical left monsters”.</p> <p>The difference between public broadcasting in the US and Australia is that for the former, the government provides only a small percentage of its funding. Most of it comes from donations from citizens, grants from foundations and corporate sponsorship, according to <a href="https://www.forbes.com/sites/antoniopequenoiv/2025/03/27/will-trump-defund-npr-and-pbs-heres-what-we-know-as-president-attacks-the-broadcasters/">a recent report</a> in Forbes.</p> <p>PBS and NPR occupy a smaller part of the overall US media landscape than the ABC and SBS in Australia, but NPR’s reporters in particular have been actively, if dispassionately, reporting on the Trump Mark II administration’s tumultuous first few months.</p> <p>Like the VOA, the ABC’s international broadcasting arm is largely invisible to audiences in its host country. This means any cuts could well pass unnoticed, unlike, say, if the ABC said it could no longer afford to air the children’s TV series, Bluey.</p> <p>Through radio, TV, and now online, the ABC has broadcast to Australia’s neighbours since the second world war, initially as an agent to spread democratic value, but in more recent decades to model effective public interest journalism. The ABC, like the BBC, has a charter of independence.</p> <p>The ABC’s work in the international arena, through Radio Australia and ABC Australia, is vital, not only to bolster national security by providing trusted news and information about Australia and its allies, but by working alongside and supporting local Indo-Pacific news organisations.</p> <p>The Albanese Labor government appears to have understood this threat, providing some extra funding for the international services mostly in response to China’s increased presence in the region, as Alexandra Wake argued in her <a href="https://link.springer.com/book/10.1007/978-3-031-47571-9">2024 book</a> Transnational Broadcasting in the Indo-Pacific.</p> <p>Labor’s funding boost remains inadequate, though, to properly broadcast an Australian voice to the region because, she argued, of increasingly fraught relations between nations, and a complex political and media environment.</p> <p>One of the most pressing priorities now is to extend the Labor government’s Pacific Security and Engagement Initiatives (the original $8 million per year) which is due to end in June 2026. Without this, the ABC will have transmission to the region, but next to no appropriate content.</p> <p>Australia needed to rectify past mistakes by increasing international broadcast funding and protecting that funding from future government cuts. Australia also needed to adopt the long-term thinking that China displayed if it was to counteract China’s strategic ambitions for the region.</p> <p>By closing VOA, Trump and his government efficiency wrecking ball, Elon Musk, have actually left open an opportunity for Australia to lean into the unique strategic advantage granted by Australia’s economic and geographical place in the region.</p> <p>The move to cut US aid supporting journalism extends to smaller outfits such as Benar News Pacific, which recently <a href="https://www.benarnews.org/english/news/philippine/letter-from-editors-benarnews-pauses-operations-04022025104657.html">told its audience</a> it was “pausing operations”.</p> <p>For the past decade, Benar News (and its parent Radio Free Asia) has been reporting across the region on security, politics and human rights. “The US administration has withheld the funding that we rely on to bring our readers and viewers the news from Indonesia, Malaysia, Thailand, Bangladesh, the Philippines and island-states and territories in the Pacific,” it said in a letter from the editors.</p> <p>Such local news services may be small but are a vital bulwark in the multi-polar world Trump seeks to shape.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/248117/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em>By <a href="https://theconversation.com/profiles/matthew-ricketson-3616">Matthew Ricketson</a>, Professor of Communication, <a href="https://theconversation.com/institutions/deakin-university-757">Deakin University</a>; <a href="https://theconversation.com/profiles/alexandra-wake-7472">Alexandra Wake</a>, Associate Professor, Journalism, <a href="https://theconversation.com/institutions/rmit-university-1063">RMIT University</a>, and <a href="https://theconversation.com/profiles/michael-ward-421548">Michael Ward</a>, PhD candidate in media and communications, <a href="https://theconversation.com/institutions/university-of-sydney-841">University of Sydney</a></em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/what-would-and-should-happen-to-the-abc-under-the-next-federal-government-248117">original article</a>.</em></p> <p><em>Image: Instagram</em></p> </div>

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"Yes, Burger Boy!": Australian Idol winner crowned for 2025

