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Court views footage of final moments before Clare Nowland was tasered

<p>A registered nurse with nearly 50 years of experience has expressed her deep concern regarding the tasering of 95-year-old Clare Nowland, a resident at Yallambee Lodge nursing home in Cooma, New South Wales.</p> <p>The incident occurred in the early hours of May 17, 2023, and <a href="https://www.oversixty.com.au/news/news/clare-nowland-dies-officer-charged" target="_blank" rel="noopener">resulted in Nowland's death</a>, a great-grandmother suffering from dementia.</p> <p>Senior Constable Kristian James Samuel White, 34, is currently on trial in the NSW Supreme Court facing manslaughter charges related to the incident. He has pleaded not guilty, asserting that he acted lawfully under his duties as a police officer.</p> <p>During her testimony, Nurse Rosaline Baker recounted her alarm when she called triple-0 after Nowland had grabbed two steak knives and a jug of prunes from the kitchen. Following her call for help, White and Acting Sergeant Rachel Pank arrived on the scene after two paramedics. Together with Baker, they located Nowland in a treatment room. When White pulled out his taser, Baker admitted she was unfamiliar with the device and felt "kind of curious". However, her curiosity turned to horror when she heard a loud noise and witnessed Nowland being struck by the stun gun. "I was very, very concerned when she was falling to the ground," Baker stated in court.</p> <p>The trial has revealed troubling details about Nowland's condition and behaviour leading up to that fateful night. Expert testimony indicated that her behaviour had escalated over the three months prior to her death. She exhibited increasingly anti-social behaviour, such as taking food from other residents, attempting to undress in public areas, and refusing assistance from staff. CCTV footage presented during the trial showed Nowland physically lashing out at staff members and even getting stuck in a tree, as well as footage showing the final moments of Nowland's life as she hid from emergency service staff – including Senior Constable White.</p> <p>Nowland had been admitted to the hospital on April 16 and prescribed the anti-psychotic drug Risperdal to manage her aggressive behaviour after incidents involving punching and biting staff. Under questioning by defence barrister Troy Edwards SC, an expert acknowledged that Nowland's behaviour just before she was tasered could have been influenced by a recent reduction in her medication dosage.</p> <p>The trial continues.</p> <p><em>Images: 7 News</em></p>

Caring

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Freddy Krueger at 40 – the ultimate horror movie monster (and Halloween costume)

<div class="theconversation-article-body"><em><a href="https://theconversation.com/profiles/adam-daniel-301018">Adam Daniel</a>, <a href="https://theconversation.com/institutions/western-sydney-university-1092">Western Sydney University</a></em></p> <p>Movie monsters have captivated audiences since the days of early cinema. They evoke fascination and terror, allowing audiences to confront their fears from the safety of the movie theatre or living room.</p> <p>Arguably one of the most enduring and captivating of these monsters is Freddy Krueger, the villain of the <a href="https://www.imdb.com/title/tt0087800/">A Nightmare on Elm Street</a> series who celebrates his 40th screen birthday this November.</p> <p>Memorably played by Robert Englund, Freddy quickly became a cultural icon of the 1980s and 1990s. Beyond his burned face and iconic bladed glove, Freddy’s dark humour and acidic personality set him apart from other silent, faceless killers of the era, such as Michael Myers in <a href="https://www.imdb.com/title/tt0077651/?ref_=nv_sr_srsg_2_tt_6_nm_0_in_0_q_halloween">Halloween</a> or Jason Vorhees in <a href="https://www.imdb.com/title/tt0080761/?ref_=fn_al_tt_1">Friday the 13th</a>.</p> <p>Written and directed by horror maven <a href="https://theconversation.com/wes-craven-the-scream-of-our-times-46915">Wes Craven</a>, 1984’s A Nightmare on Elm Street garnered positive reviews for its innovative concept: Freddy stalked and attacked his victims in their dreams, making him inescapable and allowing him to tap into their deepest fears. The series (seven films plus a 2010 remake and <a href="https://www.imdb.com/title/tt0329101/?ref_=fn_al_tt_1">Freddy vs. Jason</a> spin offs) blended supernatural horror and surrealism with a dark and twisted sense of humour.</p> <h2>Scary … but funny</h2> <p>Humour was key to Freddy’s “popularity”. Both sinister and strangely charismatic, Freddy’s psychological torture of his adolescent victims often oscillated between terrifying and amusing.</p> <p>A famous kill scene from 1987’s <a href="https://www.imdb.com/title/tt0093629/?ref_=fn_al_tt_1">A Nightmare on Elm Street 3: Dream Warriors</a> demonstrates this paradox.</p> <p>Aspiring actress Jennifer drifts off to sleep while watching a talk show on TV. In her dream, the host of the talk show suddenly transforms into Freddy, who attacks his guest before the TV blinks out. When Jennifer timidly approaches the TV set, Freddy’s head and clawed hands emerge from the device, snatching her while delivering an iconic one-liner: “This is it, Jennifer – your big break in TV!”</p> <p>Freddy turns his victims’ fears or aspirations – their dreams – against them.</p> <figure><iframe src="https://www.youtube.com/embed/dCVh4lBfW-c?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">‘Whatever you do, don’t fall asleep.’</span></figcaption></figure> <h2>Creating a monster</h2> <p>Craven has shared how the character of Krueger came to life in <a href="https://www.imdb.com/title/tt1510985/?ref_=fn_al_tt_1">Never Sleep Again: The Elm Street Legacy</a>, an oral history of the series.</p> <p>He described a childhood experience of seeing a strange mumbling man walking past his childhood home. The man stopped, he said, and looked directly at him “with a sick sense of malice”. This deeply unsettling experience helped shape Freddy’s menacing presence.</p> <p>The character’s creation also emerged from the filmmaker’s interest in <a href="https://www.iflscience.com/nightmare-on-elm-street-was-inspired-by-a-real-life-medical-mystery-60527">numerous reports of Southeast Asian refugees dying in their sleep</a> after experiencing vivid nightmares.</p> <p>In the film, Krueger’s origin story reveals him as a child murderer who was apprehended but released due to a technicality in his arrest. Seeking justice, the parents of his victims take matters into their own hands, and form a vigilante mob. They corner him in his boiler room and burn him alive. But Freddy’s spirit survives to haunt and kill the children of his executioners.</p> <h2>Cultural repression, expressed on film</h2> <p>Film critic and essayist <a href="https://www.cineaste.com/summer2019/robin-wood-on-horror-film-collected-essays-and-reviews#:%7E:text=Freudian%20theory%2C%20a%20crucial%20theoretical,the%20horror%20film%20perpetually%20enacts.">Robin Wood argued</a> horror films often bring to the surface elements society has repressed. These fears, desires, or cultural taboos are not openly acknowledged.</p> <p>But movie monsters act as manifestations of what society suppresses, such as sexuality, violence or deviant behaviour. American academic <a href="https://www.tandfonline.com/doi/abs/10.1080/01956051.1995.9943696">Gary Heba</a> argues Freddy is:</p> <blockquote> <p>an example of America’s political unconscious violently unleashed upon itself, manifesting everything that is unspeakable and repressed in the master narrative (perversion, child abuse and murder, vigilantism, the breakdown of rationality, order, and the family, among others), but still always present in the collective unconscious of the dominant culture.</p> </blockquote> <figure><iframe src="https://www.youtube.com/embed/UBrl4H0Uzng?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">Actor Robert Englund calls Freddy Krueger ‘the gift that keeps on giving’.</span></figcaption></figure> <h2>The monster decades</h2> <p>The 1970s and 1980s marked a golden era for the creation of horror film nasties like Krueger, Myers, <a href="https://www.imdb.com/title/tt0072271/?ref_=fn_al_tt_3">The Texas Chainsaw Massacre</a>’s Leatherface and <a href="https://www.imdb.com/title/tt0094862/?ref_=fn_al_tt_19">killer doll Chucky</a>.</p> <p>Since then, the landscape of horror has shifted, with fewer singular monsters emerging. The diversification of horror sub-genres (zombie virus horror, anyone?), the rise of psychological horror (<a href="https://www.imdb.com/title/tt7784604/?ref_=nv_sr_srsg_2_tt_4_nm_2_in_0_q_heredi">Hereditary</a>), and an emphasis on human-driven terror (<a href="https://www.imdb.com/title/tt0416315/?ref_=nv_sr_srsg_1_tt_7_nm_0_in_0_q_wolf%2520creek">Wolf Creek</a>) or supernatural forces all contribute to this shift.</p> <p>While modern horror continues to thrive, few characters have achieved the same iconic status as Freddy – although some would argue Art the Clown from the recent <a href="https://www.imdb.com/title/tt4281724/">Terrifier</a> franchise and the reinvigorated Pennywise from <a href="https://www.imdb.com/title/tt1396484/?ref_=nv_sr_srsg_1_tt_6_nm_1_in_0_q_it">IT</a> could join this exclusive group.</p> <figure><iframe src="https://www.youtube.com/embed/ZuYoEtEI_go?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">‘Five, six, grab your crucifix.’ A 2010 Nightmare on Elm St reboot failed to fire.</span></figcaption></figure> <h2>Happy Halloween!</h2> <p>Despite a <a href="https://www.imdb.com/title/tt1179056/">failed reboot in 2010</a>, the legacy of A Nightmare on Elm Street is strong, having influenced numerous filmmakers with its skilful mix of surrealism and slasher horror.</p> <p>However, it’s the orchestrator of the titular nightmares whose legacy is perhaps the strongest.</p> <p>With each Halloween, new fans choose Freddy for their costume. All it takes is a tattered striped sweater, a brown fedora hat, and a glove with sharp, finger-lengthening blades. Don’t forget makeup to re-create Krueger’s grisly facial burns. Sweet dreams!<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/240905/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><a href="https://theconversation.com/profiles/adam-daniel-301018"><em>Adam Daniel</em></a><em>, Associate Lecturer in Communications, <a href="https://theconversation.com/institutions/western-sydney-university-1092">Western Sydney University</a></em></p> <p><em>Image credits: New Line Cinema - IMDB</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/freddy-krueger-at-40-the-ultimate-horror-movie-monster-and-halloween-costume-240905">original article</a>.</em></p> </div>

