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Aussie TV star wins $9.2m on game show – the largest in history

In an electrifying moment that will surely go down in television history, Australian reality TV star David Genat has claimed a jaw-dropping AUD$9.2 million prize on US television, securing the largest single cash payout ever seen on American TV. The 44-year-old, widely recognised by Aussie audiences from Survivor Australia, Celebrity Apprentice, Rush and Getaway, delivered a masterclass in risk-taking and intuition in NBC’s Deal or No Deal Island. Genat, dubbed the “Survivor golden god” after his 2020 Survivor Australia: All Stars victory, knew he had the upper hand early in the final showdown. But the real twist came when the show’s notorious banker was revealed as none other than Chrissy Teigen. Faced with 26 cases – one containing the life-changing sum of AUD$12.2 million – Genat navigated a nail-biting elimination round, fuelled by his father’s memory and a razor-sharp strategy. Rejecting a staggering seven offers, including multiple million-dollar deals, he played with nerves of steel until just two cases remained. Then came the final offer: a mind-blowing $US5.8 million ($AUD9.2 million). With tension at an all-time high, Genat made the call – he took the deal. It was a decision that paid off in monumental fashion. When his chosen case was opened, it contained just $75. Had he gambled one step further, he would have walked away with next to nothing. Instead, he etched his name into television history with the record-breaking win. “It was surreal,” Genat later shared with USA Today. “The offer came in at US$5.8 million and I started thinking about it, and that is just so much money. I was having a spiritual experience, man. I just knew where that money was. I knew which cases to open. I was looking for signs from my father, who passed away a couple of years ago. I felt his presence there, and he was just guiding me on what cases to open.” That deep connection gave him the clarity to seize the moment and walk away with a life-altering fortune. “My frequency is on another level,” he added. “I fully feel like I’m floating.” With his newfound millions, Genat already has a few indulgences in mind, including a new motorcycle, a luxury watch and some sleek new cars for his four kids. But the adventure might not stop here. Rumours are swirling that Genat could be gearing up for another reality TV showdown on the upcoming Survivor: Australia vs. the World, set to air later this year. Images: Instagram

Money & Banking

Replacing stamp duty with a land tax could save home buyers big money. Here’s how

<div class="theconversation-article-body"> Infrastructure Victoria has released a <a href="https://assets.infrastructurevictoria.com.au/assets/Victorias-draft-30-year-infrastructure-strategy.pdf">draft 30-year plan </a> outlining how the state can grow sustainably. It focuses on key areas like transport, housing, energy, and public services to support a growing population and improve liveability. The plan also suggests ways to make the state’s infrastructure and tax system fairer, more efficient and more sustainable. The plan’s recommendations are expected to cost between A$60 billion and $75 billion, mostly spent before 2035. This is around 10% of <a href="https://www.abs.gov.au/statistics/economy/national-accounts/australian-national-accounts-state-accounts/2023-24-financial-year#data-downloads">Victoria’s yearly economic output</a> in 2023-24, spread over the next decade. With Victoria already spending record amounts on infrastructure, and <a href="https://pbo.vic.gov.au/document/BudgetUpdateSnapshot2024-25">budget deficits forecast</a> until 2025-26, finding the money to fund social housing, transport and other projects is a key challenge. We estimate the Infrastructure Victoria proposals would add between $4 billion and $5 billion to Victorian government expenditure each year. Yet one of its proposals — replacing stamp duty with an annual land tax — would only cost between $1 million and $5 million to implement, but generate substantial gains for Victorian households. <h2>Why replace stamp duty with land tax?</h2> Stamp duty is one of the biggest barriers to moving house in Victoria and other Australian states. This tax, which people pay when they buy property, adds thousands of dollars to the cost of moving. In 2022-23, Victorians paid about <a href="https://www.abs.gov.au/statistics/economy/national-accounts/australian-national-accounts-state-accounts/2023-24-financial-year#data-downloads">$12 billion</a> to move house. Of this, $3 billion went to actual moving costs (like real estate services, and removalists) and $9 billion was <a href="https://www.abs.gov.au/statistics/economy/government/taxation-revenue-australia/latest-release#data-downloads">stamp duty</a>. That’s an effective tax rate of 300% on the true cost of moving, and in 2023 <a href="https://www.e-business.sro.vic.gov.au/calculators/land-transfer-duty">added about</a> $40,000, or 5.3%, to the cost of purchasing the average Victorian home. High stamp duty discourages people from relocating, even when their needs change — whether that’s moving for a new job, finding a bigger home for a growing family or downsizing after retirement. This leads to longer commutes, traffic congestion and a less efficient housing market. Switching from stamp duty to an annual land tax would make moving easier and spread the tax burden more fairly. Instead of a large, one-time tax when buying a home, all landowners would pay a smaller tax each year. This would help fund schools, hospitals, and other infrastructure more sustainably. <h2>What can we learn from Canberra?</h2> Victoria University’s Centre of Policy Studies <a href="https://www.treasury.act.gov.au/__data/assets/pdf_file/0009/1618407/cops-final-report.pdf">studied a similar reform</a> in the Australian Capital Territory, where stamp duty has been gradually phased out since 2012 and replaced with higher general rates (a type of land tax). Each year, the ACT government sets a target for how much money it needs to raise. Landowners then pay a share of that total, based on the value of their land. One of the biggest benefits of this approach is that it raises money more efficiently. Unlike other taxes, land taxes don’t discourage investment or economic activity. The study found removing stamp duty had a big positive impact on the ACT’s economy. Around 80% of the economic boost came from removing stamp duty, while introducing land tax also had benefits. By studying transaction data from the ACT, we showed each 10% reduction stamp duty rates drove a 6% rise in property transactions. <h2>Would it help housing affordability?</h2> One of the main arguments for replacing stamp duty with land tax is its effect on housing prices. Economists widely agree land taxes reduce land values, which makes housing more affordable. However, the impact of removing stamp duty is less predictable. Our previous research found <a href="https://theconversation.com/swapping-stamp-duty-for-land-tax-would-push-down-house-prices-but-push-up-apartment-prices-new-modelling-finds-184381">the effect on house prices</a> depends on how often properties are bought and sold. Apartments, for example, tend to change hands more frequently than houses. Because of this, removing stamp duty tends to push up apartment prices more than house prices. Even so, the overall effect of the reform is a drop in property prices. The challenge is ensuring this price reduction is evenly spread across different types of housing. <h2>A fairer tax system</h2> To make the system fairer, policymakers could adjust how land tax is applied. One option is to introduce a fixed-rate component, as <a href="https://www.revenue.nsw.gov.au/grants-schemes/previous-schemes/first-home-buyer-choice">proposed </a> in New South Wales. Another idea, suggested 15 years ago in the <a href="https://treasury.gov.au/sites/default/files/2019-10/afts_final_report_part_1_consolidated.pdf">Henry Tax Review</a>, is to base the tax on the per-square-metre value of land. Another key factor is housing supply. If planning laws allow more high-density housing in inner suburbs, price changes could be better managed. <h2>We also need short-term solutions</h2> Replacing stamp duty with land tax is a long-term reform that would take years to fully implement. The ACT, for example, planned a 20-year transition. If all state governments implemented this reform, we estimate Australian households would ultimately be <a href="https://www.copsmodels.com/ftp/workpapr/g-337.pdf">better off by about</a> $,1600 per household per year. In the short term, <a href="https://theconversation.com/whats-the-best-way-to-ease-rents-and-improve-housing-affordability-we-modelled-4-of-the-governments-biggest-programs-225446">other policies </a> could help improve housing affordability. These include increasing Commonwealth Rent Assistance and rethinking first-home buyer support. These steps could complement broader tax, infrastructure and housing supply reforms. The Victorian government is <a href="https://engage.vic.gov.au/victorias30yearinfrastructurestrategy">seeking feedback</a> on the draft plan before releasing the final version later this year. This is an opportunity for Victorians to contribute ideas on how to shape the state’s future and ensure its infrastructure and tax system work for everyone.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/251472/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/jason-nassios-318488">Jason Nassios</a>, Associate Professor, Centre of Policy Studies, <a href="https://theconversation.com/institutions/victoria-university-1175">Victoria University</a> and <a href="https://theconversation.com/profiles/james-giesecke-9853">James Giesecke</a>, Professor, Centre of Policy Studies and the Impact Project, <a href="https://theconversation.com/institutions/victoria-university-1175">Victoria University</a> This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/replacing-stamp-duty-with-a-land-tax-could-save-home-buyers-big-money-heres-how-251472">original article</a>. Image: 7news.com.au </div>

