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Replacing stamp duty with a land tax could save home buyers big money. Here’s how

<div class="theconversation-article-body"> Infrastructure Victoria has released a <a href="https://assets.infrastructurevictoria.com.au/assets/Victorias-draft-30-year-infrastructure-strategy.pdf">draft 30-year plan </a> outlining how the state can grow sustainably. It focuses on key areas like transport, housing, energy, and public services to support a growing population and improve liveability. The plan also suggests ways to make the state’s infrastructure and tax system fairer, more efficient and more sustainable. The plan’s recommendations are expected to cost between A$60 billion and $75 billion, mostly spent before 2035. This is around 10% of <a href="https://www.abs.gov.au/statistics/economy/national-accounts/australian-national-accounts-state-accounts/2023-24-financial-year#data-downloads">Victoria’s yearly economic output</a> in 2023-24, spread over the next decade. With Victoria already spending record amounts on infrastructure, and <a href="https://pbo.vic.gov.au/document/BudgetUpdateSnapshot2024-25">budget deficits forecast</a> until 2025-26, finding the money to fund social housing, transport and other projects is a key challenge. We estimate the Infrastructure Victoria proposals would add between $4 billion and $5 billion to Victorian government expenditure each year. Yet one of its proposals — replacing stamp duty with an annual land tax — would only cost between $1 million and $5 million to implement, but generate substantial gains for Victorian households. <h2>Why replace stamp duty with land tax?</h2> Stamp duty is one of the biggest barriers to moving house in Victoria and other Australian states. This tax, which people pay when they buy property, adds thousands of dollars to the cost of moving. In 2022-23, Victorians paid about <a href="https://www.abs.gov.au/statistics/economy/national-accounts/australian-national-accounts-state-accounts/2023-24-financial-year#data-downloads">$12 billion</a> to move house. Of this, $3 billion went to actual moving costs (like real estate services, and removalists) and $9 billion was <a href="https://www.abs.gov.au/statistics/economy/government/taxation-revenue-australia/latest-release#data-downloads">stamp duty</a>. That’s an effective tax rate of 300% on the true cost of moving, and in 2023 <a href="https://www.e-business.sro.vic.gov.au/calculators/land-transfer-duty">added about</a> $40,000, or 5.3%, to the cost of purchasing the average Victorian home. High stamp duty discourages people from relocating, even when their needs change — whether that’s moving for a new job, finding a bigger home for a growing family or downsizing after retirement. This leads to longer commutes, traffic congestion and a less efficient housing market. Switching from stamp duty to an annual land tax would make moving easier and spread the tax burden more fairly. Instead of a large, one-time tax when buying a home, all landowners would pay a smaller tax each year. This would help fund schools, hospitals, and other infrastructure more sustainably. <h2>What can we learn from Canberra?</h2> Victoria University’s Centre of Policy Studies <a href="https://www.treasury.act.gov.au/__data/assets/pdf_file/0009/1618407/cops-final-report.pdf">studied a similar reform</a> in the Australian Capital Territory, where stamp duty has been gradually phased out since 2012 and replaced with higher general rates (a type of land tax). Each year, the ACT government sets a target for how much money it needs to raise. Landowners then pay a share of that total, based on the value of their land. One of the biggest benefits of this approach is that it raises money more efficiently. Unlike other taxes, land taxes don’t discourage investment or economic activity. The study found removing stamp duty had a big positive impact on the ACT’s economy. Around 80% of the economic boost came from removing stamp duty, while introducing land tax also had benefits. By studying transaction data from the ACT, we showed each 10% reduction stamp duty rates drove a 6% rise in property transactions. <h2>Would it help housing affordability?</h2> One of the main arguments for replacing stamp duty with land tax is its effect on housing prices. Economists widely agree land taxes reduce land values, which makes housing more affordable. However, the impact of removing stamp duty is less predictable. Our previous research found <a href="https://theconversation.com/swapping-stamp-duty-for-land-tax-would-push-down-house-prices-but-push-up-apartment-prices-new-modelling-finds-184381">the effect on house prices</a> depends on how often properties are bought and sold. Apartments, for example, tend to change hands more frequently than houses. Because of this, removing stamp duty tends to push up apartment prices more than house prices. Even so, the overall effect of the reform is a drop in property prices. The challenge is ensuring this price reduction is evenly spread across different types of housing. <h2>A fairer tax system</h2> To make the system fairer, policymakers could adjust how land tax is applied. One option is to introduce a fixed-rate component, as <a href="https://www.revenue.nsw.gov.au/grants-schemes/previous-schemes/first-home-buyer-choice">proposed </a> in New South Wales. Another idea, suggested 15 years ago in the <a href="https://treasury.gov.au/sites/default/files/2019-10/afts_final_report_part_1_consolidated.pdf">Henry Tax Review</a>, is to base the tax on the per-square-metre value of land. Another key factor is housing supply. If planning laws allow more high-density housing in inner suburbs, price changes could be better managed. <h2>We also need short-term solutions</h2> Replacing stamp duty with land tax is a long-term reform that would take years to fully implement. The ACT, for example, planned a 20-year transition. If all state governments implemented this reform, we estimate Australian households would ultimately be <a href="https://www.copsmodels.com/ftp/workpapr/g-337.pdf">better off by about</a> $,1600 per household per year. In the short term, <a href="https://theconversation.com/whats-the-best-way-to-ease-rents-and-improve-housing-affordability-we-modelled-4-of-the-governments-biggest-programs-225446">other policies </a> could help improve housing affordability. These include increasing Commonwealth Rent Assistance and rethinking first-home buyer support. These steps could complement broader tax, infrastructure and housing supply reforms. The Victorian government is <a href="https://engage.vic.gov.au/victorias30yearinfrastructurestrategy">seeking feedback</a> on the draft plan before releasing the final version later this year. This is an opportunity for Victorians to contribute ideas on how to shape the state’s future and ensure its infrastructure and tax system work for everyone.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/251472/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/jason-nassios-318488">Jason Nassios</a>, Associate Professor, Centre of Policy Studies, <a href="https://theconversation.com/institutions/victoria-university-1175">Victoria University</a> and <a href="https://theconversation.com/profiles/james-giesecke-9853">James Giesecke</a>, Professor, Centre of Policy Studies and the Impact Project, <a href="https://theconversation.com/institutions/victoria-university-1175">Victoria University</a> This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/replacing-stamp-duty-with-a-land-tax-could-save-home-buyers-big-money-heres-how-251472">original article</a>. Image: 7news.com.au </div>

Money & Banking

A late start, then a big boom: why it took until 1975 for Australians to finally watch TV in colour

<div class="theconversation-article-body"> Some 50 years ago, on March 1 1975, Australian television stations officially moved to colour. Networks celebrated the day, known as “<a href="https://artsandculture.google.com/story/c-day-and-the-colour-monster-national-archives-of-australia/LAWRcgnnNY1cKA?hl=en">C-Day</a>”, with unique slogans such as “come to colour” (ABC TV), “Seven colours your world” (Seven Network), “living colour” (Nine Network) and “first in colour” (<a href="https://televisionau.com/feature-articles/network-ten">0-10 Network</a>, which later became Network Ten). The ABC, Seven and Nine networks also updated their logos to incorporate colour. <figure><iframe src="https://www.youtube.com/embed/T7gZdYVZJNc?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> For most viewers, however, nothing looked much different. The majority owned a black and white TV, while a coloured broadcast required a colour TV set. Advertisers were initially reluctant to accept the change, which required them to re-shoot black and white commercials with colour stock at a significantly higher cost. Many reasoned viewers were still watching the ads in black and white. And initially this assumption was correct. But by nine months later, 17% of Australian homes <a href="https://trove.nla.gov.au/newspaper/article/110829595?searchTerm=colour%20television%20in%20australia%201975">had a colour receiver</a>. This rose to 31% by July 1976. By 1978, 64% of Melbourne and 70% of Sydney households owned colour TV sets, making Australia one of the world’s fastest adopters of colour TV. According to the Federation of Australian Commercial Television Stations (FACTS) annual report for 1975–76, colour TV increased overall viewership by 5%, with people watching for longer periods. The 1976 Montreal Olympics also led to an <a href="https://www.nfsa.gov.au/collection/curated/asset/96836-olympic-games-coverage-colour">increase in TV sales</a>, with the colour broadcast shared between the ABC, Seven and Nine. <figure><iframe src="https://www.youtube.com/embed/L-75iIoshak?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>Highlights from the Montreal 1976 Olympic Games marathon event.</figcaption></figure> <h2>A late start</h2> With the United States introducing colour TV from 1954, it’s peculiar that Australia took so long to make the transition – especially since conversations about this had been underway since the 1960s. In 1965, a report outlining the process and economic considerations of transitioning to colour was tabled in parliament. Feedback from the US highlighted problems around broader acceptance in the marketplace. Colour TV sets were expensive and most programs were still being shot in black and white, despite the availability of colour. Networks were the most hesitant (even though they’d go on to become one of the most major benefactors). In 1969, it was <a href="https://australianfoodtimeline.com.au/colour-tv-introduced/">estimated transitioning to colour</a> would cost the ABC A$46 million (the equivalent of $265,709,944 today) over six years. The federal government, led by then prime minister Robert Menzies, decided to take a cautious approach to the transition – allowing manufacturers, broadcasters and the public time to prepare. The first colour “test” broadcast took place on June 15 1967, with <a href="https://televisionau.com/2025/03/tv-50-years-in-colour.html">live coverage</a> of a Pakenham country horse racing event in Victoria (although few people would have had coloured TV sets at this point). Other TV shows also tested broadcasting in colour between 1972 and 1974, with limited colour telecasts aired from mid-1974. It wasn’t until March 1975 that colour TV was being transmitted permanently. <figure><iframe src="https://www.youtube.com/embed/vIqqiK4ncfs?wmode=transparent&start=40" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>‘Aunty Jack Introduces Colour’ was a one-off television special of The Aunty Jack Show, broadcast on the ABC on February 28 1975.</figcaption></figure> <h2>The cinema industry panics</h2> <a href="https://anzacportal.dva.gov.au/wars-and-missions/vietnam-war-1962-1975/events/withdrawal-from-1971">Australia’s involvement</a> in the Vietnam War created further urgency to televise in colour. With the war ending in April 1975, Australians watched the last moments in colour. Other significant events broadcast in colour that year included the December federal election, in which Malcolm Fraser defeated Gough Whitlam after the latter was <a href="https://www.youtube.com/watch?v=SXq056TJhU4">dramatically dismissed</a> as prime minister on November 11. With the public’s growing interest in colour TV, local manufacturers began lobbying for higher tariffs on imports to encourage domestic colour TV production. In the mid 1970s, a new colour set in Australia cost between $1,000 and $1,300, while the average full-time annual income was <a href="https://www.abs.gov.au/AUSSTATS/abs@.nsf/Lookup/6302.0Main+Features1Sep%201975?OpenDocument=">around $8,000</a>. Still in the throes of a financial recession, customers began seeking out illegally-imported colour TV sets – which were appearing at car boot markets across the country. <figure><iframe src="https://www.youtube.com/embed/wTKMqPg4hM8?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>British childrens show The Wombles came to Australian screens shortly after colour TV was introduced.</figcaption></figure> The government also created an advertising campaign warning the public of scammers who would offer to convert black-and-white TVs to colour. These door-to-door “salesmen” <a href="https://hoaxes.org/archive/permalink/instant_color_tv#google_vignette">claimed to have</a> a special screen which, when placed over a TV, would magically turn it colourful. By 1972, the estimated cost of upgrading broadcasting technology to colour <a href="https://www.nfsa.gov.au/latest/colour-tv-part-1">had reached $116 million</a>. The cinema industry, in a panic, even questioned whether colour TV could damage a viewer’s eyesight. The industry had previously suffered huge losses in cinema attendance with the introduction of black-and-white TV from 1956. Cinemas had a monopoly on colour and were petrified over what the introduction of colour to television could do to their attendances. Such fears were founded. In 1974 Australia had 68 million admissions to the cinema. By 1976, there were just 28.9 million admissions. Never again would yearly cinema admissions reach <a href="https://www.screenaustralia.gov.au/fact-finders/cinema/industry-trends/historical-admissions">above 40 million</a>. But despite the complaints – from the cinema industry, advertisers, broadcasters and manufacturers – audiences were ready for colour. And any network that dared to program in black and white would subject itself to a barrage of annoyed viewers. Colour TV was here to stay.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/251363/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/stephen-gaunson-265553">Stephen Gaunson</a>, Associate Professor in Cinema Studies, <a href="https://theconversation.com/institutions/rmit-university-1063">RMIT University</a> This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/a-late-start-then-a-big-boom-why-it-took-until-1975-for-australians-to-finally-watch-tv-in-colour-251363">original article</a>. Image: Youtube/Austvarchive </div>