Movies

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Elmo's chat about grief with famous actor goes viral

<p>A heart-warming conversation between actor Andrew Garfield and Elmo has gone viral for their candid conversation about grief. </p> <p>While on a press tour to promote his new film <em>We Live in Time</em>, the English actor stopped by Sesame Street for a chat about his mourning journey after his mother died from pancreatic cancer in 2019. </p> <p>Sitting on a stoop beside Elmo, Garfield began the vulnerable conversation, that has been praised for being so open about the taboo of grief and death. </p> <p>“Elmo’s going around Sesame Street checking in on everybody,” Elmo told a smiling Garfield. “So, Elmo wants to know how Andrew’s doing?”</p> <p>With some encouragement from the Muppet, Garfield revealed that he’s been thinking about his mother, as he said, “She passed away not too long ago, and you know, I just miss her. Miss her a lot.”</p> <p><iframe title="YouTube video player" src="https://www.youtube.com/embed/EVlXbiP4x2E?si=fFYYt5DJDiGAawXJ" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p> <p>After Elmo responded apologetically, Garfield reassured Elmo that there’s no need to say sorry, and that “it’s actually kind of OK to miss somebody,” even if it invokes feelings of sadness.</p> <p>“That sadness is kind of a gift. It’s kind of a lovely thing to feel, in a way, because it means you really loved somebody when you miss them,” Garfield said, adding: “When I miss my mum, I remember all of the cuddles I used to get from her, all of the hugs I used to get from her.”</p> <p>Garfield finished his thoughts by saying that he can miss and celebrate his mother at the same time, as Elmo thanked Garfield for sharing his emotions, saying, “You know what, Elmo is gonna think about and celebrate your mommy, too.”</p> <p>The video quickly racked up millions of views and comments, with many saying how Andrew's thoughts were so poignant, and that they resonated with their own personal stories of grief.</p> <p>Many people called it a "touching conversation" that was "absolutely beautiful", while another person added, "I didn't expect a talk with Elmo to get this deep."</p> <p><em>Image credits: Sesame Street - YouTube</em></p>

Mind

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Channel Nine staff viciously attacked on streets of Paris

<p>In a troubling incident that raises serious concerns over safety at the Paris Olympics, two radio technicians from Channel Nine's Olympic team were attacked on Tuesday evening in an apparent attempted robbery. This attack occurred <a href="https://oversixty.com.au/finance/legal/aussie-woman-s-horror-assault-in-paris-days-before-olympics" target="_blank" rel="noopener">just days after the alleged gang rape</a> of a 25-year-old Australian woman in the French capital, highlighting escalating security risks as the Games approach.</p> <p>Channel Nine’s Director of Sport, Brent Williams (pictured above), informed staff that the two technicians had left the International Broadcast Centre and were walking to their accommodation in the north-eastern suburb of Le Bourget when they were assaulted by a group of men.</p> <p>Describing the incident as "an assault of a serious physical nature", Williams confirmed that the victims managed to escape and find safety. The incident has been reported to the police.</p> <p>In light of this attack, Nine has reminded its staff to stay vigilant and to remove their Olympic credentials when not required, especially when travelling. Broadcasters have been warned by security experts that despite increased military and police presence in the capital, criminals may still target those they perceive as vulnerable.</p> <p>This incident follows another harrowing event involving an Australian citizen. The Paris prosecutor's office has confirmed an investigation into the alleged gang rape of a 25-year-old Australian woman, which occurred on the night of July 19 to 20. The woman sought refuge in a café in the 18th arrondissement. French Interior Minister Gérald Darmanin has stated that while the investigation is a matter for the police, he is closely monitoring developments.</p> <p>Darmanin has also issued a handwritten letter to all police officers, gendarmes, firefighters, emergency service personnel and intelligence agents, acknowledging the difficulty of their task.</p> <p>“The eyes of the world will be fixed on you," Darmanin wrote. "Your task will not be easy", urging them after four years of intense presentation to “present the most beautiful face of France”.</p> <p>The French authorities have deployed 35,000 police and gendarmes, with plans to increase this number to 45,000 for the opening ceremony. Additionally, 18,000 soldiers are on standby to counter potential threats, with an Islamist terror attack being the primary concern for organisers.</p> <p>As preparations continue, authorities are under immense pressure to safeguard the Games and mitigate the risks posed by criminal activities and potential terrorist threats. The world will be watching as Paris strives to balance the celebration of athletic achievement with the paramount need for security.</p> <p><em>Image: <span style="box-sizing: border-box; color: #212529; font-family: -apple-system, 'system-ui', 'Segoe UI', Roboto, 'Helvetica Neue', Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji'; font-size: 16px; background-color: #ffffff;">Richard Ellis/UPI/Shutterstock Editorial </span></em></p>

Travel Trouble

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Neighbours fan favourite leaving Ramsay Street after 30 years

<p>After 30 years on Ramsay Street, a fan favourite actor is saying goodbye to <em>Neighbours</em>. </p> <p>Ryan Moloney, known for his longstanding role as Jarrod ‘Toadfish’ Rebecchi, announced that he would be leaving the show in an announcement video posted to the <em>Neighbours</em> Instagram page. </p> <p>The 44-year-old actor introduced himself as “formerly Jarrod ‘Toadfish’ Rebecchi" before clarifying, "That’s right, I did say formerly, because after 30 years playing Toadie, I will be leaving Ramsay Street.”</p> <p>“I can’t tell you what is happening to the character – maybe I could be the next Jim Robinson. Or maybe I’ll be the next Harold Bishop and just keep popping back over the years.”</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/reel/C8tUG1GScZq/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/C8tUG1GScZq/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Neighbours (@neighbours)</a></p> </div> </blockquote> <p>Moloney hinted at his career change saying he wanted to spend more time behind the camera and start working as a director. </p> <p>As part of his new career move, he shared that he’d just finished on his first <em>Neighbours</em> episode as a director.</p> <p>“Thank you all so much for all the love that you have shown me and Toadie over the years. For three decades, in fact. I’m going to miss you, I’m going to miss him, and I’m going to miss Erinsborough. But whatever you do, make sure you do not miss what is going to happen on Ramsay Street,” he said. </p> <p>The sudden news sent fans into a tizzy, with many sharing emotional reactions to the news as they prepared to farewell a character who has been with them since the 90s. </p> <p>“Omg What?! Toadie is iconic. Won’t be the same. Hopefully he comes back to Erinsborough for a visit,” wrote one viewer.</p> <p>“This is so sad! I hope he keeps ‘popping back’ to the street rather than die. I am going to miss toadie,” said another.</p> <p>Moloney made his <em>Neighbours</em> debut in 1995 as a teenager and stayed with the show until it was axed in 2022.</p> <p>He was then one of the returning cast members when the show was rebooted a year later.</p> <p><em>Image credits: Andy Barnes / FameFlynet.uk.com/Shutterstock Editorial </em></p> <p> </p>

TV

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Racist street name set to change

<p>The name of a street in northern NSW is set to be changed after an Uber driver stumbled across it and alerted locals to its racist background. </p> <p>Byron Shire Council announced that Hottentot Crescent in Mullumbimby, will soon be renamed Moonlight Close, after the council deemed Hottentot - a racist term for Indigenous South Africans - no longer appropriate for use. </p> <p>Jonny Simons, a local man who moved to Australia from South Africa in the 1980s, was the first person to petition for the name change back in November, after the Uber driver tipped him off. </p> <p>He garnered 383 signatures in the petition, but not all residents and community members supported the change. </p> <p>Last year, there were 12 submissions from past and present residents objecting to the council's name change proposal. </p> <p>One resident insisted on keeping the name saying: “My understanding is that our street name was chosen decades ago, after a tree, the Hottentot Bean Tree (Schotia Brachypetala). Never in my time as a resident here, have I heard another person ever relate the street name in regards to a racial slur." </p> <p>“While I appreciate the concerns raised, it is essential to acknowledge that names can change in meaning and connotation over the years.</p> <p>“Altering the street name would greatly impact residents and the council long term with endless administrative changes and potential financial costs.”</p> <p>However, five other submissions were in favour of the change, with one writing: “a racial slur is a racial slur even if a tree is named after it. As much as I loved the sound of the name, it has to go.” </p> <p>A few other names were put forward, including Drunken Parrot Place - named after a nearby tree full of lorikeets getting drunk in spring and summer - but the council ultimately decided on Moonlight Close. </p> <p>In November, following community consultation, the council’s director of infrastructure services Phillip Holloway, recommended the name change “on the basis that there is more lasting value in trying to minimise the type of hurt this particular name could cause some people over the long term", over avoiding costs to the residents in the short term.</p> <p>He added that many of the residents were unaware of the racist connotation of the name "beyond naming the relevant tree", and that "the tree name itself is racially loaded" because it is linked to the slur used towards the Khoisan people "who used the tree for food during South Africa’s colonisation.”</p> <p>Simons, who petitioned for the change, said he doesn't hold anything against the residents who were against the name change as "they didn't know what it meant". </p> <p>"They thought it was the name of a tree, but that tree was named as such because the Khoisan people of South Africa ate the fruit of that tree," he said. </p> <p><em>Image: Google Maps</em></p>