Money & Banking

A late start, then a big boom: why it took until 1975 for Australians to finally watch TV in colour

<div class="theconversation-article-body"> Some 50 years ago, on March 1 1975, Australian television stations officially moved to colour. Networks celebrated the day, known as “<a href="https://artsandculture.google.com/story/c-day-and-the-colour-monster-national-archives-of-australia/LAWRcgnnNY1cKA?hl=en">C-Day</a>”, with unique slogans such as “come to colour” (ABC TV), “Seven colours your world” (Seven Network), “living colour” (Nine Network) and “first in colour” (<a href="https://televisionau.com/feature-articles/network-ten">0-10 Network</a>, which later became Network Ten). The ABC, Seven and Nine networks also updated their logos to incorporate colour. <figure><iframe src="https://www.youtube.com/embed/T7gZdYVZJNc?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> For most viewers, however, nothing looked much different. The majority owned a black and white TV, while a coloured broadcast required a colour TV set. Advertisers were initially reluctant to accept the change, which required them to re-shoot black and white commercials with colour stock at a significantly higher cost. Many reasoned viewers were still watching the ads in black and white. And initially this assumption was correct. But by nine months later, 17% of Australian homes <a href="https://trove.nla.gov.au/newspaper/article/110829595?searchTerm=colour%20television%20in%20australia%201975">had a colour receiver</a>. This rose to 31% by July 1976. By 1978, 64% of Melbourne and 70% of Sydney households owned colour TV sets, making Australia one of the world’s fastest adopters of colour TV. According to the Federation of Australian Commercial Television Stations (FACTS) annual report for 1975–76, colour TV increased overall viewership by 5%, with people watching for longer periods. The 1976 Montreal Olympics also led to an <a href="https://www.nfsa.gov.au/collection/curated/asset/96836-olympic-games-coverage-colour">increase in TV sales</a>, with the colour broadcast shared between the ABC, Seven and Nine. <figure><iframe src="https://www.youtube.com/embed/L-75iIoshak?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>Highlights from the Montreal 1976 Olympic Games marathon event.</figcaption></figure> <h2>A late start</h2> With the United States introducing colour TV from 1954, it’s peculiar that Australia took so long to make the transition – especially since conversations about this had been underway since the 1960s. In 1965, a report outlining the process and economic considerations of transitioning to colour was tabled in parliament. Feedback from the US highlighted problems around broader acceptance in the marketplace. Colour TV sets were expensive and most programs were still being shot in black and white, despite the availability of colour. Networks were the most hesitant (even though they’d go on to become one of the most major benefactors). In 1969, it was <a href="https://australianfoodtimeline.com.au/colour-tv-introduced/">estimated transitioning to colour</a> would cost the ABC A$46 million (the equivalent of $265,709,944 today) over six years. The federal government, led by then prime minister Robert Menzies, decided to take a cautious approach to the transition – allowing manufacturers, broadcasters and the public time to prepare. The first colour “test” broadcast took place on June 15 1967, with <a href="https://televisionau.com/2025/03/tv-50-years-in-colour.html">live coverage</a> of a Pakenham country horse racing event in Victoria (although few people would have had coloured TV sets at this point). Other TV shows also tested broadcasting in colour between 1972 and 1974, with limited colour telecasts aired from mid-1974. It wasn’t until March 1975 that colour TV was being transmitted permanently. <figure><iframe src="https://www.youtube.com/embed/vIqqiK4ncfs?wmode=transparent&start=40" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>‘Aunty Jack Introduces Colour’ was a one-off television special of The Aunty Jack Show, broadcast on the ABC on February 28 1975.</figcaption></figure> <h2>The cinema industry panics</h2> <a href="https://anzacportal.dva.gov.au/wars-and-missions/vietnam-war-1962-1975/events/withdrawal-from-1971">Australia’s involvement</a> in the Vietnam War created further urgency to televise in colour. With the war ending in April 1975, Australians watched the last moments in colour. Other significant events broadcast in colour that year included the December federal election, in which Malcolm Fraser defeated Gough Whitlam after the latter was <a href="https://www.youtube.com/watch?v=SXq056TJhU4">dramatically dismissed</a> as prime minister on November 11. With the public’s growing interest in colour TV, local manufacturers began lobbying for higher tariffs on imports to encourage domestic colour TV production. In the mid 1970s, a new colour set in Australia cost between $1,000 and $1,300, while the average full-time annual income was <a href="https://www.abs.gov.au/AUSSTATS/abs@.nsf/Lookup/6302.0Main+Features1Sep%201975?OpenDocument=">around $8,000</a>. Still in the throes of a financial recession, customers began seeking out illegally-imported colour TV sets – which were appearing at car boot markets across the country. <figure><iframe src="https://www.youtube.com/embed/wTKMqPg4hM8?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>British childrens show The Wombles came to Australian screens shortly after colour TV was introduced.</figcaption></figure> The government also created an advertising campaign warning the public of scammers who would offer to convert black-and-white TVs to colour. These door-to-door “salesmen” <a href="https://hoaxes.org/archive/permalink/instant_color_tv#google_vignette">claimed to have</a> a special screen which, when placed over a TV, would magically turn it colourful. By 1972, the estimated cost of upgrading broadcasting technology to colour <a href="https://www.nfsa.gov.au/latest/colour-tv-part-1">had reached $116 million</a>. The cinema industry, in a panic, even questioned whether colour TV could damage a viewer’s eyesight. The industry had previously suffered huge losses in cinema attendance with the introduction of black-and-white TV from 1956. Cinemas had a monopoly on colour and were petrified over what the introduction of colour to television could do to their attendances. Such fears were founded. In 1974 Australia had 68 million admissions to the cinema. By 1976, there were just 28.9 million admissions. Never again would yearly cinema admissions reach <a href="https://www.screenaustralia.gov.au/fact-finders/cinema/industry-trends/historical-admissions">above 40 million</a>. But despite the complaints – from the cinema industry, advertisers, broadcasters and manufacturers – audiences were ready for colour. And any network that dared to program in black and white would subject itself to a barrage of annoyed viewers. Colour TV was here to stay.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/251363/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/stephen-gaunson-265553">Stephen Gaunson</a>, Associate Professor in Cinema Studies, <a href="https://theconversation.com/institutions/rmit-university-1063">RMIT University</a> This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/a-late-start-then-a-big-boom-why-it-took-until-1975-for-australians-to-finally-watch-tv-in-colour-251363">original article</a>. Image: Youtube/Austvarchive </div>