<p>What a night to remember! After two electrifying evenings packed with powerhouse performances and surprise guest appearances, <em>Australian Idol </em>has officially crowned its 2025 winner. In a grand finale brimming with excitement, finalists Iilysh Retallick, Gisella Colletti and Marshall Hamburger delivered unforgettable performances – but it was 19-year-old Marshall Hamburger who stole the show and captured the hearts of the nation.</p> <p>Marshall’s victory marks a sensational end to the show’s tenth season, earning him not only the coveted title of Australian Idol 2025 but also a life-changing prize package: $100,000 in cash and an exclusive recording deal with Hive Sound Studios.</p> <p>Overflowing with gratitude, Marshall beamed moments after his name was announced. “Thank you, Australia, thank you so much. You're gonna hear a lot of me in the future, I'll be out there,” he promised, as cheers erupted across the studio.</p> <p>Fans didn’t hold back their excitement, lighting up social media with praise for the newly crowned star. "I’m so happy congratulations Marshall," one fan wrote, while another cheered, "What a legend!" And in a playful nod to his surname, another delighted supporter exclaimed, "Yes, Burger Boy!"</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/reel/DIJN6_MiD5_/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/DIJN6_MiD5_/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Australian Idol (@australianidol)</a></p> </div> </blockquote> <p>Behind the scenes, Australian Idol host Scott Tweedie shared some fun insights into the suspenseful process of announcing the winner live on air, revealing the team’s clever methods to avoid any mishaps during such high-stakes moments.</p> <p>"We have it written down, so there’s no way that communication can be wrong," he explained. "On the card we've got in our hands, it has the winner's name – and we even use the 'thumb rule.' Your thumb has to be on the name you’re about to announce, so you cannot say the wrong name."</p> <p>Adding to the excitement, co-host Ricki-Lee, who has a deep-rooted history with <em>Idol</em>, typically takes centre stage for the final announcement. "Because of her DNA with Idol, I think she is the best at doing those really big announcements," Scott said, noting he’s always ready to back her up live on air.</p> <p>With a thrilling season now complete, all eyes are on Marshall Hamburger as he embarks on what promises to be an incredible musical journey. If his grand finale performance is any indication, Australia – and the world – will be hearing plenty from this rising star.</p> <p><em>Images: Instagram</em></p>

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Hanson Handover: Pauline Hanson's daughter steps into the political arena

<p>It seems politics really does run in the family. Lee Hanson, daughter of the ever-controversial Pauline Hanson, has decided to follow in her mother’s well-trodden (and often stormy) footsteps, announcing her candidacy for a Tasmanian senate seat under the One Nation banner. </p> <p>Lee, who has spent the past 13 years in Tasmania – presumably perfecting her ability to handle both cold weather and heated debates – says her top priorities are cost of living, education and healthcare. All reasonable concerns, although we can't help but wonder if she’s also prepared for the free political rollercoaster ride that comes with being part of One Nation.</p> <p>Both mother and daughter took to the <em>Sunrise</em> stage to discuss this next-generation political move, and the conversation was a mix of admiration, mild surprise and the kind of family banter that makes family barbeques look tame.</p> <p>When host Nat Barr asked Lee why she was willingly stepping into the political firestorm, she admitted: “If you had asked me 10 years ago if I would be standing here right now, I would say, ‘Absolutely not, no way!’”</p> <p>Pauline, ever the proud mother, was quick to throw her support behind her daughter: “I have an immense amount of pride in her… She has a lot to offer on the floor of parliament. It’s not an easy job. It’s a tough job.” (That’s politician-speak for good luck, kid – you’ll need it.)</p> <p>The interview also touched on how the two Hansons navigate political disagreements. Surprisingly, there aren’t many, but Lee assures us she challenges her mother’s thinking. “No, (we) don’t argue politically," she said. "I test her thinking and provide a different context from a next generation.” </p> <p>Pauline, in a rare moment of concession, admitted Lee is probably “a bit more diplomatic” – which, given Pauline’s long history of fiery speeches and memorable headlines, is a bit like saying a housecat is slightly more diplomatic than a lion.</p> <p>The interview wrapped up with a wholesome twist, as Pauline took a moment to wish her grandson, Noah, a happy birthday.</p> <p>So, will Lee Hanson make her own mark in politics? Or will she remain forever in her mother’s shadow? Only time will tell. But one thing’s for sure – Australian politics just got a whole lot more interesting.</p> <p><em>Images: Sunrise</em></p>