Legal

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Hollywood legend targeted on the street in unprovoked attack

<p>During an increase in unprovoked attacks in New York City, a Hollywood A-lister has been targeted in broad daylight. </p> <p>Actor Steve Buscemi was strolling through Kips Bay in mid-town Manhattan last Wednesday when a man walked up and struck the actor in an attack just before midday.</p> <p>The attack on the 66-year-old star is one of the latest unprovoked assaults in the five boroughs, law enforcement sources told <a href="https://nypost.com/2024/05/12/us-news/boardwalk-empire-star-steve-buscemi-attacked-by-rock-wielding-maniac-in-nyc/" target="_blank" rel="noopener"><em>The New York Post</em></a>.</p> <p>The actor, who starred in <em>Fargo</em> and <em>Boardwalk Empire</em>, suffered swelling to his face and left eye and was taken to Bellevue Hospital for treatment.</p> <p>His attacker fled the scene and is still at large, according to police. </p> <p>“Steve Buscemi was assaulted in Mid-Town Manhattan, another victim of a random act of violence in the city,” Buscemi’s publicist said in a statement to <em>The Post</em>.</p> <p>“He is OK and appreciates everyone’s well wishes, though incredibly sad for everyone that this has happened to while also walking the streets of New York.”</p> <p>A worker in the area who witnessed part of the assault told the publication, “I saw he was with a woman, and then through the corner of the window I saw him trip and fall backwards.”</p> <p>“He right away got up and ran in the opposite direction. I didn’t see who hit him."</p> <p>“It worries me for when we close because we close at 11 and it can get scary around that time,” said the woman.</p> <p><em>Image credits: Shutterstock / NYCPD</em></p>

Legal

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Why this iconic view of Mt Fuji is set to be obstructed

<p>One small town in Japan is fed up with disrespectful tourists, and is set to take drastic measures to block an iconic view of My Fuji to deter travellers. </p> <p>Fujikawaguchiko, at the foot of the Yoshida Trail to Mount Fuji, has long been overrun with tourists who are hellbent on getting the perfect picture of the Japanese mountain. </p> <p>Tourists specifically flock to the Lawson convenience store to take their pictures, with the contrast between the busy neon-lit shop and the peaceful mountain behind it making for the perfect holiday snap. </p> <p>However, in recent years since Japan reopened its borders to international tourists after harsh Covid lockdowns, these tourists have had the run of the town, and locals have had enough. </p> <p>To combat the over tourism of the area and deter travellers, local officials of the town are set to erect a giant mesh barrier atop the store, blocking the picture perfect view.</p> <p>One town official said that there have been ongoing problems with tourists leaving trash and not following traffic rules, despite signs and security guards being posted to warn them.</p> <p>"It is regrettable that we had to take such measures," the official said.</p> <p>The net, which measures 2.5 meters high and 20 meters long, will be erected early next week.</p> <p>The crowds plaguing the small town, which is in Yamanashi prefecture, to the north of Fuji and about 100 kilometres west of Tokyo, is just one part of a larger over tourism issue in the whole of Japan. </p> <p>"Overtourism – and all the subsequent consequences like rubbish, rising CO2 emissions and reckless hikers – is the biggest problem facing Mount Fuji," Masatake Izumi, a Yamanashi prefectural government official, <a href="https://www.cnn.com/travel/mount-fuji-overtourism-intl-hnk/index.html">told CNN Travel</a> in 2023.</p> <p>Some locals had even nicknamed the 3,776-meter (12,388-foot) mountain, called Fuji-san in Japanese, "trash mountain."</p> <p><em>Image credits: Getty Images </em></p>

International Travel

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"Welcome home, Harold": Iconic Neighbours actor returns to Ramsay Street

<p>More than 15 years after his departure, Harold Bishop is returning to Ramsay Street. </p> <p>Ian Smith's character has long been a fan favourite on <em>Neighbours</em>, after originally starring on the soap between 1987 and 1991, before he returned in 1996 until his departure in 2009. </p> <p>Since then, Harold has made multiple guest appearances, including in the 2022 finale.</p> <p>When Amazon picked up the Aussie show, Smith rejoined the cast for a short time but quickly left after a health scare.</p> <p>But now, Harold is making another comeback. </p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/C5fVoAlvJEJ/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/C5fVoAlvJEJ/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Neighbours (@neighbours)</a></p> </div> </blockquote> <p>The official <em>Neighbours</em> Instagram shared the exciting news of his return, writing, “After 15 years of living away, the legendary Harold Bishop is returning to Erinsborough."</p> <p>“We are thrilled to welcome Ian Smith back to the show and the opening titles, where he belongs.”</p> <p>Fan were quick to flood the comment section with excitable messages, rejoicing in the fact that a fan favourite character was returning. </p> <p>“The best news. The show misses an elder character like Harold,” one person wrote.</p> <p>Another commented, “Absolutely amazing news to wake up too. Welcome home, Harold.”</p> <p><em>Image credits: Getty Images / YouTube </em></p>

TV

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Aussie street crowned "world's coolest"

<p>Global media company <em>Time Out</em> have released their official list of the world's coolest streets, with one busy street in Melbourne's inner north coming in first place. </p> <p>What makes a street cool? Well, according to the publication, each street's food offerings, drink options, cultural delights, nightlife and overall sense of community are the main factors that were taken into consideration when they made their list. </p> <p>To create the 2024 lineup, the publication had their global team of local expert editors and contributors each make a case for the coolest street in their city. </p> <p>Melbourne's High Street claimed the top spot local Time Out Melbourne editor Leah Glynn praising the road's "epic restaurants, hidden bars, live music venues and boutique shops". </p> <p>Glynn said that the street’s “bona fide cool status” comes down to one thing - “its unique, something-for-everyone local businesses”.</p> <p>The street itself is easily accessible from the CBD via the 86 tram line and criss-crosses the suburbs of Northcote, Thornbury and Preston. </p> <p>Hollywood Rd, one of the oldest streets in Hong Kong came in second. Pre-dating LA's famous entertainment district, the street itself is home to incredible restaurants including Michelin-starred Tate Dining Room.</p> <p>It's also home to the Man Mo Temple and the Mid-Levels Escalators, the world's longest outdoor covered escalator system.</p> <p>East Eleventh in Austin came in third, as it "encapsulates the city's spirit" for packing so many venues in a short quarter-mile. </p> <p>One other Australian street made it into the list of the top 30 coolest streets and that street is Sydney’s Foster St, which came in 23rd. </p> <p>“Along with neighbouring Campbell St, it’s part of the inner city precinct known as the Hollywood Quarter,” <em>Time Out</em> said. </p> <p>“Despite the dazzling name, the quarter brings low-key cool vibes, and is bordered by Central, Thai Town, and cool suburbs Surry Hills and Darlinghurst.”</p> <p><strong>Here is Time Out's Top 10 coolest streets: </strong></p> <ol> <li>High St, Melbourne</li> <li>Hollywood Rd, Hong Kong</li> <li>East Eleventh, Austin</li> <li>Guatemala St, Buenos Aires</li> <li>Commercial Dr, Vancouver</li> <li>Jalan Petaling, Kuala Lumpur</li> <li>Rua da Boavista, Lisbon</li> <li>Arnaldo Quintela, Rio de Janiero</li> <li>Chazawa-dori, Tokyo</li> <li>Consell de Cent, Barcelona</li> </ol> <p><em>Images: </em><em>South China Morning Post via Getty Images</em></p>

Domestic Travel

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Beloved Coronation Street star dies aged 89

<p><em>Coronation Street</em> star Joan Savage has passed away at 89. </p> <p>The actress, known for her role as Celeste Pickersgill in the  ITV soap series, was reported to have passed away peacefully in her home in Twickenham earlier this month. </p> <p>Her cause of death has not been revealed. </p> <p>Tributes have poured in from the star's friends and family. </p> <p>In a touching tribute, her daughter Kelly wrote:  "Mum always used to say 'I'd like to go with my tap shoes on' so the last few years have been extremely difficult for her and us as a family.</p> <p>"I hope she's reunited with her show biz contemporaries and putting on a show up there!" she added.</p> <p>Her friend, Cheryl Forbes paid tribute to the actress on X. </p> <p>"Our dear friend, the remarkable Joan Savage, passed away recently,"  she tweeted. </p> <p>"She was a real star and absolutely brilliant at everything she did," she continued. "An actress, comedienne, singer, impressionist and dancer.</p> <p>"She was truly a very special talent."</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Our dear friend, the remarkable Joan Savage, passed away recently. She was a real star and absolutely brilliant at everything she did. An actress, comedienne, singer, impressionist and dancer. She was truly a very special talent 💔 <a href="https://t.co/mDtL2YTeX6">https://t.co/mDtL2YTeX6</a></p> <p>— Cheryl Forbes (@mezzocheryl) <a href="https://twitter.com/mezzocheryl/status/1724507318316859598?ref_src=twsrc%5Etfw">November 14, 2023</a></p></blockquote> <p>Savage has spent over six decades in the show biz industry. She starred in an episode of <em>Dad's Army</em> in 1972, and made multiple appearances in <em>The Arthur Haynes Show</em> between 1956 and 1962. </p> <p>Aside from her glittering career on the screen, she also ventured out  into music, theatre and entertainment.</p> <p>She toured as the leading lady in a George and Alfred Black revue called <em>Music and Madness, </em>where she met performer Ken Morris - who she later on married in 1955 - and the pair performed as a double act. </p> <p>The duo appeared in multiple big shows and advertisements at the time including  <em>Hi Summer, The Black and White Minstrel Show, The Jack Jackson Show</em> and <em>The Arthur Haynes Show.</em></p> <p>In 1960, they welcomed daughter Kelly, but their love story was cut short when Morris tragically passed away on July 3, 1968 following a brain tumour. </p> <p>Four years later, Savage remarried, and tied the knot with husband  Bryan on November 1972.</p> <p>She continued performing and had also established herself as a solo artist, creating popular love songs, comedies and even went on to win the Nordring Radio Prize for her singing in 1974. </p> <p>Savage is survived by her husband Bryan, her daughter Kelly and her two grandkids.</p> <p><em>Images: Getty/ Youtube</em></p>