Today reporter shares joyous news after heartwarming home birth

Popular Today Entertainment Reporter Renée Bargh has shared an exciting life update: she's welcomed her second child! Bargh and her partner Andrew Lange announced the news in a heartwarming Instagram post recently that they have lovingly welcomed a little girl named Soléil James. "Our beautiful sunshine girl joined us earthside a week early in the most magical birth," Bargh told her 106,000 followers. "Born peacefully at home in the water, surrounded by love." The journalist shared several black-and-white photos, including one of her holding her newborn daughter after giving birth. She also posted an adorable picture of her nearly two-year-old son, Tide, with his sister. Bargh also expressed her deep gratitude to her midwife and doula: "Forever grateful for our incredible midwife @janineatibirth for creating the most peaceful and safe environment for this to take place and giving us the healing experience we dreamed of," she wrote. "Thank you to our doula @thehealingshed for your tender love, calming presence and support." The post was flooded with congratulatory messages from friends and fans. Model Megan Gale commented, "She is precious ♥️ Congratulations beautiful Mama xx." Journalist Lisa Wilkinson added, "These are the magical moments. Congrats Renée, and enjoy every second xx." <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/DF_HWckzF_Z/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/DF_HWckzF_Z/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Renée- Claire Bargh (@reneebargh)</a> </div> </blockquote> Bargh and Lange welcomed their first child, son Tide, in March 2023. Images: Instagram

Family & Pets

Journalists rumoured to replace Alex Cullen on Today

Two female Channel Nine journalists are rumoured to be the front runners for Alex Cullen's sports presenter role on the Today show, after he was <a href="https://www.oversixty.com.au/entertainment/tv/we-ll-miss-him-terribly-alex-cullen-steps-down-from-today" target="_blank" rel="noopener">axed for accepting a $50,000 gift</a> from billionaire Adrian Portelli. Insiders have told the Daily Mail that Roz Kelly and Danika Mason are the top contenders for the role, alongside Sarah Abo and Karl Stefanovic. They also claim that Kelly is "the obvious first choice" with her current role as the sports presenter on Friday and Saturday evenings, but she might not be too keen on taking the role. "She's polished and the viewers already know her and love her. But she's got two young sons and her husband has to travel to India a lot for work," the source told the Daily Mail. "Right now, her life is really finely balanced and in a good place so she might not be too keen to take on all the pressures and demands of live television five days a week." "Danika is also equally amazing and is the other really strong contender that everyone is talking about at the moment," the source continued. Another source suggested that Mason was actually the top pick for the position, as she already has a loyal NRL fan base. "Danika would have to be the top pick - she's an absolute live wire, which is what you need at breakfast, and is a hard-worker who throws herself into every challenge with everything she's got," they said. "While nothing has been decided as yet, she's definitely in strong consideration." Image: Nine/ Instagram

"See a therapist": Jackie O's emotional video sparks frenzy

Fans have been left feeling perplexed over an unusual detail in the background of Jackie O's podcast clips. In a candid moment of vulnerability, the radio host opened up about her struggled with single life, chatting to her friend and co-host Gemma O’Neill about dating. Sitting comfortably on her couch, microphone in hand, the radio star began sharing an emotional reflection on life after dating “the one”. “That person just comes around once in a blue moon, and I just got disheartened,” Henderson says, holding back tears. “I don’t want to cry about it, but you just think of that person and go, ‘Am I ever going to meet someone like that again?’” She then admits that while she’s “fine” and “every day is great”, there are moments when she “can’t help but be sad”. The moment was uploaded to the podcast's Instagram with the caption, “For all the single souls out there, we see you.” <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/reel/DFqW9CKpU1R/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/DFqW9CKpU1R/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Besties (@wearebestiesofficial)</a> </div> </blockquote> Despite the honest conversation taking place, eagle-eyed fans spotted an unexpectedly hilarious detail in the clip, which has over 20,000 views. In the background, her cleaner was busy doing laundry and ironing bed sheets, going about their duties seemingly unbothered by the ladies on the couch. “Love the cleaner in the background,” one comment read, while another added, “I’m distracted by the housekeeper working their butt off.” One also joked it was the “maid’s five minutes of fame”. Others were quick to slam Jackie O's complaining, as one person said, “All this while the maid cleans your $50 million house!” “Care factor? See a therapist,” another said bluntly. However, many of her fans were not bothered by the cleaner and shared messages of support. “I feel you,” said one, as another wrote, “This feeling is a reminder of what you want.” Image credits: Instagram <p style="box-sizing: inherit; border: 0px; font-stretch: inherit; line-height: inherit; font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-size-adjust: inherit; font-kerning: inherit; font-variant-alternates: inherit; font-variant-ligatures: inherit; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-variant-position: inherit; font-feature-settings: inherit; font-optical-sizing: inherit; font-variation-settings: inherit; font-size: 18px; margin: 0px 0px 24px; padding: 0px; vertical-align: baseline;">