Why Alfred is such an "unusual" cyclone

<div class="theconversation-article-body"> Cyclone Alfred has now been delayed, as the slow-moving system <a href="https://www.theguardian.com/australia-news/2025/mar/06/cyclone-alfred-news-update-landfall-when-will-it-hit-why-did-it-slow-down">stalls</a> in warm seas off southeast Queensland. Unfortunately, the expected slow pace of the cyclone will bring even more rain to affected communities. This is because it will linger for longer over the same location, dumping more rain before it moves on. Alfred’s slowing means the <a href="https://www.abc.net.au/news/2025-03-06/cyclone-alfred-stalling-at-sea-later-landfall/105016522">huge waves</a> triggered by the cyclone will last longer too, likely making coastal erosion and flooding worse. Cyclone Alfred is unusual – the first cyclone in half a century to come this far south and make expected landfall. When unusual disasters strike, people naturally want to know what role climate change played – a process known as “climate attribution”. Unfortunately, this process takes time if you want details on a specific event. We can’t yet say if Alfred’s unusual path and slow speed are linked to climate change. But climate change is driving very clear trends which can load the dice for more intense cyclones arriving in subtropical regions. These include the warm waters which fuel cyclones spreading further south, and cyclones dumping more rain than they used to. So, let’s unpick what’s driving Cyclone Alfred’s behaviour – including the potential role of climate change. <figure><iframe src="https://www.youtube.com/embed/ADuTsiDlMh8?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>A Bureau of Meteorology update on Cyclone Alfred dated Thursday, March 6.</figcaption></figure> <h2>Not necessarily climate linked: Alfred’s southerly path</h2> Many cyclones make it as far south as Brisbane – but they’re nearly all far out at sea. Weather patterns mean most cyclones heading south are diverted to the east, where remnants can hit New Zealand as large extratropical storms. The fact that Alfred is set to make landfall is very unusual. But we can’t yet definitively say this is due to climate change. Cyclones are steered by winds and weather patterns, and the Coral Sea’s complex weather makes cyclone paths here very hard to predict. Alfred’s abrupt westward shift is due to a large region of high pressure to its south, which has pushed it directly towards heavily populated areas of southeast Queensland and northern New South Wales. These steering winds are not very strong, which is why Alfred is moving slowly. In 2014, <a href="https://www.nature.com/articles/nature13278">researchers showed</a> cyclones are reaching their maximum intensity in areas further south in the southern hemisphere and north in the northern hemisphere than they used to. In 2021, researchers also found cyclones were reaching their <a href="https://www.science.org/doi/10.1126/science.abb9038">maximum intensity</a> closer to coasts, moving about 30 km closer per decade. <h2>Climate link: Warmer seas</h2> Cyclones typically need water temperatures of 26.5°C or more <a href="https://www.csiro.au/en/news/All/Articles/2025/March/things-to-know-about-tropical-cyclones">to form</a>. More than 90% of all extra heat trapped by greenhouse gas emissions is stored <a href="https://www.climate.gov/news-features/understanding-climate/climate-change-ocean-heat-content">in the seas</a>. The oceans are the <a href="https://theconversation.com/2024s-extreme-ocean-heat-breaks-records-again-leaving-2-mysteries-to-solve-246843">hottest on record</a>, and records keep falling. But normal seasonal variability and shifting ocean currents are still at work too, and we can get unusually warm waters without climate change as a cause. What we do know is that ocean temperatures around much of Australia have been unusually warm. The northeastern Coral Sea, where Cyclone Alfred formed, <a href="http://www.bom.gov.au/cgi-bin/climate/change/timeseries.cgi?graph=sst&area=cor&season=01&ave_yr=0&ave_period=6190">experienced</a> the fourth-hottest temperatures on record for February and the hottest on record for January. <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/653437/original/file-20250306-56-z5mg7o.png?ixlib=rb-4.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/653437/original/file-20250306-56-z5mg7o.png?ixlib=rb-4.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/653437/original/file-20250306-56-z5mg7o.png?ixlib=rb-4.1.0&q=45&auto=format&w=600&h=450&fit=crop&dpr=1 600w, https://images.theconversation.com/files/653437/original/file-20250306-56-z5mg7o.png?ixlib=rb-4.1.0&q=30&auto=format&w=600&h=450&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/653437/original/file-20250306-56-z5mg7o.png?ixlib=rb-4.1.0&q=15&auto=format&w=600&h=450&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/653437/original/file-20250306-56-z5mg7o.png?ixlib=rb-4.1.0&q=45&auto=format&w=754&h=566&fit=crop&dpr=1 754w, https://images.theconversation.com/files/653437/original/file-20250306-56-z5mg7o.png?ixlib=rb-4.1.0&q=30&auto=format&w=754&h=566&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/653437/original/file-20250306-56-z5mg7o.png?ixlib=rb-4.1.0&q=15&auto=format&w=754&h=566&fit=crop&dpr=3 2262w" alt="figure showing rising sea temperatures in february in coral sea." /></a><figcaption>In the Coral Sea, sea surface temperatures were the fourth highest on record in February 2025 and the highest on record in January 2025. This figure shows the trend over time for February. <a class="source" href="http://www.bom.gov.au/cgi-bin/climate/change/timeseries.cgi?graph=sst&area=cor&season=02&ave_yr=0&ave_period=6190">Bureau of Meteorology</a>, <a class="license" href="http://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC-ND</a></figcaption></figure> We also know Australia’s southern waters are <a href="http://www.bom.gov.au/cgi-bin/climate/change/timeseries.cgi?graph=sst&area=sth&season=1202&ave_yr=0&ave_period=6190">warming up</a> too. The energy available to power tropical cyclones in subtropical regions has also increased in recent decades, due largely to rising ocean temperatures. <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/653417/original/file-20250305-56-8v9737.png?ixlib=rb-4.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/653417/original/file-20250305-56-8v9737.png?ixlib=rb-4.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/653417/original/file-20250305-56-8v9737.png?ixlib=rb-4.1.0&q=45&auto=format&w=600&h=492&fit=crop&dpr=1 600w, https://images.theconversation.com/files/653417/original/file-20250305-56-8v9737.png?ixlib=rb-4.1.0&q=30&auto=format&w=600&h=492&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/653417/original/file-20250305-56-8v9737.png?ixlib=rb-4.1.0&q=15&auto=format&w=600&h=492&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/653417/original/file-20250305-56-8v9737.png?ixlib=rb-4.1.0&q=45&auto=format&w=754&h=618&fit=crop&dpr=1 754w, https://images.theconversation.com/files/653417/original/file-20250305-56-8v9737.png?ixlib=rb-4.1.0&q=30&auto=format&w=754&h=618&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/653417/original/file-20250305-56-8v9737.png?ixlib=rb-4.1.0&q=15&auto=format&w=754&h=618&fit=crop&dpr=3 2262w" alt="sea surface temperature map queensland" /></a><figcaption>Average sea surface temperatures in central and southern Queensland on Thursday March 6th. Point Danger is on the Gold Coast. <a class="source" href="http://www.bom.gov.au/oceanography/forecasts/idyoc300.shtml?region=SEQLD&forecast=SST">Bureau of Meteorology</a>, <a class="license" href="http://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC-ND</a></figcaption></figure> <h2>Climate link: Fewer cyclones but more likely to be intense</h2> In the northern hemisphere, researchers have found a trend towards fewer cyclones over time. But of those which do form, a higher proportion are more intense. It’s not fully clear if the same trend exists in the southern hemisphere, though we are seeing fewer cyclones forming over time. This summer, eight tropical cyclones have formed in Australian waters. Six were classified as severe (category 3 and up). Historically, Australia has experienced a higher proportion of category 1 and 2 cyclones, which bring weaker wind speeds. On average, <a href="https://www.csiro.au/en/news/All/Articles/2025/March/things-to-know-about-tropical-cyclones">we see</a> about 11 cyclones form and 4-5 make landfall. There has been a <a href="https://theconversation.com/why-hurricanes-like-milton-in-the-us-and-cyclones-in-australia-are-becoming-more-intense-and-harder-to-predict-241000">downward trend</a> in the number of cyclones forming in the Australian region in recent decades. <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/653438/original/file-20250306-56-nk34gw.png?ixlib=rb-4.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/653438/original/file-20250306-56-nk34gw.png?ixlib=rb-4.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/653438/original/file-20250306-56-nk34gw.png?ixlib=rb-4.1.0&q=45&auto=format&w=600&h=391&fit=crop&dpr=1 600w, https://images.theconversation.com/files/653438/original/file-20250306-56-nk34gw.png?ixlib=rb-4.1.0&q=30&auto=format&w=600&h=391&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/653438/original/file-20250306-56-nk34gw.png?ixlib=rb-4.1.0&q=15&auto=format&w=600&h=391&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/653438/original/file-20250306-56-nk34gw.png?ixlib=rb-4.1.0&q=45&auto=format&w=754&h=492&fit=crop&dpr=1 754w, https://images.theconversation.com/files/653438/original/file-20250306-56-nk34gw.png?ixlib=rb-4.1.0&q=30&auto=format&w=754&h=492&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/653438/original/file-20250306-56-nk34gw.png?ixlib=rb-4.1.0&q=15&auto=format&w=754&h=492&fit=crop&dpr=3 2262w" alt="figure showing falling number of tropical cyclones in Australia over time" /></a><figcaption>Fewer cyclones, but more likely to be intense: this figure shows the number of severe (Category 3 and up) and non-severe tropical cyclones (Category 1 and 2) since 1970/71. <a class="source" href="http://www.bom.gov.au/cyclone/tropical-cyclone-knowledge-centre/history/climatology/">Bureau of Meteorology</a>, <a class="license" href="http://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC-ND</a></figcaption></figure> <h2>Climate link: Cyclones dumping more rain</h2> The intensity of a cyclone refers to the speed of the wind and size of the wind-affected area. But a cyclone’s rain field is also important. This refers to the area of heavy rain produced by storms when they’re at cyclone intensity and afterwards as they decay into tropical lows. The rate of rainfall brought by cyclones in Australia isn’t necessarily increasing, but more cyclones are <a href="https://www.nature.com/articles/s41558-018-0227-5">moving slowly</a>, such as Alfred. This means more rain per cyclone, on average. Rising ocean temperatures mean more water evaporates off the sea surface, meaning forming cyclones can absorb more moisture and dump more rain when it reaches land. Why are cyclones slowing down? This is likely because air current circulation in the tropics has weakened. This has a clear link to climate change. Wind speeds have fallen <a href="https://www.nature.com/articles/s41558-018-0227-5">5 to 15%</a> in the tropics, depending on where you are in the world. It’s hard to pinpoint the change clearly in our region, because the historic record of cyclone tracks isn’t very long. For every degree (°C) of warming, rainfall intensity increases 7%. This is <a href="https://wmo.int/topics/extreme-weather">well established</a>. But <a href="https://theconversation.com/supercharged-thunderstorms-have-we-underestimated-how-climate-change-drives-extreme-rain-and-floods-228896">newer research</a> is showing the rate may actually be <a href="https://hess.copernicus.org/articles/28/1251/2024/hess-28-1251-2024-assets.html">double this</a> or <a href="https://doi.org/10.1029/2024EF004808">even higher</a>, as the process of condensation releases heat which can trigger more rain. <h2>Clear climate link: Bigger storm surges due to sea level rise</h2> Sea levels are on average about <a href="https://www.climate.gov/news-features/understanding-climate/climate-change-global-sea-level">20 centimetres higher</a> than they were before 1880. When a cyclone is about to make landfall, its intense winds push up a body of seawater ahead of it – the storm surge. In low lying areas, this can spill out and flood streets. Because climate change is causing baseline sea levels to rise, storm surges can reach further inland. Sea-level rise will also make coastal erosion more destructive. <h2>What should we take from this?</h2> We can’t say definitively that climate change is behind Cyclone Alfred’s unusual track. But factors such as rising sea levels, slower cyclones and warmer oceans are changing how cyclones behave and the damage they can do. Over time, we can expect to see cyclones arriving in regions not historically affected – and carrying more rain when they arrive.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/251594/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/liz-ritchie-tyo-1509061">Liz Ritchie-Tyo</a>, Professor of Atmospheric Sciences, <a href="https://theconversation.com/institutions/monash-university-1065">Monash University</a>; <a href="https://theconversation.com/profiles/andrew-dowdy-119002">Andrew Dowdy</a>, Principal Research Scientist in Extreme Weather, <a href="https://theconversation.com/institutions/the-university-of-melbourne-722">The University of Melbourne</a>, and <a href="https://theconversation.com/profiles/hamish-ramsay-19549">Hamish Ramsay</a>, Principal Research Scientist, Environment, <a href="https://theconversation.com/institutions/csiro-1035">CSIRO</a> This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/cyclone-alfred-is-slowing-and-that-could-make-it-more-destructive-heres-how-climate-change-might-have-influenced-it-251594">original article</a>. Image: Windy.com </div>