Caring

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Streets of purple haze: how the South American jacaranda became a symbol of Australian spring

<p><em><a href="https://theconversation.com/profiles/susan-k-martin-107846">Susan K Martin</a>, <a href="https://theconversation.com/institutions/la-trobe-university-842">La Trobe University</a></em></p> <p>Jacaranda season is beginning across Australia as an explosion of vivid blue spreads in a wave from north to south. We think of jacarandas as a signature tree of various Australian cities. Sydney, Melbourne, Adelaide and Perth all feature avenues of them.</p> <p>Grafton in New South Wales hosts an annual <a href="https://www.jacarandafestival.com/">jacaranda festival</a>. Herberton in Queensland is noted for <a href="https://www.facebook.com/jacarandafestivalherberton/">its seasonal show</a>.</p> <p>There are significant plantings in many botanic, public and university gardens across Australia. <em>Jacaranda mimosifolia</em> (the most common species in Australia) doesn’t generally flower in Darwin, and Hobart is a little cold for it.</p> <p>So showy and ubiquitous, jacarandas can be mistaken for natives, but they originate in South America. The imperial plant-exchange networks of the 19th century introduced them to Australia.</p> <p>But how did these purple trees find their stronghold in our suburbs?</p> <h2>Propagating the trees</h2> <p>Botanist Alan Cunningham sent the first jacaranda specimens from <a href="https://mhnsw.au/stories/general/dream-tree-jacaranda-sydney-icon/">Rio to Britain’s Kew gardens</a> around 1818.</p> <p>Possibly, jacaranda trees arrived from Kew in colonial Australia. Alternately, Cunningham may have disseminated the tree in his later postings in Australia or through plant and seed exchanges.</p> <p>Jacarandas are a widespread imperial introduction and are now a feature of many temperate former colonies. The jacaranda was exported by the British from Kew, by other colonial powers (Portugal for example) and directly from South America to various colonies.</p> <p>Jacarandas grow from seed quite readily, but the often preferred mode of plant propagation in the 19th century was through cuttings because of sometimes <a href="https://mhnsw.au/stories/general/dream-tree-jacaranda-sydney-icon/">unreliable seed</a> and <a href="https://academic.oup.com/histres/article/93/262/715/5938031?login=true">volume of results</a>.</p> <p>Cuttings are less feasible for the jacaranda, so the tree was admired but rare in Australia until either nurseryman Michael Guilfoyle or gardener George Mortimer succeeded in propagating the tree in 1868.</p> <p>Once the trees could be easily propagated, <a href="https://www.woollahra.nsw.gov.au/library/local_history/woollahra_plaque_scheme/plaques/michael_guilfoyle">jacarandas became more widely available</a> and they began their spread through Australian suburbs.</p> <h2>A colonial import</h2> <p>Brisbane claims the earliest jacaranda tree in Australia, <a href="https://blog.qagoma.qld.gov.au/godfrey-rivers-under-the-jacaranda-a-quintessential-image-of-brisbane-queensland/">planted in 1864</a>, but the Sydney Botanic Garden jacaranda is dated at “around” 1850, and jacarandas were listed for sale in <a href="https://trove.nla.gov.au/newspaper/article/13055858?searchTerm=Jacaranda%20OR%20Jakaranda">Sydney in 1861</a>.</p> <p>These early park and garden plantings were eye-catching – but the real impact and popularity of jacarandas is a result of later street plantings.</p> <p>Jacaranda avenues, in Australia and around the world, usually indicate wealthier suburbs like Dunkeld in <a href="https://www.wisemove.co.za/post/top-10-richest-suburbs-in-johannesburg">Johannesberg</a> and Kilimani in <a href="https://gay.medium.com/hashtag-jacaranda-propaganda-2f20ac6958b9">Nairobi</a>.</p> <p>In Australia, these extravagant displays appear in older, genteel suburbs like Subiaco and Applecross in Perth; Kirribilli, Paddington and Lavender Bay in Sydney; Parkville and the Edinburgh Gardens in North Fitzroy in Melbourne; Mitcham, Frewville and Westbourne Park in Adelaide; and St Lucia in Brisbane.</p> <p>The trend toward urban street avenue plantings expanded internationally in the <a href="https://www.journals.uchicago.edu/doi/abs/10.2307/3983816?journalCode=foreconshist">mid 19th century</a>. It was particularly popular in growing colonial towns and cities. It followed trends in imperial centres, but new colonial cities offered scope for <a href="https://www.ingentaconnect.com/content/whp/eh/2009/00000015/00000003/art00004">concerted planning of avenues in new streets</a>.</p> <p>Early Australian streets were often host to a mix of native plants and exotic imported trees. Joseph Maiden, director of the Sydney Botanic Gardens from 1896, drove the move from mixed street plantings towards avenues of single-species trees in the early 20th century.</p> <p>Maiden selected trees suitable to their proposed area, but he was also driven by contemporary aesthetic ideas of <a href="https://www.ingentaconnect.com/content/whp/eh/2009/00000015/00000003/art00004">uniformity and display</a>.</p> <p>By the end of the 19th century, deciduous trees were becoming more popular as tree plantings for their variety and, in southern areas, for the openness to winter sunshine.</p> <p>It takes around ten years for jacaranda trees to become established. Newly planted jacarandas take between two and 14 years to produce their first flowers, so there was foresight in planning to achieve the streets we have today.</p> <p>In Melbourne, jacarandas were popular in post-first world war plantings. They were displaced by a move to native trees after the second world war. Despite localised popularity in certain suburbs, the jacaranda does not make the list of top 50 tree plantings for <a href="https://www.proquest.com/docview/220356756/714CC7FF6134038PQ/6?accountid=12001">Melbourne</a>.</p> <p>In Queensland, 19th-century street tree planting was particularly ad hoc – the <a href="https://apps.des.qld.gov.au/heritage-register/detail/?id=602440">Eagle Street fig trees</a> are an example – and offset by enthusiastic forest clearance. It wasn’t until the early 20th century street beautification became more organised and jacaranda avenues were planted in areas like New Farm in Brisbane.</p> <p>The popular plantings on the St Lucia campus of the University of Queensland occurred later, in the <a href="https://www.cambridge.org/core/journals/queensland-review/article/abs/for-shade-colour-and-in-memory-of-sacrifice-amenity-and-memorial-tree-planting-in-queenslands-towns-and-cities-191555/459CD1E02E7FD581B4B89ADD7073D705">1930s</a>.</p> <h2>A flower for luck</h2> <p>In Australia, as elsewhere, there can be too much of a good thing. Jacarandas are an invasive species <a href="https://weeds.brisbane.qld.gov.au/weeds/jacaranda">in parts of Australia</a> (they seed readily in the warm dry climates to which they have been introduced).</p> <p>Parts of South Africa have limited or banned the planting of jacarandas because of their water demands and <a href="http://www.scielo.org.za/scielo.php?script=sci_arttext&amp;pid=S0006-82412017000200020">invasive tendencies</a>. Ironically, eucalypts have a similar status in South Africa.</p> <p>Writer <a href="https://gay.medium.com/hashtag-jacaranda-propaganda-2f20ac6958b9">Carey Baraka argues</a> that, however beloved and iconic now, significant plantings of jacarandas in Kenya indicate areas of past and present white population and colonial domination.</p> <p>Despite these drawbacks, spectacular jacaranda plantings remain popular where they have been introduced. There are even myths about them that cross international boundaries.</p> <p>In the southern hemisphere – in Pretoria or Sydney – they bloom on university campuses during examination time: the first blooms mark the time to study; the fall of blooms suggests it is <a href="https://mhnsw.au/stories/general/dream-tree-jacaranda-sydney-icon/">too late</a>; and the fall of a blossom on a student bestows <a href="https://newcontree.org.za/index.php/nc/article/view/34">good luck</a>.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/214075/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><a href="https://theconversation.com/profiles/susan-k-martin-107846"><em>Susan K Martin</em></a><em>, Emeritus Professor in English, <a href="https://theconversation.com/institutions/la-trobe-university-842">La Trobe University</a></em></p> <p><em>Image credits: Shutterstock</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/streets-of-purple-haze-how-the-south-american-jacaranda-became-a-symbol-of-australian-spring-214075">original article</a>.</em></p>

Home & Garden

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"Google it ya lazy mongrels”: Hollywood star's powerful post on Voice Referendum