Home & Garden

Sam Newman controversy explodes

Sam Newman and 'neo-Nazi' Blair Cottrell have come to blows online in the wake of fierce backlash over a controversial podcast. Newman found himself under heavy scrutiny on Monday after sharing a photo with two men - Thomas Sewell and Blair Cottrell - in <a href="https://oversixty.com.au/finance/legal/sam-newman-photo-sparks-immediate-backlash" target="_blank" rel="noopener">promotion</a> of the latest episode of his You Cannot Be Serious podcast. Part one of the episode was released on Tuesday, which saw Newman quickly turn on Cottrell online. Newman elaborates how he had sought out Sewell for a conversation but notes Cottrell had “accompanied him” and that he “wasn’t invited”. “I interviewed two people I thought were of interest because I had never heard of them until the media kept showing them coming out of court and putting them in the paper,” Newman said. “I reached out to one of them, I reached out to a bloke called Thomas Sewell and I said ‘would you like to come in and be interviewed?’. A man accompanied him called Blair Cottrell who wasn’t invited, he was an interloper." “He sat where you are Ivan and he turned out to be a turd, he turned out to be an opportunist. He posted today that maybe the Foss was one of us all along or something like that." “Blair is a scumbag. He is a 24-carat gold scumbag." “As I said he wasn’t invited and he thought he is a star f***er. He thought he would link me to his cause and he’s posted pictures of me on the Footy Show and then put Nazi photos in the background trying to link me to his cause." “Thomas Sewell was responsible, as in he was here because I asked him to be here." “Cottrell turned up and in his pissy little world that he lives in, his diminutive pissy little world where he can’t make it on his own he tries to link people with stronger juices. He’s a parasite. So that’s him." “I have plenty of people who are friends of mine who are Jewish and many who are Muslim, I do not have any friends who are Nazis or neo-Nazis. None.” The remarks from Newman didn’t sit well with Cottrell who took to social media to share his side of the story. He explained that he drove Sewell to the podcast studio, and after meeting Newman, he was invited to sit in on the recording and chime in to the conversation. “Now Sam is apparently declaring me an uninvited interloper and that I somehow took advantage of him," Cottrell wrote. “If Sam wants to play it safe in the future, he should stick to platforming drug dealers, prostitutors and murderers, he won’t cop any flak for that because these characters are no serious threat to the establishment. You wanted controversy Sam, and you got it.” Image credits: Getty Images / X (Twitter)

Legal

Sam Newman photo sparks immediate backlash

Sam Newman has come under fire for promoting a new episode of his podcast that features two prominent 'neo Nazis' as guests. The AFL legend, who hosts the You Cannot Be Serious podcast, made headlines after posting a photo of himself with Blair Cottrell and Thomas Sewell to promote the latest episode. “Today Thomas Sewell and I had a chat with footy icon Sam Newman. Keep an out for the podcast!” Cottrell captioned the photo of the trio. Cottrell was the first ever Australian to be charged with hate speech after he was convicted in September 2017, and Sewell was listed as one of more than a dozen alleged neo-Nazis following a protest in Adelaide on January 26th. Cottrell, who is the United Patriots Front leader, was convicted alongside two of his supporters for inciting hatred, contempt and ridicule of Muslims after making a video beheading a dummy in protest of a Bendigo mosque. Sewell is the Victorian-based leader of the National Socialist Network (NSN), who has railed against “corrupt police” and an “anti-white government” in an online fundraiser which he hopes will allow him to “transition into a full-time role”. While the episode of Newman's podcast doesn't air until Wednesday, the photo was enough to welcome a wave of scrutiny towards Newman. CODE Sports’ chief cricket writer Daniel Cherny asked on X if the promotion of two prominent neo-Nazis was “enough to be booted out of the Australian Football Hall of Fame?” Hundreds of fans agreed, with many taking to social media to ask how the AFL, and Newman's former club the Geelong Cats, would respond to the men being given a platform. One person wrote: “I’m wondering if consorting with out and proud Nazis is enough of a blot on your copybook to be removed from the AFL Hall of Fame? What do you reckon, AFL? How about you, Geelong Cats?” Hours after the image of the trio was posted, Newman took to X (formerly Twitter) to issue a statement claiming he had been asked to not publish the episode, which he has denied. “I interviewed Thomas Sewell and Blair Cottrell … neo-Nazis on You Cannot Be Serious podcast,” Newman said. “I haven’t posted it yet but I was asked by a journalist because Blair Cottrell posted a picture of him and me and Thomas Sewell on X and I’m associated now with being a neo-Nazi." “I replied to the journalist who said is it appropriate to put this on and chat about who they are and I said I by no means condone what they’re on but I thought they’re people of interest and I’m going to put it to air." “If you think I’m a Nazi, so be it. Why don’t you have a look at what they say and what I ask them and you make your mind up.” Image credits: X (Twitter)

Legal

Big banks finally cut fixed-interest mortgage rates

NAB has become the first big bank to announce it has cut its fixed rate mortgages across all loan terms. The bank is the first of the big four banks to cut its fixed rates in 2025, two weeks out from the Reserve Bank of Australia’s first meeting when it is tipped to cut the cash rate. NAB announced on Monday that their lowest fixed rate is now 5.84 per cent, with a deposit of at least 20 per cent on a three-year term. “NAB is the first of the big four banks to cut fixed rates in 2025, with other banks likely to follow,” Canstar data insights director Sally Tindall said. “The cost of wholesale fixed rate funding has started to ease slightly. This, combined with a prospective cash rate cut, should push other banks into moving on fixed rates.” The cuts from NAB come almost two weeks after Macquarie Bank lowered its fixed rates, however, ANZ still has the lowest fixed rate out of the big four banks at 5.74 per cent for a two-year or three-year term. “While a few banks are now starting to sharpen their offerings, fixed rates still have a way to fall before they become fashionable again with borrowers,” Tindall said. “We expect the big four banks in particular to pass on cash rate cuts in full, at least for the first couple of cash rate cuts,” she said. “But we might even see some banks choose to pass on even more to new customers in order to take advantage of that re-engagement for borrowers in what a competitive rate looks like.” “Many homeowners have been waiting for well over a year for a cash rate cut. It’s hard to see them throwing in the towel and switching to a fixed rate now when the RBA is poised to move." “That said, there’s no guarantee we’ll see a barrage of cash rate cuts and borrowers should factor this into their thinking.” Image credits: Shutterstock <p class="mb-4 font-serif text-article-body" style="font-family: var(--font-google-newsreader),serif; box-sizing: border-box; border: 0px solid; margin: 0px 0px 24px; font-size: 1.2275rem; line-height: 26.514px; caret-color: #2a2a2a; color: #2a2a2a;">

Money & Banking

From the Big Bogan to Larry the Lobster, why do towns build Big Things?