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Chaos at Sunrise as Nat Barr and Shirvo told to evacuate

<p>It was a normal morning at <em>Sunrise</em> – until it wasn’t. Nat Barr and Matt Shirvington, Australia’s trusted duo for morning headlines, found themselves in an unexpected plot twist when a blaring alarm interrupted their broadcast.</p> <p>Just as they were busy reminiscing about <em>The Sound of</em> Music turning 60, their usual smooth delivery was derailed by an insistent fire alarm.</p> <p>“Hey, that’s a fire alarm! We might have to evacuate here,” a concerned Shirvo said, his journalistic instincts kicking in faster than a sprinter off the blocks.</p> <p>Barr, ever the professional, sought confirmation from the floor crew. “Are we being told to evacuate?” she asked, as though a second opinion might change the fact that alarms generally mean "leave".</p> <p>Despite a classic “Should we stay or should we go?” moment, the pair was finally ushered out – only to be showered in gold confetti by the <em>Sunrise</em> crew, who clearly had been planning this for weeks.</p> <p>“Of course it is – April Fools’,” Shirvo said, shaking his head as he wiped glitter from his suit. Barr, likely already composing a strongly worded email to the prank masterminds, chuckled in defeat.</p> <p>And so, another <em>Sunrise</em> April 1st came and went, proving once again that news anchors aren’t just here to report the stories – they sometimes <em>are</em> the story.</p> <p><em>Images: Network 7</em></p>

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Pete Evans announces major new high-profile venture

<p>Former <em>My Kitchen Rules</em> celebrity chef Pete Evans has landed a high-profile speaking engagement at the world’s largest Bitcoin convention, set to take place in Las Vegas this May.</p> <p>Evans, who was dropped from his hosting role on the popular Seven reality cooking show in 2020 due to his controversial views on Covid vaccines and masks, has since shifted his focus to cryptocurrency. On Monday, he took to Instagram to announce his upcoming appearance at Bitcoin Vegas, where he will discuss the intersection of long-term health and financial wealth.</p> <p>“I am honoured and excited to be speaking at Bitcoin Vegas in May on the marriage of long-term regenerative health and wealth for ALL,” Evans wrote in his post.</p> <p>Tickets for the event range from $500 to $3,000 USD, with attendees gaining access to speeches from influential figures, including US senators, tech billionaires and Evans himself.</p> <p>Evans’ latest venture follows a turbulent period in his career. In November 2020, he was engulfed in controversy after sharing a cartoon on Instagram that featured the Nazi-associated “black sun” symbol. Although Evans swiftly deleted the post and claimed he was unaware of its racist connotations, the backlash was equally swift. Major Australian retailers such as Target and Kmart severed ties with him, and brands like Baccarat followed suit.</p> <p>Speaking on the "Secrets of the Underworld" podcast in February, Evans described the fallout as a “coordinated attack”.</p> <p>“Within the space of 24 hours, the 15 business partners I was involved with all pretty much publicly denounced me,” he said. “For that to happen, it has to be a coordinated effort from some party. I don’t know who or what, but it wasn’t like, ‘Pete fked up,’ it was like, ‘Pete fked up, let’s put the attack dogs onto this.’”</p> <p>Evans has since said that the backlash was meant to deter others from questioning mainstream narratives surrounding vaccines and other issues. “This is what we can do to somebody, so be good boys and girls, just go along with the agenda, don’t stick your head up because we will financially destroy you,” he said.</p> <p><em>Image: Instagram</em></p>

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Hilarious gift for Home and Away icon after her final scene