Travel Trouble

Steve Price slams woman's savvy Airtasker job

Steve Price has launched into a tirade on The Project over a story about a woman's savvy use of Airtasker. The Sydney woman posted a job on the site to pay a stranger $100 if they delivered her a pair of sneakers to the Ivy nightclub, after her high heels began hurting her feet at 1am. Her ingenuity quickly went viral, with The Project panellist Georgie Tunny explaining the situation. "Someone came through (and delivered the shoes), and her followers applauded her, calling it genius hack," Tunny said. <div class="embed" style="box-sizing: inherit; margin: 0px; padding: 0px; border: 0px; font-size: 15px; vertical-align: baseline; outline: currentcolor !important;"><iframe class="embedly-embed" style="box-sizing: inherit; margin: 0px; padding: 0px; border-width: 0px; border-style: none; vertical-align: baseline; width: 591px; outline: currentcolor !important;" title="tiktok embed" src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.tiktok.com%2Fembed%2Fv2%2F7476683192787946770&display_name=tiktok&url=https%3A%2F%2Fwww.tiktok.com%2F%40aimee.clairee%2Fvideo%2F7476683192787946770%3Fembed_source%3D121374463%252C121468991%252C121439635%252C121433650%252C121404359%252C121497414%252C73319236%252C121477481%252C121351166%252C121487028%252C73347567%252C121331973%252C120811592%252C120810756%252C121503376%253Bnull%253Bembed_masking%26refer%3Dembed%26referer_url%3Dwww.dailymail.co.uk%252Ftvshowbiz%252Farticle-14454879%252FThe-Project-Steve-Price-sneakers-nightclub-heels.html%26referer_video_id%3D7476683192787946770&image=https%3A%2F%2Fp16-sign-sg.tiktokcdn.com%2Fobj%2Ftos-alisg-p-0037%2Fo4gbklEViYI8Bu8LPiDDiBnRVC8KAIVEAZBDy%3Flk3s%3Db59d6b55%26x-expires%3D1741222800%26x-signature%3Dr1zBofQ2NEGTc0Et0FGfYs3KRQY%253D%26shp%3Db59d6b55%26shcp%3D-&type=text%2Fhtml&schema=tiktok" width="340" height="700" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe></div> Steve Price, however, wasn't impressed by the woman's determination to be comfortable, blasting her "ridiculous" request. Price crinkled his face in disgust at the harmless story and let loose, mincing no words as he shared his opinion. "Don't be stupid. That's the most ridiculous, over-privileged w**ky thing I've heard of" he said. "That woman has too much money. She got secondhand smelly sneakers," Steve added. Georgie defended the woman, saying that in her clubbing days, she would absolutely have paid someone a decent sum in order to be in comfortable shoes and spare her feet. Image credits: The Project

Money & Banking

Your 2025 Oscars wrap!