<p>Hollywood superstar Jason Momoa has divided his 17 million followers after endorsing the Yes campaign for the upcoming Voice referendum. </p> <p>The <em>Aquaman</em> actor, 44, who is of Indigenous Polynesian descent, took to Instagram to repost a  viral ‘Yes vote’ video that was released on Thursday, and features Indigenous musician and writer Adam Briggs and comedians Jenna Owen and Vic Zerbst. </p> <p>"The post read: “#yes23 is a referendum taking place in Australia on October 14. The aim is to give Aboriginal and Torres Strait Island people a Voice in parliament so they can weigh in on issues that affect their lives.</p> <p>“Simple as that. How do I know this? I googled it. But many Australians are confused or freaked out about what it means. </p> <p>"Don’t be! It’s a good thing! Just do good things! Also Google it ya lazy mongrels.”</p> <p>He also added  “VOTE YES to THE VOICE on OCT 14.”</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/reel/Cx9zZMDOkZg/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/Cx9zZMDOkZg/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Jason Momoa (@prideofgypsies)</a></p> </div> </blockquote> <p>Momoa's stance divided his followers, with some claiming that he had no right to weigh in on Australian politics, despite his indigenous heritage.</p> <p>“Stay out of Australian politics mate, do your thing in America and that, but putting your 5 cents in terms on the Yes or No vote is not with you,” wrote angry follower. </p> <p>“Celebrity puppets sharing government propaganda campaigns. The world continues to get weirder,” another added. </p> <p>However, many praised the star for using his platform and lending his voice to the Yes campaign. </p> <p>“Thanks for sharing this. It is a big deal here and causing a lot of controversy and misinformation,” one fan commented. </p> <p>“Thank you and Taika for the solidarity. The lead up to the referendum has been really rough on our communities and it’s actually really nice to get some encouragement from our Indigenous brothers from across the seas,” another added. </p> <p>“I can’t even begin to thank you for sharing this. I will not read any more of the comments,” a third commented. </p> <p>“Thank you for adding your voice to the thousands across Australia who will be voting yes. Every voice counts,” added a fourth. </p> <p>The video itself is a three-minute skit-style clip where Briggs talks to two ignorant women - who had casual biases echoing the No campaign - about the upcoming Voice referendum.</p> <p>He kindly calls them out for their lack of information, with their excuse being that they haven't “had heaps of time” because of "life".</p> <p>“Have you got your phone? Let’s see what you do have time for,” Briggs asks in the clip and as he opens up their search history, and jokingly says: “‘Did Aaron leave Love Island 13 because he had gonorrhoea?’ Big questions." </p> <p>He then googles the proposal and finds a basic explainer in seconds. </p> <p>“The Voice referendum means we are voting to have a body called the Aboriginal and Torres Strait Islander Voice who may make representations to parliament on matters relating to Aboriginal and Torres Strait Islander peoples.</p> <p>"The Voice will give independent advice to parliament and will be chosen by Aboriginal and Torres Strait Islander people based on the wishes of communities. That advice then goes to parliament who continues to hold the ultimate power for legislative change," they said. </p> <p>“OK, well, that is quite clear, I’d just vote yes to that?” the woman adds. “How did you find that? You went on Google, and it’s, the first result? OK, well you need to tell people about that Google thing.”</p> <p>The clip ends with a message that says: "Vote Yes to that referendum thing."</p> <p><em>Images: Instagram/ Getty: </em><em>Mike Marsland/WireImage </em></p>

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Dave Hughes mugged by "big man" on Melbourne street

<p>Comedian Dave 'Hughesy' Hughes has shared an incident on air about a harrowing encounter he had while grabbing dinner in Melbourne for his family on a Tuesday night.</p> <p>The 52-year-old radio host recounted the incident during his appearance on 2DAY FM’s morning show, "Hughesy, Ed &amp; Erin", with fellow comedian and stand-in host, Kate Langbroek.</p> <p>Hughes explained that he had ridden his electric bike to a nearby takeaway restaurant close to his residence to order dinner for his family.</p> <p>Unfortunately, upon his arrival, he discovered that the restaurant he had in mind was closed. Frustrated by the situation, he took out his phone with the intention of calling his wife to discuss alternative dinner plans when, suddenly, his phone was snatched from his hand.</p> <p>While recalling the incident, Hughes expressed how startled he was, saying, "I’m on the bike, and I put my phone up to my ear, and then all of a sudden, someone grabs my phone out of my hand, just grabbed it, yes, stole my phone."</p> <p>He went on to describe the thief as a "big man" who appeared to be under the influence of drugs, suspecting him to be a "meth head": “I look and it’s a man, a big man, and he is off his nut. I’m gonna say he’s a meth head, you know what I'm talking about.”</p> <p>The assailant's erratic behaviour didn't end with the phone theft. Hughes continued, "He tries to talk into the phone and he goes, ‘You weren’t even talking to anyone.’ Like it was my fault, like I was pretending to make a phone call."</p> <p>Rather than pursuing the thief on his bike, Hughes resorted to shouting, "Give me my phone back!"</p> <p>The situation eventually deescalated as the man threw the phone to the ground and stumbled away, eventually confronting a nearby vehicle. "He just staggered off and basically attacked a car,” said Hughes.</p> <p>Langbroek criticised Hughes for not immediately contacting the police after the unsettling incident, expressing concern about tolerating such dysfunction in society.  “I know that we’re all like, that’s sort of how it rolls," she said, "but when you start accepting dysfunction like that, then dysfunction will rule.”</p> <p>Hughes, who had lost his driver's license the previous month due to a series of minor traffic violations that resulted in the loss of his accumulated points, had been relying on his electric bike for transportation. </p> <p><em>Image: 2DAY FM</em></p>

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Hero tradie’s daring move saves toddler who wandered onto busy street

<p>In an awe-inspiring act of bravery that will leave you breathless, shocking <a href="https://au.news.yahoo.com/tradie-scary-move-save-child-095600259.html" target="_blank" rel="noopener">dash cam footage</a> has captured a heart-pounding moment that will forever be etched in the annals of heroism. </p> <p>Laurie Owens, a true guardian angel who fearlessly soared into action on the Salisbury Highway in Adelaide, embarked on a heart-stopping mission to save a young child's life, giving no thought to his own safety or that of his vehicle</p> <p>It was just another day for working tradie Laurie Owens as he navigated the bustling roadways. But with eagle eyes and a heart tuned to protect, Laurie spotted a young boy, still adorned in his nappy, wandering innocently into the treacherous path of oncoming vehicles on a busy highway.</p> <p>In a surge of adrenalin-fuelled heroism, Owens sprang into action as – u<span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">ndeterred by the imminent danger, he gallantly mounted the median strip and fearlessly directed his own vehicle into the path of the charging traffic, all in an effort to shield the toddler from harm's way. </span></p> <p><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">His words echo with undying determination: "I'd rather take the damage of a car running into me because I'm safe rather than the child be killed because what protection do they have?" he told 9News. </span></p> <p>In a dazzling display of divine intervention, the unsuspecting little boy, named Aaryan, instinctively turned and bolted towards the safety of his family driveway, under the watchful gaze of Owens.</p> <p>Owens then gathered the child in his arms, poised to reunite him with his worried parents, who confirmed that Aaryan was indeed their precious child. The driveway gates had been left ajar, allowing the child, who grapples with autism, to embark on an unplanned adventure onto the perilous road.</p> <p>In the tearful aftermath, Aaryan's mother, overwhelmed with gratitude, expressed her deepest appreciation, declaring, "Thank you, I'm really grateful that [he] saved my child."</p> <p>For Owens, the humble champion of this heart-stopping saga, the joy of knowing that the little boy made it home safely was an immeasurable reward. Bursting with pride, he triumphantly proclaimed, "I've saved a kid's life. He's got a future now!"</p> <p><em>Images: 9 News</em></p>

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Transgress to impress: why do people tag buildings – and are there any solutions?