<div class="theconversation-article-body"><a href="https://theconversation.com/profiles/amy-clarke-248726">Amy Clarke</a>, <a href="https://theconversation.com/institutions/university-of-the-sunshine-coast-1068">University of the Sunshine Coast</a> Big Things first appeared in Australia in the 1960s, beginning with the <a href="https://sahistoryhub.history.sa.gov.au/things/big-scotsman/">Big Scotsman</a> (1962) in Medindie, South Australia, the <a href="https://bigbanana.com">Big Banana</a> (1964) in Coffs Harbour, New South Wales, and the <a href="https://www.visitnsw.com/destinations/country-nsw/the-murray/tocumwal/attractions/big-murray-cod">Big Murray Cod</a> (1968) in Tocumwal, NSW. These structures were inspired by earlier North American examples, such as <a href="https://lucytheelephant.org">Lucy the Elephant</a> (1882) in New Jersey, and several <a href="https://www.laconservancy.org/learn/historic-places/randys-donuts/">big doughnuts in California</a>. While they differed in subject matter, all aimed to attract the attention of passing motorists: in the 1950s–1960s, private car ownership had soared and highway construction spread. Towns and regions across Australia, <a href="https://ourwayoflife.co.nz/11-iconic-big-thing-statues-around-new-zealand/">New Zealand</a> and North America used oversized landmarks to get travellers to stop, take a photo and hopefully spend money at local businesses. As awareness of these giant landmarks grew, so did the desire of other communities to have their own. Within a few decades, Australia’s Big Things had become a beloved fixture of road trips and summer holidays. <h2>A big cultural impact</h2> <a href="https://www.tandfonline.com/doi/full/10.1080/14443058.2022.2144928">My research</a> shows the number of Big Things being constructed in Australia hit an initial peak in the 1980s before experiencing a temporary decline. By the 2000s, however, towns as far afield as Tully in Queensland (<a href="https://www.australiantraveller.com/qld/big-gumboot/">Big Golden Gumboot</a>), Cressy in Tasmania (<a href="https://www.aussietowns.com.au/town/cressy-tas">Big Trout</a>), and Exmouth in Western Australia (<a href="https://www.exmouth.wa.gov.au/news/exmouths-iconic-and-much-loved-crustacean-is-back/358">Big Prawn</a>) were reviving the tradition. Soon, Big Things became firmly entrenched in Australian popular culture: featuring on limited edition <a href="https://www.couriermail.com.au/news/queensland/sunshine-coast/redheads-pay-homage-to-icons/news-story/219026f222830073f4db107759e1145c">Redheads matchboxes</a> (2010), and on sets of <a href="https://australiapostcollectables.com.au/stamp-issues/aussie-big-things">Australia Post stamps </a>(2007 and 2023). But some of the older structures experienced declining popularity: the Big Wool Bales in Hamilton, Victoria (closed 2020), Victoria’s Giant Gippsland Earth Worm in Bass (closed 2020) and the Big Cask Wine in Mourquong, NSW (closed 2012), survive only in holiday photos and people’s memories. Icons like Larry the Lobster (Kingston, SA), the Big Prawn (Ballina, NSW), and the Big Pineapple (Nambour, Queensland) have battled <a href="https://www.nytimes.com/2018/08/30/world/australia/larry-lobster-big-things-sale.html">changes in ownership</a>, <a href="https://www.abc.net.au/news/2009-09-24/council-votes-to-sink-big-prawn/1441452">threat of demolition</a>, and <a href="https://www.theguardian.com/australia-news/article/2024/aug/24/big-pineapple-reopen-queensland-woombye-history">closure</a>. Despite these challenges, and debates over heritage conservation, construction of these giant landmarks has not slowed. <a href="https://www.visitnsw.com/destinations/outback-nsw/cobar-area/nyngan/attractions/big-bogan">The Big Bogan</a> was erected in 2015 in Nyngan, NSW, by community members who were eager to encourage visitors to the area. A local progress association in the small town of Thallon in Queensland unveiled William the <a href="https://www.stgeorgeregion.com.au/listing/william-the-wombat/">Big Wombat</a> in 2018, also with the aim to bring attention to the area. Similar hopes were held for the <a href="https://www.queensland.com/au/en/things-to-do/attractions/p-5f72991d4390bc7c02ab8547-the-big-melon">Big Watermelon</a> erected in 2018 (Chinchilla, Queensland), and the Big Tractor (Carnamah, WA) <a href="https://www.abc.net.au/news/2024-10-05/midwest-wa-town-carnamah-unveils-worlds-biggest-tractor/104388496">which opened this year</a>. Through my research, I spoke with many people involved with projects such as these, and they said they’d selected objects that were iconic to their area. This could be a product they specialise in, a local native animal, or, in the case of the Big Bogan, a joke based on the name of nearby Bogan River. Most builders openly acknowledge their primary motivation is to promote the region, attract tourist dollars and investment, and revive towns that have seen better days. But do Big Things actually achieve these goals? Unfortunately, there is no easy answer. <h2>An economic return?</h2> Local economies are complex, as are the reasons people choose to visit. Many Big Things are constructed on the sides of highways that connect Australia’s numerous regional towns. People who stop for photos may not set out with the goal of visiting that Big Thing – it may simply be convenient to take a break there while on the way somewhere else. And if people do stop, it doesn’t guarantee they will spend more than the cost of filling up their car with petrol, if that. Over the years, tourism researchers have developed <a href="https://www.sciencedirect.com/science/article/abs/pii/S1447677021000322">several different models </a>for calculating the impact of rural and regional tourism on local economies. However, none of these approaches has proven to be universally effective. Most scholars agree tourists aren’t likely to travel long distances <a href="https://www.tandfonline.com/doi/abs/10.1080/21568316.2019.1673811">for any one reason</a>. They will consider a range of factors including food and accommodation, and the closeness of numerous attractions. In other words: building a Big Thing won’t guarantee a sustained increase in tourism to the area on its own. Communities should factor this in when considering erection of a Big Thing, especially given the cost of construction. The Big Mango in Bowen <a href="http://www.atlasobscura.com/places/the-big-mango">reportedly cost $A90,000</a> when it was built in 2002, while the organisers of the Big Tractor in Carnamah <a href="https://www.abc.net.au/news/2024-10-05/midwest-wa-town-carnamah-unveils-worlds-biggest-tractor/104388496">raised more than $600,000</a> to cover its price tag. The spread of social media and easy access to media outlets via the internet offers communities another reason to build Big Things, however. Australians are not the only ones fascinated by Big Things, and when a new one is unveiled — or an existing one goes “missing”, as <a href="https://www.bbc.com/news/newsbeat-26324023">the Big Mango did in 2014</a> — it is often covered by the press and then shared online. These giant landmarks are also highly “Instagrammable”: <a href="https://www.dailymail.co.uk/news/article-3039474/The-20-hottest-Australian-attractions-Instagram-revealed-spectacular-Sydney-Opera-House-Twelve-Apostles-don-t-forget-Big-Banana.html">a 2015 survey</a> revealed that six of Australia’s 20 most Instagrammed tourist attractions were Big Things. This sort of coverage doesn’t necessarily guarantee the long-term revival of a town’s economy. But it can help to remind people of the town’s existence, and it gives locals a memorable image on which to build.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/241129/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/amy-clarke-248726">Amy Clarke</a>, Senior Lecturer in History, specialising in built heritage and material culture, <a href="https://theconversation.com/institutions/university-of-the-sunshine-coast-1068">University of the Sunshine Coast</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/from-the-big-bogan-to-larry-the-lobster-why-do-towns-build-big-things-241129">original article</a>. </div>