<div class="theconversation-article-body">In a year with few surprises in the awards categories, there was also a dearth of surprises on the red carpet. The sartorial themes included sparkling metallics, coloured menswear and bows, bows and more bows. Metallic gowns that resemble the Oscar statue are a familiar sight at the Academy Awards and this year was no different. Some of the standouts included best actress nominee Demi Moore in a magnificently glittering silver Armani Privé gown, Selena Gomez in custom Ralph Lauren encrusted with 16,000 individual blush-toned jewel teardrops, and Emma Stone in a minimalist Louis Vuitton sheath covered in iridescent fish scales. In the menswear category, tuxedos reign supreme. This year was notable only for the diversity of colours in which these suits came. Best actor nominee Timothée Chalamet lived up to his reputation for monochrome, richly hued ensembles in a custom butter yellow leather suit by Givenchy, paired with a matching silk shirt and delicate neck brooch in place of a tie. His best actor nominated compatriot, Colman Domingo (one of the best dressed men in Hollywood) was pristine in a double-breasted red silk jacket with black lapels, black trousers and matching red shirt by Valentino, similarly eschewing a tie in favour of a fine gold brooch. Andrew Garfield wore louche chocolate brown Gucci and Jeremy Strong wore a suit by Loro Piana in an unusual tone of olive green. Bows of varying size and stature were perhaps the strongest theme of the night. Best actress winner Mikey Madison in black and pink Dior, best supporting actress nominee Felicity Jones in shimmering liquid silver Armani, Elle Fanning in white and black Givenchy and Lupita Nyong’o in white Chanel were all adorned with bows at their waists. The most remarkable bow of the night though was best actress nominee Cynthia Erivo in a structured deep emerald-green velvet Louis Vuitton gown, the broad, wing-like sleeves of which were crafted as a bow. Notable mentions must also go to those attendees who do not fit neatly into any thematic category. Best supporting actress nominee Ariana Grande wore a meticulously crafted pale pink Schiaparelli confection and Lisa (of Blackpink and now White Lotus fame) perfected a feminine take on masculine suiting in a tuxedo dress by Markgong. The only real surprise was the lack of political statements on display. Unlike recent years, when pins and ribbons in support of Ukraine and Palestine were widely worn, this year only Guy Pearce was spotted wearing a Free Palestine pin, Conclave writer Peter Straughan wore a Ukrainian flag pin and Kayo Shekoni had “free Congo” emblazoned on the sole of her high heels. – Harriette Richards <h2>The best picture: Anora</h2> And the best picture Oscar goes to … Anora – the film that was favoured to win, so no surprises here. Though he had been working for more than a decade at the time, writer-director-editor Sean Baker came onto the independent movie scene with a bang with 2015’s Tangerine, a gimmicky film that was mainly celebrated for being shot on an iPhone. Why this would be celebrated is anyone’s guess. I suspect it’s because of the “I could do it too” factor – something the average person certainly couldn’t say if we’re talking 35mm celluloid. Since then, Baker’s films have relished in embracing the digital, neon world, but always in a kind of sentimental and shallow, rather than critical, register. None of his films are awful – and maybe that’s saying something in this day and age. Anora also is not awful, but it’s not particularly memorable either. <figure><iframe src="https://www.youtube.com/embed/z20wJkdKz98?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> Anora follows a run of the mill American dream-type story about a hard-working stripper who seems to strike fairytale gold when a young, fun Russian oligarch falls in love with her. Only the dream turns out to be more of a nightmare (kind of) when things don’t quite work out and the film ends with the titular character once again independent and free. The idea of undercutting the fairytale setup of the typical rom-com is not at all original, and the film strikes me as even more schmaltzy in its rejection of the fairytale dream than if it had embraced it and played like a tween-focused Nickelodeon film (it’s about as poignant as this). The film’s cardinal sin, however – and it’s certainly not alone in this – is its critical overlength. Each of the film’s sections could have had some 20 minutes cut and we would have had an enjoyably tight romp at 80 minutes. Instead, Anora drags on, swept up in its imagining of its own profundity – at times pretentious, but mainly tedious. – Ari Mattes <h2>Not the year to stick a neck out</h2> The speeches this year were conspicuously meek. No announcer majorly insulted anyone else. No winner assaulted anyone else. Even the James Bond retrospective lacked energy. What’s going on in Hollywood? There are clues that help explain this curious flatness. Host Conan O’Brien mentioned the pressure of “divisive politics” while reflecting on California’s wildfires. Several winners spoke about the importance of shared experience, of what unites us, of film as a medium that brings people together, a force for “<a href="https://pitchfork.com/news/oscars-2025-clement-ducol-and-camille-win-best-original-song-for-el-mal-from-emilia-perez/">good and progress in the world</a>” and “<a href="https://www.townandcountrymag.com/leisure/arts-and-culture/a63981052/adrien-brody-best-actor-oscars-2025-speech-transcript/">a reminder not to let hate go unchecked</a>”. The directors of No Other Land, receiving their Oscar for best documentary, shared the one clear critical voice. Palestinian Basel Adra wished his newborn daughter a life without the fear that governs daily life in his homeland. Israeli co-director Yuval Abraham agreed: “There is another way. It’s not too late for life and for the living. There is no other way.” However, that was the only moment people at the Oscars seemed willing to confront the political elephant in the room. Anora director Sean Baker used his last (of four!) acceptance speeches to compel more people to help keep cinema doors open. He made his point passionately: this was the best way to sustain an industry that could continue to make brilliant movies. That said, the most emotive speeches of past Oscars events went much further than just commenting on the bread and butter concerns of the film industry. This year, there were more clues in what people did not say. There were feints at Russian dictators – but nobody mentioned the war in Ukraine. There was no discussion of a certain election result, nor of filmmakers’ fears that Washington is now in the control of a governing faction that loathes them. Most revealing of all: nobody raised a peep about the President or his friends. Hollywood’s collective discipline was on show tonight – and 2025 is not the year to stick a neck out. – Tom Clark <h2>A banner year for independent film</h2> Independent films were the big winners for this year’s Oscars. While many of the technical awards went to the big budget films, such as Wicked (the US$145 million film won costume design and production design) and Dune: Part 2 (made at a budget of US$190 million, and winning sound and visual effects), the night’s major awards went to small productions. While the definitions of “independence” and “studio” films don’t exist in a neat binary when it comes to production and global distribution, we can distinguish between film juggernauts and smaller films. Three independent films won significant awards that are of note. Latvian film Flow was the first independent film to win best animated feature, up against major films Inside Out 2 (Pixar Films) and The Wild Robot (DreamWorks). The film follows a cat, a dog, a capybara, a secretary bird and a ring-tailed lemur navigating a post-apocalyptic world with rising sea levels. The film also only used free and open-source software Blender and mostly used sounds from real world counterparts of the various characters. It was made for a budget of just €3.5 million (A$5.9 million). The best documentary film nominees were dominated by independent films. Notably, the winner No Other Land has sadly been unable to find a distributor to release the film in the United States. (It is available for streaming in Australia on DocPlay, and in select cinemas.) The film was only eligible because the Film Lincoln Centre in New York facilitated a one-week, qualifying theatrical run. The night’s top glories went to Anora, made on a budget of just US$6 million (A$9.7 million) and taking home the awards for best film, director, actress, screenplay and editing. In his acceptance speech for best director, Sean Baker spoke of the importance of films getting a theatrical release. Films, he said, are about humanity – and that is best experienced in watching a film with other people. <figure><iframe src="https://www.youtube.com/embed/ozpV7LyJ4YQ?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> During awards season, Baker has often spoken about the importance of small budget films in the expression of core human experiences. The final message of the night went to Baker when he thanked the Academy for recognising a truly independent film: “Long live independent film!” Indeed, independent films ruled this year’s Oscars. – Stuart Richards <h2>Best actor and actress</h2> Mikey Madison, who won the best actress award for Anora, is quite good in the role. That said, it’s difficult to evaluate her performance in such a meandering film. She tries hard playing a stripper who falls for Prince Charming – a Russian oligarch (Hollywood’s anti-Russian sentiment has certainly grown in recent years) who turns out to be a bit of a weakling with meanie parents. But Madison never really convincingly embodies the character, and we’re ever aware as we watch the film that she’s an actress working her way through relevant emotions and intensities. That said, Madison is good at yelling and stripping, and this is the main way she shows her chops here. She screamed well in Once Upon a Time… in Hollywood (2019), too. The bar this year was admittedly pretty low, and truth be told Madison’s performance in Anora (aside from Fernanda Torres for I’m Still Here) is probably the best out of the nominees. In contrast, Adrien Brody, who won the best actor award, is absolutely unforgettable in the flawed but magnificent The Brutalist – the best he’s been since The Pianist, and the deserved winner by a mile out of a similarly mediocre field. Brody is simply a pleasure to watch, and drives, in a wholly embodied way, this grandiose and exceedingly long film (the fact it doesn’t feel long is largely due to his magnetism). The screenplay, in which the character comes across as a combination of arrogant, sweet and at times comedic, allows Brody to display the full range of his talent, and he plays the whole thing with an endearing vulnerability. But, again, it’s unfair to compare Brody and Madison – The Brutalist is a spectacularly accomplished cinematic epic, while Anora feels as stylish and profound as a social media video (I know that’s the point, but that doesn’t make it any more compelling). – Ari Mattes <h2>A lacklustre year for music</h2> This was a strong year for music-based films, with three of the most nominated ones being musicals of various types: the big-budget Broadway adaptation Wicked, the original film musical Emilia Pérez, and the musician biopic A Complete Unknown. The music of the ceremony itself was nicely assembled, with a live orchestra (conducted by Michael Bearden) accompanying proceedings from above the stage. But the show was marred by an absence: the best song nominations were not performed live. The new songs this year were so bland, however – especially when compared to the Wicked score and Bob Dylan – that I can hardly blame the producers. The nominations included a dull Elton John song, some soft guitar rock from Sing Sing, Diane Warren’s 16th (!) nominated song (more soft rock), and two forgettable songs from Emilia Pérez (one of which, El Mal, was the winner). So little faith did the Academy have in the songs that only a few seconds were played from each, mostly covered by a montage of interviews with the songwriters. This year’s nominated best scores were not much more memorable, but Daniel Blumberg deserved his win for The Brutalist. It demonstrates a high level of composition and orchestration craft. It uses edgy instrumental textures to increase the feelings of uncertainty and imbalance that the film imparts. The show included a lot of Wizard of Oz. Ariana Grande sang Over the Rainbow from the 1939 film and Cynthia Erivo sang Home from The Wiz, the 1974 soul musical based on the book. Then they performed Defying Gravity from Wicked together. Another subtle Wizard of Oz nod was the music played during the commercial breaks: a loop based on Brand New Day from The Wiz, whose 1979 film version had its music produced by the late Quincy Jones. Queen Latifah and backup dancers brought some much needed energy to the last hour of the ceremony with Ease on Down the Road, also from The Wiz, as part of a Jones tribute. One surprise was an unnecessary but enjoyable James Bond sequence featuring Margaret Qualley dancing to John Barry’s famous theme, a performance of Live and Let Die by K-pop star Lisa, Doja Cat singing Diamonds Are Forever, and Raye’s rendition of Skyfall. This plus the various numbers from the Oz Musical Universe only highlighted how lacklustre this year’s nominated music was. – Gregory Camp By <a href="https://theconversation.com/profiles/harriette-richards-992933">Harriette Richards</a>, Senior Lecturer, School of Fashion and Textiles, <a href="https://theconversation.com/institutions/rmit-university-1063">RMIT University</a>; <a href="https://theconversation.com/profiles/ari-mattes-97857">Ari Mattes</a>, Lecturer in Communications and Media, <a href="https://theconversation.com/institutions/university-of-notre-dame-australia-852">University of Notre Dame Australia</a>; <a href="https://theconversation.com/profiles/gregory-camp-1280180">Gregory Camp</a>, Senior Lecturer, School of Music, <a href="https://theconversation.com/institutions/university-of-auckland-waipapa-taumata-rau-1305">University of Auckland, Waipapa Taumata Rau</a>; <a href="https://theconversation.com/profiles/stuart-richards-9983">Stuart Richards</a>, Senior Lecturer in Screen Studies, <a href="https://theconversation.com/institutions/university-of-south-australia-1180">University of South Australia</a>, and <a href="https://theconversation.com/profiles/tom-clark-4911">Tom Clark</a>, Chair of Academic Board, <a href="https://theconversation.com/institutions/victoria-university-1175">Victoria University</a> This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/from-the-fashion-to-the-speeches-to-the-music-this-was-an-oscars-of-few-surprises-5-experts-break-it-down-251264">original article</a>. </div>