<p><em><a href="https://theconversation.com/profiles/flavia-marcello-403040">Flavia Marcello</a>, <a href="https://theconversation.com/institutions/swinburne-university-of-technology-767">Swinburne University of Technology</a></em></p> <p>In 1985 photographer Rennie Ellis <a href="https://trove.nla.gov.au/work/8707788">defined graffiti</a> as “the result of someone’s urge to say something – to comment, inform, entertain, persuade, offend or simply to confirm his or her own existence here on earth”. Since the mid-1980s, graffiti has crossed from vandalism to an accepted form of art practice through large murals or “pieces” and stencil art aimed at informing, entertaining and persuading us.</p> <p>But these are outnumbered by the tags you see everywhere. These stylised icon-type signatures define a hand style and confirm their author’s existence on Earth. These, for many of us, remain an eyesore. If you walk through an urban environment filled with tags, you may feel less safe. Heavily tagged areas can suggest the area is not cared for or surveilled.</p> <p>So why are Australian cities so full of tags? The problem is, the main solution proven to work is expensive. When tags go up, paint over them – and keep doing it. While anti-graffiti paint exists, it’s not widely used at present.</p> <h2>Why do people tag?</h2> <p>Graffiti in urban centres is often tied to the world-wide proliferation of hip-hop culture. Along with DJing, rapping and breakdancing, “Graf” or “writing” is considered one of its <a href="https://www.britannica.com/art/hip-hop">four pillars</a>.</p> <p>Posturing (or showing off) is a big part of tagging. When you see a tag on a freeway overpass or seemingly inaccessible building parapet, it’s not only confirming the tagger’s existence, it’s bragging. See how high I climbed! See what crazy risks I took!</p> <p>As one tagger in Sydney’s outer south-western suburb of Campbelltown <a href="https://www.aic.gov.au/sites/default/files/2020-05/vandalism-graffiti-state-rail-authority-nsw.pdf">told researchers</a> in the 1980s:</p> <blockquote> <p>If you get on a train and see your name and know you’ve been here before that’s real good. Like, I was here. Or you see your mate’s name and you can say, hey, I know him […] It’s really good if you can get your name up in a difficult place where nobody else has. Other kids look at that and think, great!</p> </blockquote> <p>So why do people tag?</p> <ul> <li> <p>it boosts self-esteem and a sense of belonging to a social network, particularly for teens experiencing alienation at school</p> </li> <li> <p>it demonstrates bravado. Risky places have the added advantages of being both highly visible and harder to remove</p> </li> <li> <p>it gives graf artists practice for bigger pieces. You have to work quickly and accurately, especially in precarious positions where you could get caught at any moment.</p> </li> </ul> <p>While cities like Melbourne <a href="https://www.timeout.com/melbourne/art/where-to-find-the-best-street-art-in-melbourne">have embraced</a> larger murals and pieces as street art – even making them a tourist attraction – tagging isn’t regarded the same way.</p> <p>So why do non-taggers hate it? On a broader level, tagging can signify a sense of social degradation which makes people feel less safe.</p> <p>There’s no clear link between <a href="https://www.aic.gov.au/publications/rip/rip6">more graffiti and more crime</a>. Even so, the public perception is that tagging is a sign warning of the presence of <a href="https://www.aic.gov.au/sites/default/files/2020-05/vandalism-graffiti-state-rail-authority-nsw.pdf">disaffected and potentially violent</a> people in gangs.</p> <p>Asked to picture a tagger and you will most likely come up with a stock photo stereotype: a male teenager in a hoodie from a seedy area. But you would not be completely right. It is true just under half (46%) of graffiti damage and related offences are committed by 14 to 16 year old males, but the largest percentage of offenders actually come from <a href="https://www.goodbyegraffiti.wa.gov.au/Schools/Facts-for-Students/Who-are-the-most-likely-offenders-of-graffiti">middle- to high-income families</a>.</p> <p>So what tools do we have to manage it?</p> <h2>Punishment</h2> <p>It’s perfectly legal to commission a graf artist to paint a wall of a building you own. Many people do this to avoid a street-facing wall being tagged. For it to be illegal, tagging or graffiti has to be done without the owner’s permission.</p> <p>Since the majority of taggers are under 18, if they’re caught, punishment will usually include a caution, fines (presumably paid by bemused but cashed up parents) and cleaning off tags.</p> <p>But punitive measures only go so far because the appeal of graffiti is the transgression. Other measures include keeping spray paint locked away or not for sale to under 18s as well as zero-tolerance rapid removal. This can work for a while, but taggers know their tags are temporary. It’s a constant game of cat and mouse a committed tagger will eventually win.</p> <h2>Technical solutions</h2> <p>If you’ve walked past workers scrubbing or pressure washing tags off walls, you may have wondered why there are no coatings which don’t let paint stick.</p> <p>These actually <a href="https://www.ipcm.it/en/article/anti-graffiti-paints-what-are-they-and-how-they-work.aspx">do exist</a>, and can work well. When in place, you can remove graffiti with a solvent rather than having to repaint. But they’re not widely used.</p> <p>Unless paints such as <a href="https://interestingengineering.com/innovation/7-inventions-from-mexico-that-would-go-on-to-change-the-world">Deletum 3000</a> are used everywhere this approach is unlikely to be effective.</p> <h2>Prevention</h2> <p>The problem with punitive and technical measures is the limited reach. The vast majority of unwanted graffiti <a href="https://www.aic.gov.au/publications/rip/rip6">goes unreported</a>. That’s why prevention is becoming more popular.</p> <p>How do you prevent tagging? By making it easier to report. By setting aside areas for taggers and graf artists. By commissioning pieces to deter graffers from illegal modes. And by talking directly to taggers about strategies. But these behaviour change efforts take time.</p> <p>People who hate tagging often believe taggers are motivated by negative emotions such as <a href="https://www.aic.gov.au/publications/rip/rip6">boredom and rebelliousness</a>. For them it’s vandalism, a criminal act associated with gangs, petty crime, broken windows and a less attractive environment to live in.</p> <p>But the truth is, taggers are often motivated by positive emotions. Tagging, for them, brings pride, pleasure, enjoyment and community. That’s why behaviour change approaches can be hard.</p> <h2>So what’s the best way forward?</h2> <p>In the 1990s, many cities declared war on skateboarders, using punishment and installing metal stoppers on well-skated urban areas. But the real solution was simpler: create skate parks.</p> <p>For taggers, the answer may be similar. Give them spaces such as little-used alleyways to practise their art. And for the rest of us, the solution may be to look at tags with different eyes. Not as a sign of crime and the collapse of civilisation, but as a need for validation, for transgression, for community and all the other things you probably wanted when you were a teenager.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/205492/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/flavia-marcello-403040">Flavia Marcello</a>, Professor of Design History, <a href="https://theconversation.com/institutions/swinburne-university-of-technology-767">Swinburne University of Technology</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/transgress-to-impress-why-do-people-tag-buildings-and-are-there-any-solutions-205492">original article</a>.</em></p>

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How Jurassic Park changed film-making and our view of dinosaurs