<p>After an incredible 33-year run on <em>Home and Away</em>, beloved actress Lynne McGranger has filmed her final scene, marking the end of an era for both the show and its devoted fans. Portraying the iconic Irene Roberts, McGranger’s departure is a moment of celebration and nostalgia for the Australian TV industry.</p> <p>McGranger wrapped up her last scene on the legendary Pier Diner set at Seven’s Eveleigh Studios in Sydney on Wednesday. The emotional moment was met with cheers and heartfelt applause as the cast and crew gathered to witness the final take for the longest-serving female cast member in the show’s history.</p> <p>Producer Lucy Addario led the tributes, presenting McGranger with a bouquet of flowers on behalf of the <em>Home and Away</em> production team. Adding a touch of humour and nostalgia, she was also gifted the famous “Hamburger Phone” – a prop synonymous with the Diner – as a token of appreciation for her unforgettable contribution to the show.</p> <p>Grateful and emotional, McGranger reflected on her incredible journey. “I’ve had the ride of my life. And I love each and every one of you so much: The cast – Ray, Georgie, Emily, Shane, Ada, James, all the youngins,” she said. “The art department, the writers, everybody – there’s so many unsung heroes. This show is made up of so many parts. You’re all amazing, and it’s been my great privilege to work with each and every one of you. I’m touched, I’m humbled, and I’m so honoured. Thank you so much.”</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/reel/DHp-tuUCy-h/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/DHp-tuUCy-h/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by 7NEWS Sydney (@7newssyd)</a></p> </div> </blockquote> <p>Though McGranger’s time on set has concluded, her character’s exit storyline promises to keep viewers captivated for months to come. Since her debut in January 1993, Irene has been a cornerstone of Summer Bay, known for her toughness, sharp wit and heart of gold. A recovered alcoholic who turned her life around, Irene’s journey has seen her take in numerous foster children and face some of the show’s most dramatic storylines, from battling breast cancer to surviving bomb explosions and plane crashes.</p> <p>Throughout the years, Irene’s signature catchphrases – “girly”, “darl”, and “flippin’ heck!” – have cemented her place in Australian pop culture. In 2023, <em>TV WEEK</em> even ranked her the second Greatest Australian TV Character Of All Time, a testament to McGranger’s unforgettable performance <span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">(Alf was No.1, in case you're wondering)</span><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">.</span></p> <p>Even as fans prepare to say goodbye to Irene Roberts over the coming months, McGranger’s legacy will live on in the hearts of <em>Home and Away</em> viewers. Her unmistakable charm has left an indelible mark on the show, and she will always be remembered as a true Summer Bay icon.</p> <p><em>Images: Network 7</em></p>

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Melissa Leong is back!

<p>Following months of speculation, it has been confirmed that Melissa Leong, best known for her role as a judge on <em>MasterChef Australia</em> from 2020 to 2023, will be competing in the upcoming season of <em>The Amazing Race Australia</em>. The <em>Dessert Masters</em> star will be joined by her close friend Leah Wilson as they take on the globe-trotting adventure.</p> <p>The full cast for the new season was officially announced on Wednesday, revealing an exciting lineup of celebrities and their loved ones vying for the grand prize of $100,000 for their chosen charities. Hosted by Beau Ryan, this season promises intense challenges and fierce competition as teams race around the world.</p> <p>Melissa Leong isn't the only high-profile name on the roster either. Among the contestants is <em>SAS Australia</em>’s chief instructor Ant Middleton, who is teaming up with his brother Dan. Also joining the adventure are <em>Below Deck</em> star and <em>I’m A Celebrity</em> finalist Aesha Scott, who will compete alongside her fiancé Scott Dobson. Radio personality and former <em>I’m A Celebrity</em> champion Brendan ‘Fev’ Fevola is set to race with his 18-year-old daughter Leni.</p> <p>Reality TV fans will also recognise <em>Big Brother Australia</em>’s original host, Gretel Killeen, who is pairing up with her daughter Epiphany Mason. Killeen’s participation coincides with Channel 10’s highly anticipated reboot of <em>Big Brother</em>, to be hosted by Mel Tracina.</p> <p>Other notable contestants include:</p> <ul> <li>Four-time Olympian Bronte Campbell and her fiancé Benfield Lainchbury</li> <li>Parkour athlete Dom ‘Tomato’ Di Tommaso and his friend Marx Marsters</li> <li>Comedian Ed Kavalee and fitness trainer Tiffiny Hall</li> <li>TikTok sensations Luke and ‘Sassy’ Scott O’Halloran</li> <li>Model Lindy Klim and her daughter Stella Klim</li> <li>Engaged couple Rob Mills and Georgie Tunny</li> <li>Comedian Steph Tisdell and her brother Ben Tisdell</li> <li>Brothers and actors Stephen Curry and Bernard Curry</li> </ul> <p>Following the announcement, fans took to social media to share their thoughts on the cast, with reactions ranging from excitement to confusion. While some viewers expressed enthusiasm for certain contestants, others questioned the celebrity status of the lineup.</p> <p>“Who are half of these so-called celebrities?” one user asked, while another commented, “Not one celebrity in sight, honey.” Others humorously speculated, “Is the celebrity in the room with us?”</p> <p>Despite some skepticism, there was significant excitement surrounding Luke and Sassy Scott, with many fans already cheering them on as early favourites.</p> <p>“Team @lukeandsassyscott ❤️ I can’t wait for all the belly laughs from these two,” one supporter wrote. Another added, “@lukeandsassyscott for the win. Luke, you better behave or Sassy will kick your a**.”</p> <p>Filming for the new season has just begun, meaning viewers will have to wait a few months before they can watch the action unfold. Based on previous seasons, which filmed in May and aired in September, it is likely that the upcoming instalment will follow a similar schedule or potentially premiere earlier due to changes in production timelines.</p> <p><em>Images: Network Ten</em></p>