Domestic Travel

Big change for new buses after Hunter Valley crash

Australian buses and coaches fitted with seatbelts will soon be required to have announcements reminding people to buckle up, following the tragic Hunter Valley bus crash that killed 10 people almost two years ago. On Tuesday, the federal government announced that the new rule will require these vehicles to include visual and audio alerts reminding passengers to buckle up, similar to those on airplanes. “Travelling by bus is one of the safest forms of transport in Australia, and these new audible and visual signage requirements will ensure this continues to be the case,” federal assistant Regional Development Minister Anthony Chisholm said. The government also announced it had closed a loophole where some buses with seats under 1m high were exempted from requiring seatbelts. Under the regulations, all new bus and coach models must comply by November 1, 2026, while existing models will need to make the changes by November 1, 2027. “These safety outcomes further improve what is generally regarded as the most stringent seatbelt rules for buses in the world,” Bus industry confederation chair Tony Hopkins said. “With seat belt usage currently as low as 7 per cent on some services, this provides a simple but powerful message that reminds bus passengers to fasten a seat belt. “After all, if a seat belt is provided in a bus it must be worn by law.” Image: Mino Surkala / Shutterstock.com

Domestic Travel

Jess Rowe explains Peter Overton's absence from the news desk

Jess Rowe has revealed why her husband Peter Overton has been absent from the 9News desk, sharing that he had to undergo surgery. The podcast host took to Instagram to inform her followers that Overton will be back presenting the news eventually, but has been recovering at home after having surgery during the Christmas break. “As you know Pete doesn’t do Insta – and he wanted me to share some news with you," she began. "He’s off work for a little longer at the moment after an ENT surgeon discovered a polyp on one of his vocal cords which explains his very raspy voice over the holidays." “He was operated on and part of his recovery is no talking for now (which is a HUGE challenge for him!!)” She added, “Hopefully he’ll be back to 9News soonish. Big thanks to the great doctors, nurses, speech pathologists, and Pete’s wonderful work colleagues.” Fans rushed to share their concern for the Nine presenter in the comments below the post. “Aww thank you so much for sharing this story with Pete’s fans who love him for the work he does and looking forward for his recovery from the surgery,” one fan commented. “Wishing you a speedy recovery Pete. Looking forward to hearing your calming voice on the airwaves real soon,” another fan said. “We know Jess and the girls would be looking after Pete with great care.” Image credits: Instagram

Caring

Jessica Mauboy shares rare glimpse at her pregnancy

Jessica Mauboy has shared a rare look at her pregnancy with a series of behind-the-scenes photos from the ARIA Awards last month. The singer, who performed at the awards show in a glossy black trench coat and leather jumpsuit, shared the photos on Instagram, while fans previously caught a glimpse of her growing baby bump, now she has revealed more of her pregnancy journey. Backstage, Mauboy is pictured cradling her baby bump and even cheekily comparing her belly to another performer’s. The pictures come months after she was spotted wearing oversized clothes while performing. In September the former Voice Australia coach announced that she is set to welcome her first child together with husband Themeli Magripilis next year. Magripilis and Mauboy met when the singer was 18 and out clubbing with friends in her hometown, Darwin. After seven years of long-distance romance, Magripilis moved to Sydney in September 2016 to live with Mauboy, and they often travelled back to Darwin together to visit family. The couple got engaged in 2019, after Magripilis proposed to her but because of the pandemic, their wedding was delayed. The pair married in a small church in in Darwin on July 2022, with the reception at the Mindil Beach Casino Resort. Mauboy previously told Sunrise their wedding was “a long time coming”. “We always spoke about it (getting married) and we would talk about how strong our families are and they get along really well.” Images: Instagram

Family & Pets

Sam Armytage's stunning return to breakfast TV

Samantha Armytage has made a stunning return to breakfast television. The beloved journalist made her debut as co-host of the Today show on Monday morning alongside Weekend Today weather presenter Dan Anstey. The pair took over the reins from Weekend Today hosts David Campbell and Sylvia Jeffreys who were filling in for Karl Stefanovic and Sarah Abo. This is the first time Armytage has appeared on morning TV, since she last co-hosted Seven’s rival breakfast show Sunrise with David Koch from 2013 to 2021. “I’ve remembered where I am, on channel Nine. Isn’t it lovely to be on channel Nine?” she asked, addressing the elephant in the room, before saying, "Hi guys, good morning, it's nice to be here and nice to look at this new team." “Well, we met at Melbourne Cup, didn’t we? You were handsome as always,” she told co-host Anstey, who jokingly replied: "I can't remember that now." "You may have confused me with another Dan." Armytage, who started her TV career on Nine, was recently welcomed back as host of the new dating program, The Golden Bachelor, which will premiere next year. Her appearance on the breakfast TV show comes after a dramatic development in her personal life, following news of her<a href="https://www.oversixty.com.au/lifestyle/relationships/the-reason-behind-sam-armytage-s-shock-split-from-husband" target="_blank" rel="noopener"> split from husband</a> Richard Lavender after four years together. Images: Today

Ray Hadley chokes up during final radio show

Ray Hadley has become emotional during his last show on-air, farewelling his loyal 2GB audience for the last time. Hadley was joined by fellow 2GB host Ben Fordham for his final show on Friday, with Fordham surprising Hadley with a tribute to his stellar career. The tribute spanned Hadley’s entire career, from top sporting moments, interviews with Keith Urban, to his children speaking with him on air. “Ray Hadley, this is your life,” Fordham said before it played. However, Hadley became emotional when a snippet of his mother’s voice was played during the segment. “Very emotional. I had heard my mother’s voice previously,” Hadley told listeners, choked up. “I wasn’t gonna get upset. You’ve done this to me you little bludger.” Earlier this week, Hadley spoke with <a href="https://honey.nine.com.au/latest/ray-hadley-retires-from-2gb-sydney-radio-interview-exclusive/354a86f1-eeac-49a2-bc04-a91f3f22ff13" target="_blank" rel="noopener">9Honey</a> about his <a href="https://www.oversixty.com.au/lifestyle/retirement-life/the-time-has-come-ray-hadley-announces-retirement" target="_blank" rel="noopener">retirement</a>, reflecting on his 43-year career. Hadley admitted he worked brutal hours during his illustrious career, with his dedication leading to what became one of the most impressive runs in radio history in Australia. "I've fought hard for every position I've got and a couple were thrust upon me without fighting for them, but once I got them I realised that it was things I liked doing," he told 9Honey. "So yeah, it's been an adventure." "Like every adventure, there's highs and lows. The lows are about as low as you can get, the highs are about as high as you can get, and hopefully most of the time is in the middle somewhere." Hadley said while he's "retiring from full-time radio work" he's "not retiring from life" and with his contract set to run with 2GB until 2026 he is considering his options. "That doesn't mean I won't do something else. What that is, I don't know, because I'm still contracted here. And I'm still committed to this station in many respects ... I've been here for 24 years." "So, you know, there's always a part of me that is willing this station and this network to do well," he said. For now, he's planning to take a three-month break "to clear my head." Image credits: 2GB