Movies

Official interest rates have been cut, but not everyone is a winner

<div class="theconversation-article-body"><a href="https://theconversation.com/profiles/isaac-gross-737430">Isaac Gross</a>, <a href="https://theconversation.com/institutions/monash-university-1065">Monash University</a> The Reserve Bank’s decision to cut interest rates for the first time in four years has triggered a round of celebration. Mortgage holders are cheering the fact their monthly repayments are now slightly lower, while the Albanese government hopes the small easing in the cost of living will <a href="https://theconversation.com/view-from-the-hill-will-albanese-opt-for-an-april-election-now-a-rate-cut-has-him-breathing-more-easily-250136">lift voters’ moods</a>. This is despite the Reserve Bank’s warnings that <a href="https://theconversation.com/the-reserve-bank-has-cut-rates-for-the-first-time-in-four-years-but-it-is-cautious-about-future-cuts-249704">further rate cuts may not eventuate</a>, depending on how much further progress is made on taming inflation. But it’s important to remember not everybody benefits from an interest rate cut. Some will be worse off. <h2>Savers lose out</h2> Not all Australian households are net borrowers. Many are net savers, retirees or prospective homebuyers, who actually lose out when rates fall. For starters, <a href="https://www.rba.gov.au/publications/fsr/2024/sep/contents.html">only about a third of households</a> are in hock to the banks when it comes to a monthly mortgage repayment. Another third of households have paid off their mortgage entirely, and so don’t benefit from a reduction in mortgage interest rates. And the remaining third are renters, who also don’t pay a mortgage. So while this news is generally a good thing for borrowers, a fall in mortgage rates only directly benefits a minority of households. Here are some of the ways lower interest rates might actually hurt rather than help the typical Australian household. <h2>Higher house prices</h2> One of the most immediate effects of lower interest rates is their impact on the housing market. With cheaper borrowing costs, more buyers can afford larger loans, bidding up house prices. This is great if you already own a home, but terrible if you’re still trying to buy one. For young Australians locked out of home ownership, a rate cut makes things even harder. It drives prices higher, forcing prospective buyers to stretch their finances further just to get a foot in the market. <a href="https://www.rba.gov.au/speeches/2024/sp-ag-2024-05-16.html">Reserve Bank calculations </a> suggest that, in the long run, higher house prices from lower rates can outweigh the benefit of lower mortgage repayments. <h2>Lower returns on savings</h2> If you’re a saver rather than a borrower, interest rate cuts are unequivocally bad news. Whether you’re saving for a home deposit, retirement, or just an emergency fund, lower rates mean you earn less on your bank deposits. The money in your savings account is now growing more slowly, making it harder to build wealth over time. Indeed, more than 20 banks actually cut their term deposit rates in advance of the Reserve Bank’s decision on Tuesday, according to <a href="https://www.canstar.com.au/home-loans/banks-slash-term-deposit-rates-february-2025/">Canstar research</a>. Analysis of HILDA data, <a href="https://www.rba.gov.au/publications/bulletin/2020/jun/household-wealth-prior-to-covid-19-evidence-from-the-2018-hilda-survey.html#:%7E:text=The%20HILDA%20Survey%20is%20a,observation%20available%20is%20for%202018.">which surveys household wealth and income</a>, suggests net savers tend to be younger households without property, retirees living off savings, and those who are not in full-time employment. For these groups, lower rates mean less income and fewer financial opportunities. <h2>Retirees will feel the squeeze</h2> Many <a href="https://www.rba.gov.au/publications/bulletin/2012/dec/pdf/bu-1212-3.pdf">retirees rely on income</a> from interest-bearing assets such as term deposits or cash savings. When rates fall, their returns shrink. The cost-of-living crisis has made it harder for retirees on a fixed income to fund their lifestyles, and a rate cut only makes things worse. While some retirees have exposure to the stock market via superannuation, many prefer the stability of cash savings. With rates falling, they face the tough choice of either reducing their spending or taking on more investment risk in their old age. <h2>Bad news for the dollar, and overseas travellers</h2> When the Reserve Bank cuts rates, it tends to <a href="https://www.rba.gov.au/education/resources/explainers/drivers-of-the-aud-exchange-rate.html">weaken the Australian dollar</a>. A weaker dollar makes overseas travel more expensive for Australians. That pint of beer in London, that piña colada in Puerto Rico, or that shopping trip to New York all become pricier. For Australians planning international holidays, rate cuts are a blow. A strong Australian dollar makes travel cheaper, and lower rates work against that. So while mortgage holders might celebrate, anyone hoping to travel overseas finds themselves worse off. <h2>More expensive imports</h2> Just as a weaker Australian dollar makes travel more expensive, it also increases the cost of imported goods. And Australia imports a lot – especially cars and petrol. Since the closure of domestic car manufacturing, all new vehicles sold in Australia are imported. Petrol, the second-largest import, is also sensitive to currency fluctuations. When the Australian dollar weakens due to lower interest rates, the cost of these essential goods rises. For the millions of Australians who rely on their cars for daily life, this is a significant financial burden. This isn’t to say rate cuts don’t benefit a large portion of Australians. Anyone with a significant mortgage debt will find themselves with lower monthly repayments, and that’s undoubtedly a financial relief. But the public narrative around interest rates tends to treat cuts as a universal good, ignoring the many Australians who are left worse off. Falling interest rates are a sign the high inflation that has caused the cost-of-living crisis has abated. That is <a href="https://www.rba.gov.au/media-releases/2025/mr-25-03.html">an economic success</a> that ought to be celebrated. But that now rates are falling again, we should at least acknowledge the costs that come with them.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/250140/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> By <a href="https://theconversation.com/profiles/isaac-gross-737430">Isaac Gross</a>, Lecturer in Economics, <a href="https://theconversation.com/institutions/monash-university-1065">Monash University</a> This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/official-interest-rates-have-been-cut-but-not-everyone-is-a-winner-250140">original article</a>. Image: Shutterstock </div>

Money & Banking

Best hotels in Australia revealed

The <a href="https://www.forbestravelguide.com/award-winners" target="_blank" rel="noopener">2025 Forbes Travel Guide</a> has announced the winners of the Star Awards, with nine hotels and experiences in Australia being named in the list. Every property in the running for the awards is visited by highly trained inspectors who provide an evaluation based on up to 900 objective criteria. According to Forbes, the Star Rating system "emphasises service because your experience at a hotel, restaurant or spa goes beyond looks". Over 2000 hotels, experiences, restaurants and cruises were named on the global list, with nine Aussie winners featuring in the prestigious list. The only property in the country to receive a 5-star accommodation rating in the 2025 Forbes Travel Guide was Crown Towers in Perth. Touted as "the pinnacle of Perth luxury", Forbes described the property as "Perth's most extravagant stay. Exuding understated glamour." In the spa category the Crown Spa Perth, which is tucked away in Crown Towers Perth, was awarded 4-stars for its "unbridled opulence". The Darling Sydney has once again received recognition in the Forbes Travel Guide for the ninth consecutive year, while The Darling's "world class" spa was also featured. Check out the list below. 9. The Langham - Sydney 8. Park Hyatt - Sydney 7. Park Hyatt - Melbourne 6. Capella - Sydney 5. Como The Treasury - Perth 4. The Darling Spa - Sydney 3. The Darling - Sydney 2. Crown Spa - Perth 1. Crown Towers - Perth Image credits: Crown Hotels <p style="box-sizing: border-box; margin: 0px 0px 16px; padding: 0px; border: 0px; font-stretch: inherit; font-size: 18px; line-height: 24px; font-family: 'Proxima Nova', system-ui, -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Fira Sans', 'Droid Sans', 'Helvetica Neue'; font-size-adjust: inherit; font-kerning: inherit; font-variant-alternates: inherit; font-variant-ligatures: inherit; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-variant-position: inherit; font-feature-settings: inherit; font-optical-sizing: inherit; font-variation-settings: inherit; vertical-align: baseline; color: #333333;">