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"Frankly, it's pathetic": The Project hosts lash out at wombat snatcher

<p>The hosts of <em>The Project</em> have lashed out at US hunting influencer Sam Jones after she pulled out of a scheduled interview at the last minute.</p> <p>Jones, <a href="https://www.oversixty.com.au/finance/legal/wombatgate-explodes" target="_blank" rel="noopener">who sparked outrage</a> by snatching a baby wombat from its mother and sharing a video of the incident with her 92,000 Instagram followers, has faced further condemnation for her recent actions.</p> <p>Jones was set to appear on <em>The Project</em> on Sunday night to answer tough questions from the panel but instead opted to provide a pre-recorded video statement. The decision did not sit well with host Hamish Macdonald, who described it as "pathetic".</p> <p><a href="https://www.oversixty.com.au/lifestyle/family-pets/outrage-should-not-be-selective-wombat-snatcher-speaks-out" target="_blank" rel="noopener">In her video message</a>, Jones apologised for her actions but also took aim at the Australian government for allowing farmers to kill wombats. "It was an incredible mistake, and there hasn't been a moment I haven't regretted it," she stated. However, she then shifted the blame, saying, "The same government that is calling for my head is the one that spends millions of your tax dollars to mass slaughter native Australian animals."</p> <p>Jones later posted a statement on Instagram about the controversy. Addressing the audience, Hamish Macdonald said, "I think we probably just need to be totally straight and honest with you at home, we were all here earlier this afternoon to do an interview with her and ask her questions, but she pulled out of that and instead provided that video statement. I think, frankly, it's pathetic, given what's happened."</p> <p>He continued, "Obviously, no one condones violence or threats of violence or any of the things that have been thrown her way, but honestly, to say you're 'genuinely sorry' but not be willing to explain yourself, and then point the finger at the Australian government – I think it's pretty lousy."</p> <p>Co-host Sarah Harris then chimed in, saying, "I think the infuriating stuff came in her apology afterwards, where she said, 'Oh you know, the Australian government allows the slaughter of wombats.' It's just not true. We know that wombats are protected here."</p> <p>Harris pointed out that offenders harming a wombat could face fines of up to $40,000 and two years in prison. Macdonald then doubled down on his criticism, calling Jones' statement "riddled with misinformation". He added, "This is typical of influencers. They only want to make their own statements to the world, with no responsibility or accountability. The reality is, there's been a strong public response because Australians are proud of their wildlife and the incredible nature that we have."</p> <p>Following Jones' decision to cancel her interview, viewers of <em>The Project</em> quickly took to social media to voice their disapproval. One Facebook user wrote, "Sounds like, 'Sorry, not sorry'." Another commented, "She is only sorry she got caught," while a third remarked, "Typical American turning this whole wombat episode into an Australian political error. She needs to get her FACTS straight."</p> <p>Jones has yet to respond to the fresh wave of criticism, but the backlash against her actions and response shows no signs of dying down.</p> <p><em>Images: Instagram / The Project</em></p>

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A late start, then a big boom: why it took until 1975 for Australians to finally watch TV in colour