Retirement Life

Pauline Hanson levels lawsuit at Lidia Thorpe and Today show

Pauline Hanson, leader of the One Nation party, has initiated defamation proceedings against Senator Lidia Thorpe and Channel Nine’s Today show after being described as “a convicted racist” during a live television interview. Legal letters sent to both parties demand immediate apologies and retractions, claiming the statement is false and defamatory. Hanson’s legal team, represented by barrister Sue Chrysanthou and solicitor Anthony Jeffries, has labelled the situation “highly irresponsible” and warned of further legal action if the demands are not met. In the letter to Senator Thorpe, Hanson’s lawyers argue, “You alleged during that interview that Senator Hanson has been convicted of racism. That never occurred.” They insist no criminal conviction of that nature exists and called on Thorpe to issue a public correction. The dispute arises in the wake of a Federal Court ruling earlier this month, where Hanson was found to have racially vilified Greens Senator Mehreen Faruqi. The ruling stemmed from a 2022 social media post in which Hanson told Senator Faruqi to “pack your bags and p*ss off back to Pakistan”. Justice Angus Stewart described the tweet as an “angry personal attack” that conveyed “a strong form of racism”. Hanson has appealed the court's decision, arguing that the statement did not target Faruqi’s race, religion or ethnicity and should not be classified as racist. Her legal team claims the tweet was directed solely at Senator Faruqi and was not reflective of broader discrimination. They further argue that the original judgment misinterpreted the context of the remarks. In the same Today show interview, Senator Thorpe also described Australia as “a very racist, divided country”. Thorpe has not yet publicly addressed Hanson’s legal warning. Hanson, whose supporters have donated nearly $700,000 to fund her legal efforts, appears ready for a protracted legal battle. Her legal filings challenge the broader interpretations of offensive speech and the legal thresholds for defamation and racial vilification. Images: Today Show

Legal

Susie O'Neill's replacement announced on popular morning show

Popular comedian Nikki Osborne has been announced as the new co-host of Nova Brisbane’s 106.9 breakfast show, stepping in to fill the void left by Olympic swimming champion Susie O’Neill. Osborne will join longtime presenters Ash Bradnam and David “Luttsy” Lutteral from January 20, 2024, bringing her signature humour and vibrant personality to the much-loved morning program. “I have big flippers to fill, but I’m confident Brisbane will warm to my ways,” Osborne quipped. “Sure, I get in trouble a bit, but I’ve got two big brothers in Ash and Luttsy, and I have no doubt they’ll steer me even further off course!” Osborne, a seasoned performer in the Australian entertainment industry, is no stranger to the spotlight. She has made her mark in stand-up comedy and starred in TV shows such as How To Stay Married and Kinne Tonight. Reality TV fans may also recognise her from I’m a Celebrity … Get Me Out Of Here in 2020 and Dancing with the Stars earlier this year. A Brisbane native and mother of two, Osborne expressed excitement about her new role. “I love Brisbane. I grew up here, and I look forward to having a good laugh with our listeners in this amazing city,” she said. Her appointment comes after O’Neill’s <a href="https://www.oversixty.com.au/entertainment/music/heavy-heart-susie-o-neill-breaks-down-as-she-resigns-live-on-air" target="_blank" rel="noopener">tearful departure announcement</a> last month. O’Neill, who has been a staple of Nova’s breakfast lineup for over a decade, revealed that turning 50 had prompted her to embrace new personal and professional opportunities. “For a lot of the time, it has been more than just a job,” O’Neill shared emotionally. “When I’ve had really hard times, I’ve known that I can come in here, just be myself, and enjoy it.” Reflecting on her decision, O’Neill explained, “I feel like I want to get back to the grassroots of sport and involve myself more in the wider community.” Listeners can expect a fresh dynamic with Osborne at the mic, as she brings her comedic flair and Brisbane pride to the morning airwaves. Images: Nova

Music

Queen Mary launches new podcast on loneliness

Queen Mary has launched a new podcast focused on helping the most vulnerable in society. The royal revealed the new venture on Instagram, through her official charity, the Mary Foundation. The three-episode podcast, called the Lonely Youth series, will focus on those experiencing social isolation giving "insight into the nuances of loneliness by mixing professionalism and personal stories from young people". The launch of the podcast follows a landmark survey across Denmark that was conducted in 2023 and found 73 per cent of 16-19-year-olds experience loneliness, regardless of whether they are alone or in the company of others. It also found that 17 per cent of 16-24-year-olds feel very lonely. The proportion of people in Denmark who experience loneliness has increased dramatically since the first national survey in 2013, which has inspired the Queen of Denmark to take action. "These are heavy numbers that we must do something about," Queen Mary said. "Podcasting is not something that we have much experience with yet at the Mary Foundation, but I hope that you will listen and welcome it," she added. She also said that she was "proud" to be starting the podcast through her own foundation as she is an avid listener of podcasts herself, especially "when I have to go from one place to another". "Some days I'm in the mood for entertainment, and other days I use it to gain knowledge and new input," she said. The release date of the podcast has yet to be revealed and it is unclear whether the royal herself will speak across the episodes. The podcast will be shared via the Mary Foundation website and other podcast platforms. Queen Mary's foundation focuses on three core areas: bullying and wellbeing, loneliness and domestic violence, and was launched in 2007. Images: The Danish Royal Household/Mary Foundation

Caring

NRL legend sacked from radio show

NRL legend Mark 'MG' Geyer has been axed from his popular Triple M radio show that he hosts alongside Mick Molloy. The NSW State of Origin star joined Triple M in 2009 and quickly became one of the network's most popular talents, co-hosting the Mick & MG in the Morning show for many years. Geyer, 56, was absent from Wednesday and Thursday’s shows with Molloy making no mention of his whereabouts. News of Geyer being axed was first reported by <a href="https://www.dailytelegraph.com.au/entertainment/sydney-confidential/triple-m-rocked-as-mark-mg-geyer-sacked-from-breakfast-show/news-story/c8257f6989eda13b0dde61a9bb3b67d0" target="_blank" rel="noopener" data-tgev="event119" data-tgev-container="bodylink" data-tgev-order="c8257f6989eda13b0dde61a9bb3b67d0" data-tgev-label="entertainment" data-tgev-metric="ev">The Daily Telegraph </a>with his departure following in the wake of several on-air talents being let go. The shock sacking comes after it was announced that Mick Molloy would also depart the show next year and return to Melbourne where he’ll host Triple M Melbourne’s breakfast show next year alongside Nick Riewoldt, Titus O’Reily and Rosie Walton. Listeners of the show took to social media to vent their frustration after learning the NRL legend had been let go. “MG has been refreshing to listen to on MMM. He isn’t one of the sanitised radio ‘personalities’ who are full of themselves. MG is honest and speaks from the heart,” one wrote. A second added: “MMM are a total joke, was once a great radio station now run by suits who have no idea on what the listeners want. Where’s the MMM we had back 30 years ago when MMM was the Number 1 radio station in Sydney.” While no official announcement has been made by Southern Cross Austereo, Geyer has updated his Facebook profile which now reads: Former Locutor at Triple M Sydney 104.9. According to The Daily Telegraph, an official announcement about the Triple M breakfast show's new lineup would be made "in due course". Image credits: Triple M - news.com.au

Music

Australians are reading less than other countries, a new report shows. Why?