Domestic Travel

Jack the Ripper's identity revealed after 137 years

A major breakthrough in the Jack the Ripper case could have identified the notorious serial killer after 137 years of mystery. Jack the Ripper terrorised the streets of London in 1888, with police believing he was responsible for the brutal rape and murders of at least five women – known as the Canonical Five – but could very well have committed at least six more. The victims, who were all brutally slain between August and November 1888, were Mary Nichols, 43, Annie Chapman, 47, Elizabeth Stride, 44, Catherine Eddowes, 46, and Mary Jane Kelly, 25. Police, historians and crime buffs have long questioned the real identity of the serial killer, and despite a long list of potential suspects, investigators have not been able to definitively pin down a single suspect to the crimes. However, new evidence has emerged in the case, leading to a possible answer. Self-proclaimed ‘Ripperologist’ and British author Russell Edwards purchased a shawl belonging to one of the victims, Catherine Eddowes, which contained blood and semen back in 2007. Years later, the shawl was put through rigorous forensic testing where it was found to contain DNA from two separate people. One of them matched a descendant of the female victim, while the other matched the descendants of a Polish immigrant, who would have been around 23 at the time of the murders. Upon discovering this male’s name, Edwards was able to reveal the true identity of the infamous‘Jack the Ripper’: Aaron Kosminski. “Considering his DNA is on the shawl that was at the murder scene and he was named, I have never considered anyone else to be the Ripper,” Edwards told <a href="https://www.news.com.au/lifestyle/real-life/news-life/we-may-finally-know-the-true-identity-of-jack-the-ripper-after-137-years-of-mystery/news-story/14f22046597546a64113567752d972c9" target="_blank" rel="noopener">news.com.au</a>. “I have, however, looked into every other suspect in order to eliminate them. The DNA work was a huge four-year process. We had to bypass the issue of contamination, plus many other hurdles." “It was a voyage of discovery, with many twists and turns. The adventure was thrilling from beginning to end and I was lucky to experience it.” Edwards said that when he discovered the DNA from the shawl matched, he was absolutely elated to have made such a breakthrough. “When we matched the DNA from the blood on the shawl with a direct female descendant of the victim, it was the singular most amazing moment of my life at the time,” he said. “We tested the semen left on the shawl. When we matched that, I was dumbfounded that we actually had discovered who Jack the Ripper truly was.” Born in Kłodawa in central Poland, Kosminski moved to England with his family as a child and eventually began working as a barber in London’s Whitechapel district. Medical records show that he had suffered from mental illness since at least 1885 and had spent time in various ‘lunatic asylums’ around London, with his condition reportedly taking the form of auditory hallucinations, a fear of being fed by other people, as well as a refusal to wash or bathe. He later died in 1919 at age 53. The descendants of Jack the Ripper’s victims are now calling for police to do an immediate investigation into Aaron Kosminski to make Edwards’ findings official. Karen Miller, the great-great-great-granddaughter of victim Catherine Eddowes, said that it would “mean a lot” to her and her family to put an end to this 137-year-old mystery. “The name Jack the Ripper has become sensationalised, it has gone down in history as this famous character,” the 53-year-old told the <a title="www.dailymail.co.uk" href="https://www.dailymail.co.uk/news/article-14234461/Descendants-Jack-Rippers-victims-DNA-breakthrough.html" target="_blank" rel="noopener">Daily Mail</a>. “It has all been about him, this iconic name, but people have forgotten about the victims who did not have justice at the time." “What about the real name of the person who did this? Having the real person legally named in a court which can consider all the evidence would be a form of justice for the victims. We have got the proof, now we need this inquest to legally name the killer." “It would mean a lot to me, to my family, to a lot of people to finally have this crime solved.” Despite the excitement over the new evidence, some have cast doubt on the findings. The research has not yet been published in a scientific peer-reviewed journal, which means that the claims cannot be independently verified or the methodology scrutinised. Under UK law, it is up to the attorney general to approve a further inquest into the Jack the Ripper case, with Attorney-General Michael Ellis refusing the request two years ago, saying there was “not sufficient new evidence” to support an inquest. Image credits: Instagram

Legal

Dancing with the Stars 2025 cast revealed

The full cast for the upcoming season of Dancing with the Stars has been revealed. The highly-anticipated announcement comes after weeks of speculation on who would be joining the show, after a few select names had already been confirmed. Rebecca Gibney was the first celebrity to announce she would be joining the cast, after admitting to turning down many reality TV offers in years past, but accepting the Dancing with the Stars invitation just after her 60th birthday. "I want to say yes more than no," she said. "I want to do things that frighten and challenge me, and hopefully that will give me a little bit extra longevity." Channel Seven's Chief Content Officer Brook Hall says that the show has been chasing Gibney for some time, telling <a href="https://tvtonight.com.au/2025/02/rebecca-gibney-joins-dancing-with-the-stars.html" target="_blank" rel="noopener">TV Tonight</a>, "She's probably been asked like 52 times. It must be a timing thing." "To grab some of the names we've got is a big relief," he continued. Joining the show alongside Gibney will be podcast and radio host Brittany Hockley, comedian Felicity Ward, Olympic boxer Harry Garside, 7News presenter Karina Carvalho, Home and Away star Kyle Shilling, influencer and model Mia Fevola, 7News presenter Michael Usher, TV host Osher Günsberg, TV host and comedian Shaun Micallef, Olympic legend Susie O’Neill and AFL champion Trent Cotchin. Sonia Kruger and Dr Chris Brown return as hosts, alongside judges Craig Revel Horwood, Sharna Burgess, Helen Richey, and Mark Wilson. Filming of the show is set to kick off next month, and will air on Channel Seven later this year. Image credits: Sunrise / Seven

Social media star Pesto the penguin celebrates first birthday

Social media star Pesto the penguin, who has earned an army of online followers for his big and fluffy appearance, is turning one. The King Penguin, who calls the Sea Life Melbourne Aquarium home, has celebrated his birthday with a slimmed down look, worlds away from the 23.5 kilogram big boy who went viral in 2024. "It's kind of crazy how fast this year has gone, it feels like only yesterday that he hatched out of his little egg," Sea Life Aquarium Melbourne's Catherine Bushell told Today. "He only weighed around 200 grams, then went up to 23.5 kilograms at his heaviest and now back down to around 16 kilograms." Pesto's special day will be celebrated on Friday, which also happens to be Sea Life Aquarium Melbourne's 25th anniversary. "It's going to be a pretty big day, lots of celebration going on both in and out of the exhibit. Pesto has got a jelly cake today and lots of fun enrichment for he and the rest of his colony to enjoy," she said. "There's also lots of fun for the people, our first 1000 guests today will all get a free cupcake, but the party's going on all weekend, we've got a DJ and all sorts of celebrations happening tomorrow as well, so it will certainly be a party fit for a king." Image credits: Instagram

Family & Pets

Eagles star announces retirement after shock health diagnosis

Steuart Smith, the lead guitarist of iconic rock band The Eagles has announced his retirement. The 72-year-old musician, who joined the band back in 2001, shared that he would be leaving the band following a shock health diagnosis. "It is with profound regret that, due to performance issues associated with my recently diagnosed Parkinsonism, I find that I must bow out of my role with The Eagles while I can still do so gracefully," Smith told People magazine. "It's been a great quarter of a century, and I had hoped to be able to finish out this year with the band, but I must now do what’s best for all concerned." According to Parkinsons.org.uk, parkinsonism is "an umbrella term used to cover a range of conditions that share similar symptoms to Parkinson's". Bandmate and founding member of The Eagles, Don Henley, also released a statement praising Smith's talents, adding that the group will "be forever grateful" for his contributions to the band and their tour. “Steuart Smith has retired from touring. The Eagles will be forever grateful for the extraordinary talents that he brought to both our recordings and live performances," he told the publication. "Steuart will be greatly missed, but he will always be a part of our musical family. We know our many fans join us in wishing him well." The Eagles, were formed in 1972 with founding members Henley, Glenn Frey, Bernie Leadon and Randy Meisner. They are known for their hit songs like Hotel California and Lyin Eyes. <em style="box-sizing: inherit; margin: 0px; padding: 0px; border: 0px; font-size: 16px; vertical-align: baseline; color: #323338; font-family: Figtree, Roboto, 'Noto Sans Hebrew', 'Noto Kufi Arabic', 'Noto Sans JP', sans-serif; background-color: #ffffff; outline: none !important;">Image: SplashNews.com/ Shutterstock Editorial

Caring

The Voice Australia 2025 coaches revealed

Two new international superstars are joining the cast of The Voice for the upcoming 2025 season. Richard Marx and Spice Girl Mel C will join Ronan Keating and Kate Miller-Heidke on the coaches panel this year, replacing last year's judges Guy Sebastian and LeAnn Rimes. This will be the first time Marx, the Grammy award-winning singer who first shot to fame in the 1980s classic Right Here Waiting and Mel C, who found global notoriety as part of the hugely successful 1990s girl band The Spice Girls, have appeared as coaches on the Australian version of the show. The Seven Network made the announcement of the new judges on Wednesday ahead of production commencing for the reality singing contest, set to hit TV screens later in the year. Sharing her excitement over joining the judges panel, Melanie C said, “I am so incredibly excited to be joining The Voice Australia in 2025! I have always cherished my trips down under over the years, so to be there with such a super line up of coaches in one of my favourite countries is a real honour.” Richard Marx said he was looking forward to returning to Australia, a place he first visited in 1977 aged 13 with his parents. “After many more visits on tour playing to thousands and thousands of Aussie fans, it’s become a home away from home. This will be an unforgettable experience and I’m so ready to get started!” he said. Image credits: Seven Network