<div class="theconversation-article-body"> <p>Some 50 years ago, on March 1 1975, Australian television stations officially moved to colour.</p> <p>Networks celebrated the day, known as “<a href="https://artsandculture.google.com/story/c-day-and-the-colour-monster-national-archives-of-australia/LAWRcgnnNY1cKA?hl=en">C-Day</a>”, with unique slogans such as “come to colour” (ABC TV), “Seven colours your world” (Seven Network), “living colour” (Nine Network) and “first in colour” (<a href="https://televisionau.com/feature-articles/network-ten">0-10 Network</a>, which later became Network Ten). The ABC, Seven and Nine networks also updated their logos to incorporate colour.</p> <figure><iframe src="https://www.youtube.com/embed/T7gZdYVZJNc?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>For most viewers, however, nothing looked much different. The majority owned a black and white TV, while a coloured broadcast required a colour TV set.</p> <p>Advertisers were initially reluctant to accept the change, which required them to re-shoot black and white commercials with colour stock at a significantly higher cost.</p> <p>Many reasoned viewers were still watching the ads in black and white. And initially this assumption was correct. But by nine months later, 17% of Australian homes <a href="https://trove.nla.gov.au/newspaper/article/110829595?searchTerm=colour%20television%20in%20australia%201975">had a colour receiver</a>. This rose to 31% by July 1976.</p> <p>By 1978, 64% of Melbourne and 70% of Sydney households owned colour TV sets, making Australia one of the world’s fastest adopters of colour TV.</p> <p>According to the Federation of Australian Commercial Television Stations (FACTS) annual report for 1975–76, colour TV increased overall viewership by 5%, with people watching for longer periods.</p> <p>The 1976 Montreal Olympics also led to an <a href="https://www.nfsa.gov.au/collection/curated/asset/96836-olympic-games-coverage-colour">increase in TV sales</a>, with the colour broadcast shared between the ABC, Seven and Nine.</p> <figure><iframe src="https://www.youtube.com/embed/L-75iIoshak?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">Highlights from the Montreal 1976 Olympic Games marathon event.</span></figcaption></figure> <h2>A late start</h2> <p>With the United States introducing colour TV from 1954, it’s peculiar that Australia took so long to make the transition – especially since conversations about this had been underway since the 1960s.</p> <p>In 1965, a report outlining the process and economic considerations of transitioning to colour was tabled in parliament.</p> <p>Feedback from the US highlighted problems around broader acceptance in the marketplace. Colour TV sets were expensive and most programs were still being shot in black and white, despite the availability of colour.</p> <p>Networks were the most hesitant (even though they’d go on to become one of the most major benefactors). In 1969, it was <a href="https://australianfoodtimeline.com.au/colour-tv-introduced/">estimated transitioning to colour</a> would cost the ABC A$46 million (the equivalent of $265,709,944 today) over six years.</p> <p>The federal government, led by then prime minister Robert Menzies, decided to take a cautious approach to the transition – allowing manufacturers, broadcasters and the public time to prepare.</p> <p>The first colour “test” broadcast took place on June 15 1967, with <a href="https://televisionau.com/2025/03/tv-50-years-in-colour.html">live coverage</a> of a Pakenham country horse racing event in Victoria (although few people would have had coloured TV sets at this point).</p> <p>Other TV shows also tested broadcasting in colour between 1972 and 1974, with limited colour telecasts aired from mid-1974. It wasn’t until March 1975 that colour TV was being transmitted permanently.</p> <figure><iframe src="https://www.youtube.com/embed/vIqqiK4ncfs?wmode=transparent&amp;start=40" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">‘Aunty Jack Introduces Colour’ was a one-off television special of The Aunty Jack Show, broadcast on the ABC on February 28 1975.</span></figcaption></figure> <h2>The cinema industry panics</h2> <p><a href="https://anzacportal.dva.gov.au/wars-and-missions/vietnam-war-1962-1975/events/withdrawal-from-1971">Australia’s involvement</a> in the Vietnam War created further urgency to televise in colour. With the war ending in April 1975, Australians watched the last moments in colour.</p> <p>Other significant events broadcast in colour that year included the December federal election, in which Malcolm Fraser defeated Gough Whitlam after the latter was <a href="https://www.youtube.com/watch?v=SXq056TJhU4">dramatically dismissed</a> as prime minister on November 11.</p> <p>With the public’s growing interest in colour TV, local manufacturers began lobbying for higher tariffs on imports to encourage domestic colour TV production.</p> <p>In the mid 1970s, a new colour set in Australia cost between $1,000 and $1,300, while the average full-time annual income was <a href="https://www.abs.gov.au/AUSSTATS/abs@.nsf/Lookup/6302.0Main+Features1Sep%201975?OpenDocument=">around $8,000</a>. Still in the throes of a financial recession, customers began seeking out illegally-imported colour TV sets – which were appearing at car boot markets across the country.</p> <figure><iframe src="https://www.youtube.com/embed/wTKMqPg4hM8?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">British childrens show The Wombles came to Australian screens shortly after colour TV was introduced.</span></figcaption></figure> <p>The government also created an advertising campaign warning the public of scammers who would offer to convert black-and-white TVs to colour. These door-to-door “salesmen” <a href="https://hoaxes.org/archive/permalink/instant_color_tv#google_vignette">claimed to have</a> a special screen which, when placed over a TV, would magically turn it colourful.</p> <p>By 1972, the estimated cost of upgrading broadcasting technology to colour <a href="https://www.nfsa.gov.au/latest/colour-tv-part-1">had reached $116 million</a>. The cinema industry, in a panic, even questioned whether colour TV could damage a viewer’s eyesight.</p> <p>The industry had previously suffered huge losses in cinema attendance with the introduction of black-and-white TV from 1956. Cinemas had a monopoly on colour and were petrified over what the introduction of colour to television could do to their attendances.</p> <p>Such fears were founded. In 1974 Australia had 68 million admissions to the cinema. By 1976, there were just 28.9 million admissions. Never again would yearly cinema admissions reach <a href="https://www.screenaustralia.gov.au/fact-finders/cinema/industry-trends/historical-admissions">above 40 million</a>.</p> <p>But despite the complaints – from the cinema industry, advertisers, broadcasters and manufacturers – audiences were ready for colour. And any network that dared to program in black and white would subject itself to a barrage of annoyed viewers.</p> <p>Colour TV was here to stay.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/251363/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/stephen-gaunson-265553">Stephen Gaunson</a>, Associate Professor in Cinema Studies, <a href="https://theconversation.com/institutions/rmit-university-1063">RMIT University</a></em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/a-late-start-then-a-big-boom-why-it-took-until-1975-for-australians-to-finally-watch-tv-in-colour-251363">original article</a>.</em></p> <p><em>Image: </em><em>Youtube/Austvarchive</em></p> </div>