<p><a href="https://theconversation.com/profiles/travis-holland-299087">Travis Holland</a>, <em><a href="https://theconversation.com/institutions/charles-sturt-university-849">Charles Sturt University</a></em></p> <p>In June 1993, director Steven Spielberg released a film that unleashed a wave of technological change in film-making and simultaneously helped to revive popular interest in dinosaurs.</p> <p>Jurassic Park, based on Michael Crichton’s novel, spawned five blockbuster sequels as well as a multitude of spin-off games, toys, novels, and multiple animated television shows. It features a theme park housing de-extincted dinosaurs that break out of their confines and cause havoc.</p> <p>Underpinning the plot is clever genetic engineering that has allowed the Park’s scientists to assume they could control all aspects of the dinosaurs’ development, including their sex, much to their later horror when it becomes apparent such control was never possible.</p> <p>The film franchise has taken an average of over $1 billion dollars at the box office, <a href="https://variety.com/2022/film/box-office/jurassic-world-dominion-box-office-billion-1235380452/">according to Variety</a>.</p> <figure><iframe src="https://www.youtube.com/embed/QWBKEmWWL38?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <h2>From puppets to CGI</h2> <p>According to industry legend and <a href="https://www.imdb.com/title/tt20102096/?ref_=ttep_ep6">multiple documentaries</a>, Spielberg had planned to use only practical effects, including stop-motion Velociraptors and an animatronic Tyrannosaurus Rex. However, well into the filming schedule, he was convinced to also include wholly digital dinosaurs after viewing test footage produced by staff at special effects house Industrial Light &amp; Magic.</p> <p>In <a href="https://utpress.utexas.edu/9781477325308/">a critical history</a> of Industrial Light &amp; Magic, Julie Turnock observes that the film “relied on a canny mix of large-scale mechanical effects cut together with a few digitally generated shots”. After its success, ILM embraced digital composition technology more fully and integrated it into many later films.</p> <p>As it stands, Jurassic Park features about 50 shots of digital-only prehistoric creatures, including the first full-body scene of a dinosaur – the sauropod Brachiosaurus - flocking Gallimumus, and the T. rex chasing a Jeep.</p> <p>Industrial Light &amp; Magic <a href="https://www.ilm.com/vfx/jurassic-park/">now claims on their website</a> that “Suddenly, directors could imagine making films in which realistic animals, fantasy creatures, even digital people could perform without restraint.”</p> <p>Nowadays, films and television productions are replete with photoreal computer-generated animals and people and the next revolution in screen production has them projected live behind actors on a series of large screens known as “<a href="https://theasc.com/articles/the-mandalorian">the volume</a>”.</p> <figure><iframe src="https://www.youtube.com/embed/BPUEqvfQuHY?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <h2>Palaeontologists aren’t extinct</h2> <p>Shortly after seeing their first dinosaur, on-screen palaeontologist Alan Grant (Sam Neill) suggests to his palaeobotanist partner Ellie Sattler (Laura Dern) that the de-extinction success of Jurassic Park might make their profession redundant. Their colleague Ian Malcolm (Jeff Goldblum) responds, “Don’t you mean extinct?”</p> <p>But far from extinction, palaeontology and associated sciences have seen an extensive rebound in public interest in the thirty years since Jurassic Park was released.</p> <p>In 1975, palaeontologist Robert Bakker <a href="https://www.jstor.org/stable/pdf/24949774.pdf?casa_token=s5us3t_9TrQAAAAA:hxfVrmS11FACTHHYosZSqQMLDJRWJZTE3a4ggr7kIFauNoIvT8WjUJaZ5hxrKkFNqMcn3-68yiuLlH1tWU7k4o--xCDBpQwYPv4tXjF8KTIU8kpHo0vS">popularised the term “dinosaur renaissance”</a> to describe a spate of developing research findings which argued the creatures were endothermic (warm-blooded), active, and related to the birds rather than cold-blooded, slow and wholly extinct as had been the public perception for much of the previous century. This renaissance lasted from about the 1960s into the 1980s and Jurassic Park reflected many of these new orthodoxies.</p> <p>Bakker himself consulted for the film and was referenced by the character Tim Murphy. A Bakker lookalike also appeared in the sequel The Lost World, further reinforcing its role in reflecting these new perspectives.</p> <p>But the film also arrived at the dawn of yet another new age of dinosaur discoveries which Steve Brusatte, in his 2018 book <a href="https://www.panmacmillan.com.au/9781760780524/">The Rise and Fall of the Dinosaurs</a>, described as “the golden age of discovery”. Brusatte referred to the cohort of scientists making these newer discoveries as “men and women from many backgrounds who came of age in the era of Jurassic Park.” Among their findings are new understandings that many dinosaurs were feathered like their modern avian cousins.</p> <p>Elizabeth Jones recently chronicled the history of the field of “<a href="https://yalebooks.yale.edu/book/9780300240122/ancient-dna/">ancient DNA</a>” science, noting the “Jurassic Park effect” playing out on this fascinating area of research:</p> <blockquote> <p>Even as scientists rejected the conclusions or the implications of the <em>Jurassic Park</em> narrative, they drew on the popularity of the book and movie to emphasise the importance of the technical enterprise in which they were engaged.</p> </blockquote> <p>And <a href="https://cdnsciencepub.com/doi/pdf/10.1139/cjes-2022-0131">a recent review</a> of the last 60 years of dinosaur research by celebrated palaeontologist Philip J. Currie suggested “public interest continues to be stimulated by a multibillion-dollar movie, media, and toy industry founded on our interest in dinosaurs.”</p> <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/530243/original/file-20230606-27-8gx3lo.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/530243/original/file-20230606-27-8gx3lo.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/530243/original/file-20230606-27-8gx3lo.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=338&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/530243/original/file-20230606-27-8gx3lo.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=338&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/530243/original/file-20230606-27-8gx3lo.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=338&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/530243/original/file-20230606-27-8gx3lo.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=424&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/530243/original/file-20230606-27-8gx3lo.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=424&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/530243/original/file-20230606-27-8gx3lo.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=424&amp;fit=crop&amp;dpr=3 2262w" alt="" /></a><figcaption><span class="caption">A scene from Jurassic Park (1993)</span> <span class="attribution">IMDB</span></figcaption></figure> <h2>The Jurassic Park legacy</h2> <p>Dinosaurs have long featured in popular media such as films and television. The first animated dinosaur, Gertie, debuted as <a href="https://palaeomedia.blogs.bristol.ac.uk/2019/07/24/meet-gertie-the-dinosaurus/">part of a vaudeville performance in 1914</a>. Dinosaurs, including a fearsome Tyrannosaurus featured in Disney’s groundbreaking and famed 1940 film Fantasia. But it was Jurassic Park which truly presented them as believable living creatures for the first time.</p> <p>Though the science of the film has <a href="https://www.theguardian.com/science/2009/feb/08/jurassic-park-dinosaur-inaccuracies">been widely criticised</a> since its release, Jurassic Park succeeded in revolutionising film-making and reigniting a public fascination with dinosaurs even as palaeontology itself underwent a boom in new research efforts. In <a href="https://www.penguin.co.uk/books/457392/did-i-ever-tell-you-this-by-neill-sam/9780241648988">his recent memoir</a>, actor Sam Neill described the film’s visuals as “a perfect collision of coming-of-age computer generated imagery… with state of the art puppetry”.</p> <figure><iframe src="https://www.youtube.com/embed/fb5ELWi-ekk?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>The sequels sequels and spin-offs have continued to adapt to changing social expectations, featuring <a href="https://theconversation.com/toss-aside-those-high-heels-how-jurassic-worlds-claire-dearing-lights-a-path-for-women-in-action-films-182334">strong female</a> and <a href="https://www.pride.com/geek/2022/7/21/jurassic-world-camp-cretaceous-goes-out-queer-roar">queer characters</a>, and even <a href="https://www.wired.co.uk/article/jurassic-world-dominion-dinosaur-feathers">feathered dinosaurs</a> in response to changing scientific understandings.</p> <p>Perhaps the next Jurassic film will feature a full-lipped <a href="https://www-science-org.ezproxy.csu.edu.au/content/article/t-rex-lips-new-study-suggests">Tyrannosaurus</a>?<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/203147/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /></p> <p><a href="https://theconversation.com/profiles/travis-holland-299087">Travis Holland</a>, Senior Lecturer in Communication, <em><a href="https://theconversation.com/institutions/charles-sturt-university-849">Charles Sturt University</a></em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/how-jurassic-park-changed-film-making-and-our-view-of-dinosaurs-203147">original article</a>.</em></p> <p><em>Images: Universal Pictures</em></p>

Movies

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“Grandma meant Elmo”: Cake-maker reveals hilarious baking blunder

<p>An American baker has left the internet in stitches after misreading her customer’s custom cake request, instead delivering a baking blunder for the Sesame Street history books.</p> <p>In a video posted to her TikTok account, Brianna Romero - who is known professionally as Brinni Cakes - confessed her mistake to the world, recounting the story of how a recent order from a grandmother had led her to the creation of her new friend ‘Emo Elmo’.</p> <p>“So my worst nightmare happened,” she said, with audio playing over a timelapse of Brianne constructing another cake. “Last week a lady DMed me and asked me if I could make her an emo cake, and I was thinking ‘yes, of course, I love emo and I love goth, and I know I’ve been perfecting my black frosting so I’m ready for this’.” </p> <p>Brianna went on to explain that she’d gotten all of her customer’s information, and set to work. However, an hour before she was set to deliver the cake, she decided to offer the woman a number candle - an offer that was soon accepted. </p> <p>“She said ‘yes, the cake is for my granddaughter and she’s turning four’”, Brianna explained in the clip. “And I thought that that was a little bit weird, ‘cause I don’t know an emo four year old.”</p> <p>After trying to understand the weird request, Brianna figured that the little girl must just be a fan of something like Netflix’s Wednesday series. Unfortunately, this was not the case. </p> <p>“Something felt wrong,” she noted, before describing how she’d reach out again to ask what the theme of the party was, only to find out it was Sesame Street. </p> <p>“So my heart sinks a little bit because this is now making sense to me,” she said. It was then that Brianna returned to the original exchange between herself and her customer, and had her worst fears confirmed. </p> <p>“I misread emo,” Brianna admitted, “and it said an Elmo cake.”</p> <p>Luckily, Brianna was a quick thinker in her time of stress and rushed out to find an Elmo topper for her cake, before offering the cake for free.</p> <div class="embed" style="font-size: 16px; box-sizing: inherit; margin: 0px; padding: 0px; border: 0px; vertical-align: baseline; outline: none !important;"><iframe class="embedly-embed" style="box-sizing: inherit; margin: 0px; padding: 0px; border-width: 0px; border-style: initial; vertical-align: baseline; width: 610.266px; max-width: 100%; outline: none !important;" title="tiktok embed" src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.tiktok.com%2Fembed%2Fv2%2F7212109376436391210&amp;display_name=tiktok&amp;url=https%3A%2F%2Fwww.tiktok.com%2F%40brinnicakes%2Fvideo%2F7212109376436391210&amp;image=https%3A%2F%2Fp16-sign.tiktokcdn-us.com%2Ftos-useast5-p-0068-tx%2Fe19d4562cc04495c8778154678f1d382_1679200086%7Etplv-dmt-logom%3Atos-useast5-i-0068-tx%2F1ad8d307d5f74948880bf2e0f91228f3.image%3Fx-expires%3D1683669600%26x-signature%3DCxdjPe36YRrx4SrRRwvAPwRsevY%253D&amp;key=5b465a7e134d4f09b4e6901220de11f0&amp;type=text%2Fhtml&amp;schema=tiktok" width="340" height="700" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe></div> <p> </p> <p>Brianna’s audience were obsessed with her tale, and the video shot to viral heights, with over 11.7 million views to its name. </p> <p>“As soon as you revealed it was for a 4yr old I was like ‘oh no, grandma meant Elmo’,” one follower wrote. </p> <p>“Praying it’s Elmo with a side bang,” said another. </p> <p>Her misfortune drew in over a thousand comments, but there was a recurring thought that stood out among the chorus, and that was a request to see the baked blunder. </p> <p>And while Brianna admitted in an update that she hadn’t had the time to snap pictures on the day of delivery, she did her best with her follow-up video, sharing photos of cakes that looked “almost exactly” like her own, to the delight of her worldwide audience. </p> <p>“This is so funny,” someone said. “Elmo with a side bang has me in tears.”</p> <p>Meanwhile, another commenter wanted to know what the recipients had thought about their unique goods. </p> <p>“She tried to pay still but I told her everything that happened and we just laughed it off,” Brianna said. “It was just for a small family party anyway.”</p> <p><em>Images: TikTok</em></p>

Food & Wine

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King's-eye-view: Story behind incredibly rare shot from palace balcony