<div class="theconversation-article-body"><a href="https://theconversation.com/profiles/katya-johanson-425719">Katya Johanson</a>, <a href="https://theconversation.com/institutions/edith-cowan-university-720">Edith Cowan University</a> Recent international research shows Australians are buying and reading fewer books than people in many other countries. But why? A <a href="https://risebookselling.eu/consumer-behaviour">report</a> by the European and International Book Federation found that only 64% of Australians bought a book in the past year, compared to an average 72% of people across 19 countries. Similarly, 80% of Australians read a book in the past year, slightly below the international average of 85%. These differences are slim, but as book buyers and readers, we are among the lowest in the sample, alongside Aotearoa New Zealand, Finland, Latvia and the United States. The number of people who had read a book in the past year in Italy, Spain, the United Kingdom and Ireland all came in at over 90%. Local research also suggests reading rates in Australia are falling. Back in 2017, a Macquarie University study found 92% of us read books at least once in the previous year. By 2021, in the <a href="https://australiareads.org.au/research/the-national-reading-survey/">Australia Reads national survey</a> that figure had dropped to 75%. What’s behind these numbers? Price might be less of a factor than we often assume – and surprisingly, Australia’s dependence on cars could play a role. International examples showing how other countries protect and value their book cultures – from government policies to counter the strength of Amazon to public holidays for poets – suggest measures to actively boost our own could help. <h2>The price myth</h2> There’s a general perception that books cost too much in Australia. But they’re not necessarily more expensive here than elsewhere. Competition from online retailers like Amazon and increases in production costs globally <a href="https://www.ibisworld.com/au/industry/book-publishing/171/">have levelled prices internationally</a>. In fact, Australians often pay similar or less for books than readers in Canada, New Zealand and the US. Tim Winton’s new novel, <a href="https://theconversation.com/tim-winton-goes-cli-fi-his-dystopian-novel-juice-breaks-new-ground-to-face-the-climate-emergency-238769">Juice</a>, for example, has an Australian recommended retail price of A$49.99. It’s almost exactly the same price in Aotearoa New Zealand (A$49.81) and costs more in Canada (A$54.59). In the US, Juice is A$44.02, and in the UK, it’s A$43.07. While UK book prices are lower, this is mainly because books there don’t attract sales tax. The UK <a href="https://www.accountingfirms.co.uk/blog/are-books-vat-exempt/#:%7E:text=In%20the%20UK%2C%20books%20are,to%20most%20goods%20and%20services">made books exempt</a> from its value-added tax (VAT) applied to most goods and services – a deliberate decision to make reading more affordable. Pauline MacLeod, the children’s and young adult literature specialist at Brisbane’s Riverbend Books, told me children’s publishers are “trying hard to keep local books priced between $22.99 and $25.99”. Still, <a href="https://theconversation.com/why-australian-workers-true-cost-of-living-has-climbed-far-faster-than-weve-been-told-221590">in the current cost of living squeeze</a> books are a discretionary spend some cannot afford. <h2>Public transport is good for reading</h2> Interestingly, countries where <a href="https://www.statista.com/topics/8282/rail-passenger-transport-in-europe/#statisticChapter">more people use public transport</a> – like the UK, France, Germany and Spain – tend to have higher reading rates. It’s easier to read a book on a train than in a car, and these countries often have bookshops in train stations, creating a culture of reading while commuting. In contrast, car-dependent countries like Australia, the US and Aotearoa New Zealand show lower reading rates. Our reliance on cars might explain why audiobooks are more popular in Australia than in many other countries. <h2>A holiday for a poet</h2> In Ireland, where 91% of people have read a book in the past 12 months, there is a strong cultural history of storytelling. Reading is <a href="https://www.theguardian.com/books/article/2024/aug/20/we-all-read-like-hell-how-ireland-became-the-worlds-literary-powerhouse">supported by</a> an arts council providing grants and bursaries, and a healthy ecosystem of literary festivals and magazines, public libraries and bookshops. Australia has many of these things, but Ireland also significantly supports writers, with a tax exemption on artists’ income up to €50,000 (approximately A$81,500) and a basic-income pilot scheme granting 2,000 artists €325 (approximately A$530) a week. In France, where the government <a href="https://www.culture.gouv.fr/en/regions/drac-grand-est/services/idc/reading-book/Support-for-the-book-economy">actively protects its reading culture</a>, 88% of people have read a book in the past 12 months. In 2022, <a href="https://www.theguardian.com/world/2022/sep/23/france-minimum-book-delivery-fee-amazon">France introduced a law</a> to make French bookshops more competitive with online retailers like Amazon which often offer free delivery of books. By setting a minimum delivery fee for all online book orders of less than €35 (around A$57), the government aims to level the playing field for local booksellers. Perhaps unsurprisingly, only 5% of French people buy all their books online (as opposed to 12% in Australia). Australia has public holidays dedicated to sports, like the Melbourne Cup and the AFL Grand Final (both in Victoria). In Portugal, a national holiday, Portugal Day, commemorates the death of poet <a href="https://www.britannica.com/biography/Luis-de-Camoes">Luís de Camões</a>, considered Portugal’s greatest. While 85% of Portuguese people have read a book in the past 12 months (exactly the international average), they consider reading as one of their hobbies (37%) and have bought a book in the past year (76%) at rates above the international average. Interestingly, just 32% of Australians said they consider reading a hobby, compared to 44% in Spain and 42% in the UK. Families, the education system and the media are also all key to inculcating this culture of reading, as is a strong local publishing industry. <h2>The way forward</h2> Local booksellers report declining reading rates in Australia, too. Robbie Egan, CEO of Australia’s peak bookselling industry body, BookPeople, told me: “The competition for eyeballs is real and it is fierce, and consumer discretionary dollars are scarce”. Industry leaders like Egan suggest we need a national campaign to promote the benefit of reading. We know from local research that <a href="https://www.bookpeople.org.au/images/BookPeople_Papers_Imagination.pdf">Australians value books and storytelling</a>. With increasing competition from other forms of entertainment and tighter household budgets, encouraging a stronger reading culture may be more important than ever.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/243272/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/katya-johanson-425719">Katya Johanson</a>, Professor of Publishing and Audience Studies, <a href="https://theconversation.com/institutions/edith-cowan-university-720">Edith Cowan University</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/australians-are-reading-less-than-other-countries-a-new-report-shows-why-243272">original article</a>. </div>

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Australians are reading less than other countries, a new report shows. Why?

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