"Disrespectful": PM hits out at Grace Tame's Australia Day stunt

Prime Minister Anthony Albanese has condemned Grace Tame for "taking focus away" from the 2025 Australian of the Year finalists with her choice of outfit. The former Australian of the Year winner was greeted by Albanese and his fiancee, Jodie Haydon, at The Lodge in Canberra on Saturday, as she donned a t-shirt that said "F*** Murdoch". Speaking with <a href="https://www.abc.net.au/listen/live/perth" target="_blank" rel="noopener" data-link-type="article-inline">ABC Radio Perth</a> on Monday, Albanese was asked about his meeting with Tame and his views on her T-shirt, as he said her stunt was disrespectful towards the award's finalists. “I held a function. It is something that, in my view, took away from the people who were there, and my focus was simply on that,” he said. Albanese believed Tame’s decision to wear the t-shirt had clearly been designed to get attention, as he said, “I don’t intend to add to that attention because I do think that it takes away from what the day should be about, which is the amazing people who were nominated as Australians of the Year.” When asked if he agreed with the message of what Tame was trying to portray, Albanese said that he “clearly disagreed” and he wants debate to be respectful, adding, “People are allowed to express themselves, but I thought it was disrespectful of the event and of the people who that event was primarily for.” Tame explained her decision to wear the shirt to the event to <a href="https://www.theguardian.com/australia-news/2025/jan/25/grace-tame-wears-anti-murdoch-shirt-to-prime-minister-anthony-albanese-australian-of-the-year-morning-tea-ntwnfb" target="_blank" rel="noopener">The Guardian Australia</a>, saying, “[The T-shirt is] clearly not just about Murdoch, it’s the obscene greed, inhumanity and disconnection that he symbolises, which are destroying our planet.” “For far too long this world and its resources have been undemocratically controlled by a small number of morbidly wealthy oligarchs. If we want to dismantle this corrupt system, if we want legitimate climate action, equity, truth, justice, democracy, peace, land back, etc, then resisting forces like Murdoch is a good starting point.” Image credits: Instagram

Legal

The Project reveals which star is not returning for 2025

The Project has revealed which major star of the panel show will not be returning for the 2025. According Network Ten, comedian Michael Hing will be leaving the program in 2025 after first joining the cast in 2023. Ten confirmed his departure in a statement, saying, "For the last two years, we have loved Michael Hing’s quick wit and hosting hijinks as a regular on The Project." "We wish Michael every success for his nationwide stand-up tour and look forward to welcoming him back to the desk between gigs in 2025." Hing also shared the news on social media, explaining that he is leaving The Project in order to focus on his stand-up comedy tour of Australia, which runs from February to July. He wrote, “Unlike last year (when I didn’t do a tour), this year I’m not eagerly (terrifiedly) awaiting the birth of our first child. And now that we have said child, I’m embarking on the biggest tour I’ve ever done: Perth, Adelaide, Canberra, Gold Coast Melbourne, Brisbane, Sydney (not exactly a big effort) and Newcastle." “I should mention as well, with the size of the tour, and my ongoing commitment to not being entirely absent from the baby’s life, I’m going to take a step back from being on The Project next year.” The network also revealed that The Project panel would be reduced to three co-panelists on Fridays, commencing from February. Image credits: Instagram

"Utterly devastated": Iconic Irish singer dies at age 65

Iconic Irish singer Linda Nolan has died at the age of 65. The singer who, along with her sisters Coleen, Maureen, Bernie, Denise, and Anne, belonged to the Irish family group The Nolans, passed away after a lengthy battle with cancer. Linda was first diagnosed with breast cancer in 2005 and after years struggling with the illness, was told in 2011 that her cancer was in remission. In 2017, the cancer returned as secondary breast cancer, which continued to spread until it reached her brain in 2023. Linda's sister Coleen shared the news of her passing, describing her sister as a "beacon of love, kindness, and strength" in a post on Instagram. She wrote, "I am utterly devastated by the passing of my sister, Linda. Linda was a beacon of love, kindness, and strength. Her wit, humour, and laughter were infectious, and her presence could light up any room." "Linda had a heart full of compassion and always knew how to bring comfort and joy to those around her. "Her memory will live on in the many lives she touched, and while we will miss her more than words can express, we take solace in the love and warmth she shared with all of us. Rest in peace, Linda." Coleen concluded, "You will forever be in our hearts." Linda was part of an Irish family girl group that became prominent in the late 1970s and early 1980s. The family relocated to England in 1962 where they performed under the name The Singing Nolans before becoming The Nolan Sisters in 1974 and later just The Nolans in 1980. They gained fame with their hit songs I'm in the Mood for Dancing, Gotta Pull Myself Together, and Don't Make Waves. Linda was not the only Nolan to face a breast cancer diagnosis, as older sister Anne, 74, and younger sister Bernie, who died 2013 aged 52, also suffered the disease. Image credits: Steve Meddle/SplashNews.com/Shutterstock Editorial

Caring

"Insurmountable grief": Block stars share their devastating loss

The Block stars Dan and Dani Reilly have shared the devastating news that their daughter has passed away. In an emotional post on Instagram, the couple confirmed the heartbreaking loss, revealing their daughter Billie Vera Reilly was just 10 days old. "It is with insurmountable grief that we share the news that our daughter Billie, has passed on from this life and into the next at just 10 days young," the couple shared. Alongside a photo of the couple at hospital by Billie's side, they shared that Billie was everything that they had ever wanted. "In Billie's short time in this world, she taught us an intensity of both love and pain we never knew possible. She taught us what really matters," the post said. <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/DDxf6lmz5q4/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/DDxf6lmz5q4/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Dani Reilly (@dani_wales)</a> </div> </blockquote> "Billie was so wanted, so loved and she made us parents… and what an honour it is to be her mummy and daddy. She will always be our daughter." "It's clear to us that Billie was far too good for this world but if we know anything for sure, it's that Billie's legacy will make an impact greater than all of us." The couple shared a link to make a donation to The Royal Women's Hospital, asking for people to make a contribution in Billie's honour. "We want to make special mention of "Billie's Besties" at @theroyalwomens - the nurses, doctors & staff in NICU are some of the most incredible people to walk this earth and we'll be forever grateful for the care and love they gave our girl, and us" the post concluded. Dan and Dani first appeared as contestants on The Block in 2012 before returning for an All Star season, where they walked away with a $220,000 profit. Dan later became a foreman on the show. Image credits: Instagram

Caring

Purple Wiggle welcomes first child

Purple Wiggle John Pearce is officially a dad! Pearce welcomed his first child together with his wife Jessie on Monday and recently shared the news to fans on social media. “Welcome to the world our beautiful angel,” they wrote on Instagram. “We have never felt a love like this.” They shared an adorable family photo of them holding their baby boy, Henry Nicholas Adamo Pearce, and another photo of their sleeping bub. Pearce’s fellow Wiggles members congratulated the couple, who have been married since 2019. “Congratulations John and Jess. So happy for you both and can’t wait to meet Henry. Lots of love,” Red Wiggle Simon Pryce said. “Beautiful boy welcome to the world! Congratulations Jesse and Johnny,” veteran Blue Wiggle Anthony Field wrote. <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/DDtPAO-yRvM/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/DDtPAO-yRvM/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by John Adamo Pearce (@johnpearce)</a> </div> </blockquote> Youngest member Tsehay Hawkins added: “Congratulations you two!!! So happy for you guys. Love lil Henry already.” "Gorgeous boy little Henry 😍 congratulations Mama and Papa, can’t wait to meet the little treasure 💜" added Red Wiggle Caterina Mete, who also <a href="https://www.oversixty.com.au/lifestyle/family-pets/double-the-joy-red-wiggle-welcomes-twin-daughters" target="_blank" rel="noopener">recently gave birth</a> to identical twin girls, Dolly and Gigi, in July. "Jess, Johnny and Henry sending you all the love in the world 💜💜💜" commented veteran Purple wiggle Lachlan Gillespie. Pearce first started capturing hearts all over Australia as a member of the Aussie pop band Justice Crew before joining The Wiggles in 2021. <em style="box-sizing: inherit; margin: 0px; padding: 0px; border: 0px; font-size: 15px; vertical-align: baseline; color: #323338; font-family: Figtree, Roboto, 'Noto Sans Hebrew', 'Noto Kufi Arabic', 'Noto Sans JP', sans-serif; background-color: #ffffff; outline: none !important;">Images: Instagram

Family & Pets

Whoopi Goldberg reveals birth name

Whoopi Goldberg has surprised The View audiences by revealing her birth name. On Monday’s episode of the US daytime talk show, the co-hosts debated the necessity of a new platform that can tell house hunters in the US the political affiliations of their potential neighbours. While they were discussing the topic, Whoopi casually dropped her real birth name, with viewers wondering if they'd heard her correctly. Whoopi made it clear that she was against the start-up, saying: “That is not a good idea because number one, it’s none of your business, and number two, it just fosters more division." Co-host Sunny Hostin said: “I have a multiracial family, my goddaughter is gay, some of my best friends are trans. I wouldn’t want to live next to an extremist that would make my family feel unwelcome.” She then clarified, “But I don’t think that’s a political affiliation thing. I think it’s a behavioural thing.” Goldberg added that there's been a shift in recent years with more people openly talking about their political affiliations. “I was raised, you never asked anybody how they were voting. I would say, ‘Ma, who are you going to vote for?’ and she’d just give me that look. And she’d say to me, ‘Caryn, that’s nobody’s business,’” she recalled. Whoopi’s birth name is actually Caryn - pronounced ‘Karen'. When asked why she changed it, Goldberg replied in an old interview: “Here’s the thing. When you’re performing on stage, you never really have time to go into the bathroom and close the door. So if you get a little gassy, you’ve got to let it go. “So people used to say to me, ‘You are like a whoopee cushion.’ And that’s where the name came from.” Image: The View

Does menopause hormone therapy increase or decrease your risk of dementia?