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"I didn’t stop screaming": Sandra Sully recalls horrifying gun attack

<p>Veteran Ten newsreader Sandra Sully has opened up about the horrifying gun attack she endured back in 1997 in the latest episode of the Stellar<em> Something To Talk About</em> podcast.</p> <p>Sully was held at gunpoint as she was returning from from a late news shift in November 1997. </p> <p>She was getting out of her car a little after midnight when she was attacked by a masked assailant who tried to push her back into the car. There was a struggle and the assailant put a gun to her temple and pulled the trigger twice, but fortunately, it failed to go off. </p> <p>Sully kept screaming until her attacker eventually fled the scene, and the attack was kept a secret from the public for 20 years. </p> <p>The newsreader returned to work just a few weeks later. </p> <p>“Because I was doing night shifts, I had a security detail for 10 years every night when I got home and that gave me real comfort,”  she revealed on the podcast. </p> <p>She believed that her screams saved her life, recalling: “It did save me. I really believe that. It was funny, I had a dream as a young woman most of my life about a really frightening experience and that I would be trying to scream and nothing would come out.” </p> <p>“And at the time I remember screaming and I was shocked that it was coming out, and I knew, I found out within a day or two that the people next door had called the police and because I didn’t stop screaming despite him pistol-whipping me, he ran.</p> <p>"That was the only thing that saved me. I was lucky. Because he had a gun, balaclava and handcuffs. So he meant business.”</p> <p>Sully had previously told Stellar that it took her a long time to process what had happened and open up about the ordeal publicly. </p> <p>“It was at least 10 years before I was ready to talk about it to anyone other than my family, and probably 15 years before I felt like I could put it behind me,” she said in the 2017 interview. </p> <p>“I still don’t like to be surprised. If someone makes a loud noise, I jump. I am always aware in a carpark.”</p> <p><em>Image: Instagram</em></p>

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