<p>Getty photographer Chris Jackson has shared insight into what it was like to capture the coronation, and watch the moment King Charles III and Queen Consort Camilla walked out onto Buckingham Palace balcony from a unique perspective.</p> <p>Taking to Instagram, Jackson shared a rare image that gave the public a small sense of what Charles and Camilla would see from the balcony.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/Cr6FZQwtiE6/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/Cr6FZQwtiE6/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Chris Jackson (@chrisjacksongetty)</a></p> </div> </blockquote> <p>"An honour to shoot 'behind the scenes' and a never seen before angle from today's historic Coronation, what a day!!!!!! Save a 🥂 for me!", he captioned the post.</p> <p>That wasn’t the only ‘behind-the-scenes' look at the King and Queen’s time on the Palace balcony. Jackson also shared a photo of the pair watching the Royal Navy, Army Air Corps and Royal Air Force doing a flypast.</p> <p>The image shows the aircraft leaving a trail of red, white and blue exhaust as they flew over the proceedings.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/Cr6M3BDNoYw/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/Cr6M3BDNoYw/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Chris Jackson (@chrisjacksongetty)</a></p> </div> </blockquote> <p>"What a view! What a day!" Jackson captioned the post.</p> <p>King Charles and Queen Camilla were captured waving to the crowd from the Palace balcony following his coronation at Westminster Abbey.</p> <p>The pair travelled to the infamous site in a royal carriage for the long-lived tradition.</p> <p>Charles and Camilla were joined on the balcony by their royal pages and members of the British royal family.</p> <p>Prince William and Princess Katie appeared on the balcony with their three children, Prince George, Princess Charlotte and Prince Louis.</p> <p>There were two noticeable absences from the balcony, although neither were expected to be there as only working royals are given the honour of making an appearance on the balcony.</p> <p>Although Prince Harry did attend the coronation, he left shortly afterwards to travel back to the US for his son Archie’s fourth birthday celebrations.</p> <p>Prince Andrew was also present at the coronation but not on the balcony as Charles looks to “slim down” the monarchy.</p> <p>The day marked the first time the royal family appeared on the Buckingham Palace balcony since the death of Queen Elizabeth II.</p> <p>The late Queen waved to the crowd from the balcony, accompanied by Charles, Camilla, William, Kate and their children during Platinum Jubilee celebrations in June 2022.</p> <p>She passed away three months later on September 8, 2022, with Prince Charles immediately anointed as King.</p> <p><em>Image credit: Getty/Instagram</em></p>

Beauty & Style

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Everything A-OK? New history shows the way to Sesame Street wasn’t always easy outside US

<p><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">Associate Professor Helle Strandgaard Jensen based at Denmark’s Aarhus University, says while </span><em style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">Sesame Street</em><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;"> producers presented their content as both diverse and universal, the underpinning US values and assumptions about children often led to cultural clashes in other countries.</span></p> <div class="copy"> <p>With children’s culture again at the centre of debates about <a href="https://www.theguardian.com/books/2023/feb/26/censorship-or-context-australian-book-industry-wrestles-with-how-to-refresh-outdated-classics" target="_blank" rel="noreferrer noopener">banning or re-writing books</a> and what makes for <a href="https://www.news.com.au/national/politics/abc-accused-of-grooming-kids-after-drag-queen-appeared-on-play-school/news-story/efc1dd82aa4fb6b01a4c575e2f40e589" target="_blank" rel="noreferrer noopener">appropriate children’s television</a>, Jensen says a historical approach can provide the opportunity for more informed discussions.</p> <p><em>Sesame Street</em> debuted on television in the US in 1969 (it came to Australia in 1971) and according to its US website: “…has made a positive impact in children’s lives ever since.”</p> <p>The show says: “<em>Sesame Street</em> brings critical early education to children in 150+ countries”. </p> <p>While <em>Sesame Street’s</em> universality was marketed to international audiences, Jensen says the show is shaped by US assumptions about children’s role in society, cognitive psychology and the role of media in education.</p> <p>In European countries like the UK, Germany and Scandinavia there was a more progressive view about children, she says.</p> <p>As a result, the program was sometimes met with hostility by foreign television producers and broadcasters.</p> <p>In Jensen’s home of Denmark, Danish broadcasters rejected the show outright. Instead adapting their own children’s program <em>Legestue </em>to <a href="https://www.shcy.org/features/commentaries/helle-strandgaard-jensen-on-kermits-chubby-danish-cousin/" target="_blank" rel="noreferrer noopener">incorporate a frog</a> named Kaj inspired by Kermit, but one that “loves jazz and talks back to adult authority”, she says.</p> <p>In Germany, where <a href="https://muppet.fandom.com/wiki/Sesamstrasse" target="_blank" rel="noreferrer noopener">‘Sesamestraße’</a> is celebrating its 50<sup>th</sup> anniversary, local co-producers made their own content spliced together with US content, and added their own puppets including a piglet Purk, a snail Finchen and Leniemienie the mouse.</p> <p>German produced content portrays the child at the centre, encouraging them to question authority, and often revealing the hypocrisy or flaws of adults, Jensen says. It was an approach that sometimes resulted in pushback from the US based Childrens Television Workshop, she says.</p> <p>For instance, in one local clip, an adult is attending to some flowers in their garden, mowing an area of grass containing different flowers. The children ask, ‘which flowers are the good flowers?’</p> <p>In another, a woman walks past a child having to do an emergency wee in public. ‘That’s disgusting!’ the woman says. But as she walks further, her dog relieves itself on the pavement, and the woman doesn’t pick it up the waste.</p> <p>German Ministry of Education guides to accompany the show rejected traditional gender roles, taught children about the body and emphasised society based on collaboration, including unions.</p> <figure class="wp-block-embed is-type-rich is-provider-twitter wp-block-embed-twitter"> <div class="wp-block-embed__wrapper"> <div class="embed-wrapper"> <div class="inner"> <div class="twitter-tweet twitter-tweet-rendered" style="display: flex; max-width: 500px; width: 100%; margin-top: 10px; margin-bottom: 10px;" data-spai-bg-prepared="1"><iframe id="twitter-widget-0" class="" style="position: static; visibility: visible; width: 400px; height: 656px; display: block; flex-grow: 1;" title="Twitter Tweet" src="https://platform.twitter.com/embed/Tweet.html?creatorScreenName=cosmosmagazine&amp;dnt=true&amp;embedId=twitter-widget-0&amp;features=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%3D%3D&amp;frame=false&amp;hideCard=false&amp;hideThread=false&amp;id=1612139711304273922&amp;lang=en&amp;origin=https%3A%2F%2Fcosmosmagazine.com%2Fpeople%2Fhistory-sesame-street%2F&amp;sessionId=6d9a2d118b670e8e312cee283ceca4c065b3acf7&amp;siteScreenName=cosmosmagazine&amp;theme=light&amp;widgetsVersion=aaf4084522e3a%3A1674595607486&amp;width=500px" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen" data-spai-bg-prepared="1" data-tweet-id="1612139711304273922"></iframe></div> </div> </div> </div> </figure> <p>In Europe, children’s television was seen as offering something separate to school, a way to empower children and support their own understanding of the world. The European view was more based in sociology and journalism – asking children directly about what they wanted – rather than cognitive psychology, Jensen says.</p> <p>For example in the UK, television producers would survey children about what they were interested in, their views, and make content based on that. </p> <p>Another key difference was the highly commercial landscape of television in the US, Jensen says. This was different to Europe and places like Australia where public broadcasters could afford to produce content for children that was more experimental.</p> <p>She says reflecting on the past is important as children’s viewing is increasingly dominated by streaming platforms, many of which are based in the US and dominated by American programming. </p> <p>The ABC began broadcasting <em>Sesame Street</em> twice-daily in 1971.</p> <p>While Jensen’s book doesn’t specifically address the response to the show in Australia, she says a lot of her archival research included information shared between the public broadcasters the ABC and BBC, which had a strong co-production tradition. </p> <p>“One of the ways the BBC learned about what happened in the Children’s Television Workshop and making <em>Sesame Street</em> was via their Australian friends in the ABC,” she says. </p> <p>Jensen says as early as 1970 an Australian journalist at <em>The Bulletin </em>was questioning whether the show imposed American culture on children in other countries.</p> <p>In the article, ‘Entertaining Australians to be Americans’, <em>Sesame Street</em> founder Joan Ganz Cooney says she had few reservations about imposing US culture on Australian audiences. “For good or ill the whole world is being Americanised,” she says. </p> <p>Children’s Television Workshop describes the sale of <em>Sesame Street</em> to 26 foreign countries, including Australia, as an opportunity to study the universality of the program, according to <em>The Bulletin</em>. </p> <p><em>Sesame Street: A Transnational History </em>is set for <a href="https://academic.oup.com/book/45872/chapter-abstract/400828941?redirectedFrom=fulltext" target="_blank" rel="noreferrer noopener">release in Australia in May</a>.</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio"> <div class="wp-block-embed__wrapper"> <div class="embed-wrapper"> <div class="inner"><iframe title="SESAMSTRASSE Folge 1 (Teil 1)" src="https://www.youtube.com/embed/6-sJKRPuaiM?feature=oembed" width="500" height="375" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div> </div> </div> </figure> <p> <!-- Start of tracking content syndication. Please do not remove this section as it allows us to keep track of republished articles --> <img id="cosmos-post-tracker" style="opacity: 0; height: 1px!important; width: 1px!important; border: 0!important; position: absolute!important; z-index: -1!important;" src="https://syndication.cosmosmagazine.com/?id=245054&amp;title=Everything+A-OK%3F+New+history+shows+the+way+to+Sesame+Street+wasn%26%238217%3Bt+always+easy+outside+US" width="1" height="1" data-spai-target="src" data-spai-orig="" data-spai-exclude="nocdn" /> <!-- End of tracking content syndication --></p> <div class="in-content-area more-on"> </div> </div> <div id="contributors"> <p><a href="https://cosmosmagazine.com/people/history-sesame-street/">This article</a> was originally published on <a href="https://cosmosmagazine.com">Cosmos Magazine</a> and was written by <a href="https://cosmosmagazine.com/contributor/petra-stock">Petra Stock</a>. Petra Stock has a degree in environmental engineering and a Masters in Journalism from University of Melbourne. She has previously worked as a climate and energy analyst.</p> </div>

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