<div class="theconversation-article-body"> <figure>By <a style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;" href="https://theconversation.com/profiles/caroline-gurvich-473295">Caroline Gurvich</a>, <a href="https://theconversation.com/institutions/monash-university-1065">Monash University</a>; <a style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;" href="https://theconversation.com/profiles/rachel-furey-2274695">Rachel Furey</a>, <a href="https://theconversation.com/institutions/monash-university-1065">Monash University</a>, and <a style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;" href="https://theconversation.com/profiles/samantha-loi-2274698">Samantha Loi</a>, <a href="https://theconversation.com/institutions/the-university-of-melbourne-722">The University of Melbourne</a></figure> By 2050, <a href="https://www.alzint.org/u/2020/08/GlobalImpactDementia2013.pdf">around 135 million people</a> worldwide will be living with dementia. The most common cause of dementia is Alzheimer’s disease. Women are more likely than men to develop Alzheimer’s disease, even after accounting for women living longer. The symptoms of Alzheimer’s disease most commonly occur after the age of 65. However, changes in the brain begin decades before symptoms start. For women, this typically coincides with their transition to menopause. Menopause results from the body decreasing production of two hormones made by the ovaries: oestrogen and progesterone. These hormonal changes are associated with a wide range of symptoms, including hot flushes, night sweats, difficulties sleeping, reduced libido, mood changes and brain fog. Menopause hormonal therapy (also called hormone replacement therapy or HRT), including oestrogen alone or oestrogen combined with a progesterone, has been prescribed to help with menopausal symptoms for decades. But how does menopause hormone therapy affect the risk of dementia? And why do some studies say the therapy increases the risk, while others say it reduces it? <h2>Hormones and the brain</h2> A large body of pre-clinical (animal based) research shows oestrogen helps protect the brain. It reduces any damage to nerve cells and supports overall brain health. Receptors that respond to oestrogen are in areas of the brain related to reproductive functions. But they’re also in <a href="https://pmc.ncbi.nlm.nih.gov/articles/PMC4491541/">areas of the brain</a> important for learning, memory and higher-order cognitive abilities such as planning, organisation and decision making. <figure class="align-right "><figcaption></figcaption></figure> The loss of the “neuroprotective” effects of oestrogen after menopause is thought to contribute to more cases of Alzheimer’s disease in women than men. <a href="https://pubmed.ncbi.nlm.nih.gov/30928686/">Clinical studies</a> have also shown women who have a medical or surgical menopause before the age of natural menopause have a higher lifelong risk of dementia and cognitive impairment. This risk <a href="https://pubmed.ncbi.nlm.nih.gov/17761551/">appears to be reduced</a> in women who take oestrogen therapy after their surgery. This has led researchers to hypothesise that adding oestrogen back – via menopause hormone therapy – might protect and maintain women’s cognitive health. However, the research findings have not been consistent. <h2>Could menopause hormone therapy impact dementia risk?</h2> Concern about dementia risk and menopause hormone therapy have been partially driven by the unexpected findings from a landmark study conducted more than two decades ago. The <a href="https://jamanetwork.com/journals/jama/fullarticle/198994">findings showed</a> hormone therapy use in post-menopausal women, 65 years and older, was associated with an increased risk for dementia. However, these studies have some key limitations: 1) most of the women were aged over 65 and more than ten years post-menopause 2) the type of oestrogen and progestogen (a synthetic form of progesterone) used may have less benefit on brain health. The most recently published <a href="https://pmc.ncbi.nlm.nih.gov/articles/PMC10625913/">systematic review and meta-analysis</a> of scientific data linking hormone therapy to the risk of Alzheimer’s disease included findings from 51 different reports that were published up to 2023. The results showed if hormone therapy was initiated in midlife, or more generally within ten years of the final menstrual period, there was a decreased risk of later-life Alzheimer’s disease compared to women not using any hormone therapy. The greatest reduction in risk was associated with oestrogen-only hormone therapy. In contrast, when considering using hormone therapy in late-life, or more than ten years after menopause, oestrogen-only therapy had a neutral effects on Alzheimer’s disease risk. However, oestrogen-progestogen therapy was associated with a risk increase. Only <a href="https://journals.plos.org/plosmedicine/article?id=10.1371/journal.pmed.1004435">one clinical trial</a> has been published since this meta-analysis. This study examined the long-term effects of menopause hormone therapy use initiated in early menopause. Women were on average aged 52.8 years and 1.5 years post-menopause when they entered this trial. They were randomly assigned to an oestrogen (with or without progestogen) or placebo for four years. Researchers followed 275 women up ten years later. They found no cognitive effects (no harm nor any benefit) based on whether women were exposed to 48 months of hormone therapy or a placebo. <h2>What affects your risk?</h2> It appears the effects of menopause hormone therapy on dementia risk are influenced by several factors. These include when someone starts taking it, how long they take it for, the type of hormones used, and the person’s genetic and health background. 1. When therapy starts: the critical window hypothesis One key factor in determining the effect of menopause hormone therapy on cognitive function and the risk of dementia appears to be when therapy starts relative to menopause. This is called the “critical window hypothesis”. According to this hypothesis, oestrogen may help protect neurons in the brain only if started early in the menopause transition, particularly within a few years of menopause, when the brain may still be more responsive to hormones. 2. Type of menopause hormone therapy and the role of progesterone The type of hormones included in hormone therapy can <a href="https://pmc.ncbi.nlm.nih.gov/articles/PMC9964432/#sec6-ijms-24-03205">vary widely</a> in their molecular structure as well as their physiological actions. Different types of oestrogens (such as estradiol or conjugated oestrogen) and the inclusion of a progestogen (needed for women who have not undergone a hysterectomy) may have different impacts on brain health and dementia risk. <a href="https://www.sciencedirect.com/science/article/pii/S0091302224000402#s0055">Some studies</a> suggest adding a progestogen to oestrogen therapy could counteract some of the cognitive benefits of oestrogen alone, possibly by blocking oestrogen receptors in the brain. 3. The role of vasomotor symptoms Vasomotor symptoms, such as hot flushes and night sweats, are the hallmark of menopause. Experiencing more vasomotor symptoms has been <a href="https://journals.lww.com/menopausejournal/abstract/2008/15050/objective_hot_flashes_are_negatively_related_to.9.aspx">linked to poorer memory</a> as well as an <a href="https://pubmed.ncbi.nlm.nih.gov/37577812/">increase in biological markers</a> associated with dementia risk. Therefore, one possible pathway by which menopause hormone therapy may moderate Alzheimer’s disease risk is via their effects on reducing vasomotor symptoms. 4. An person’s genetic and health background The greatest genetic risk factor for older-onset Alzheimer’s disease is carrying one or more copies of a specific version of the APOE gene, called APOE e4. There is an <a href="https://pubmed.ncbi.nlm.nih.gov/36218064/">emerging hypothesis</a> that women who have this genetic risk for Alzheimer’s disease may show the greatest benefit from using hormone therapy. <h2>What does this mean for you?</h2> The clinical and scientific community are still debating whether menopause hormone therapy may play a role in Alzheimer’s disease risk. Overall, the decision to use hormone therapy should be individualised, taking into account your age and timing of menopause, health status and specific menopause symptoms. We need more research before we can make clear decisions about the role of hormone therapy and dementia risk, but based on the current evidence, hormone therapy may be beneficial if started early in the menopause transition, particularly for women at genetic risk of Alzheimer’s disease.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/242111/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/caroline-gurvich-473295">Caroline Gurvich</a>, Associate Professor and Clinical Neuropsychologist, <a href="https://theconversation.com/institutions/monash-university-1065">Monash University</a>; <a href="https://theconversation.com/profiles/rachel-furey-2274695">Rachel Furey</a>, Teaching Associate, Neuropsychology, <a href="https://theconversation.com/institutions/monash-university-1065">Monash University</a>, and <a href="https://theconversation.com/profiles/samantha-loi-2274698">Samantha Loi</a>, Associate Professor and Neuropsychiatrist, Department of Psychiatry and Royal Melbourne Hospital, <a href="https://theconversation.com/institutions/the-university-of-melbourne-722">The University of Melbourne</a> This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/does-menopause-hormone-therapy-increase-or-decrease-your-risk-of-dementia-heres-the-science-242111">original article</a>. Image: Shutterstock </div>

Caring

The Block billionaire's generous Christmas stunt

The Block billionaire Adrian Portelli, who splashed out a whopping $15 million in the show's latest auctions, is giving back to those in need this festive season with a generous act. The entrepreneur is on a mission to help people ahead of the holidays by giving away $150,000 worth of grocery vouchers in Sydney. Kicking off the stunt in the suburb of Penrith, Portelli was welcomed to the shopping centre by hundreds of fans who were waiting for their chance at free Coles shopping, with many lining up from as early as 4am. Moving on from Penrith, Portelli also visited the suburb of Fairfield West to continue giving back to those in need. "We don't contact the media, we just come out here," Portelli told Nine News as he arrived in Penrith. "We've been doing this for a long time. We've done it in multiple states, so it's the least we can do if we can get out there and share." Portelli also took to Instagram to share the details of a pit-stop he made while in Penrith, visiting two acres of land he has purchased to build a hospital. "We're building a hospital for high physical needs patients," he said in the clip. "It's going to be a really fun project and, apparently, there is a shortage in this area for those in need." Image credits: Instagram

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