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“It was an honour to have met her": Beloved TV star passes away at 96

<p>Australia is mourning the loss of one of its most beloved television personalities, Emmie Silbery, who has passed away at the age of 96 following a long battle with dementia.</p> <p>Emmie captured the hearts of viewers nationwide as a cherished member of the Silbery family trio on <em>Gogglebox Australia</em>, alongside her daughter Kerry and granddaughter Isabelle. On Monday, a heartbroken Isabelle confirmed the news of Emmie’s death with a deeply emotional tribute on Instagram.</p> <p>“Our Emmie, waited for me to come home for one last snuggle,” Isabelle wrote. “Her last words, ‘I’m ready to hang up now’.”</p> <p>Fans knew Emmie for her warmth, wit and wisdom, and for many, she felt like a member of their own family. Her presence on screen from 2015 brought generations together, and her absence in recent seasons was sorely felt.</p> <p>“She was 96, an orphan, a nurse, a wife, a mother, a grandmother, the oldest woman on TV, a great grandmother, an author and so much more,” Isabelle continued in her post. “Thank you for loving her as much as we did and will forever. Have a big rest now — you deserve it. Xxxxx.”</p> <p>Tributes have since poured in from across the country, with fellow <em>Gogglebox</em> cast members and Aussie celebrities expressing their grief and gratitude for having known her.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/DL1b0z8TCQ9/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/DL1b0z8TCQ9/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Isabelle Richards (Silbery) (@isabellesilbery)</a></p> </div> </blockquote> <p>“Beautiful Emmie. Words can’t describe what you meant to so many of us,” wrote Angie Kent. “Thank you for the countless laughs, tears, goosebumps and memories! Rest now. Your girls are so loved and looked after.”</p> <p>“It was an honour to have met her. She was a truly special woman. May she rest in peace,” commented Matty Fahd.</p> <p>Longtime co-stars Lee and Keith Riley described their heartbreak in a poignant message: “Our hearts are so heavy with sadness. Emmie was our adopted grandmother to Keith and I as we lost our grandparents years ago. You told us so many stories about your life and now they are memories for us to keep. Rest in peace, sweetheart you’ll never be far from our hearts.”</p> <p>Australian media figures also offered their condolences. Lisa Wilkinson wrote: “I’m so sad to hear the news Isabelle. What a beautiful, talented, giving soul she was, and so loved by us all. I hope she knew that. Glad you got that last snuggle. Sending love to you and your wonderful mum.”</p> <p>Actress Pia Miranda added: “I’m so sorry for your loss. Sending you and your family all the love. She was an icon.”</p> <p>In February 2023, Emmie officially stepped back from the show following her dementia diagnosis. At the time, her family shared the sad news with fans in a heartfelt message, saying, “It’s been a very challenging time for our family and we’ve had to make some difficult decisions. Emmie has been diagnosed with dementia and we wanted to be transparent about this as many families experience it.”</p> <p>Despite her declining health, Emmie made a touching final appearance in January this year during a cast reunion, where she was embraced by her co-stars in an emotional and affectionate gathering.</p> <p>“It was great to see our darling Emmie again,” wrote Lee and Keith in a video post from the day, showing the joy and love she continued to inspire, even in her final chapter.</p> <p>A symbol of strength, humour and family, <span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">Emmie Silbery's</span><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;"> passing leaves a deep void in the hearts of those who knew her, both on and off screen.</span></p> <p><em>Images: Instagram</em></p>

Caring

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The Project has been axed – but someone forgot to change the passwords

<p>Move over, NSW Police social media team – there’s a new sheriff in town, and they’re armed with memes, mischief and exactly zero supervision.</p> <p>Despite <em>The Project</em> being officially axed by Network Ten last Friday, the show’s Instagram account has come alive with the kind of unhinged humour usually reserved for group chats and late-night impulse tweets. And the results? Glorious chaos.</p> <p>“The bosses really should have changed the password from Password1,” read the first sign that something was afoot – or at least, afootloose.</p> <p>What followed was a gleeful digital coup. “Well, well, well, look who is in charge now… It’s me! The social media hero (that’s what I call myself),” the mystery admin announced. “So, one question: what should I do with these accounts?”</p> <p>So far, the self-appointed “social media hero” has shared six rogue posts that are funnier than half the comedy on TV right now – and that’s not just our opinion. Former co-host Lisa Wilkinson chimed in with, “I am SO HERE FOR THIS!!” while Rove McManus, part-owner of the show’s production company, added, “I just assumed the news stopped when we did.” Mood.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/DLhO6vEzFDv/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/DLhO6vEzFDv/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by The Project (@theprojecttv)</a></p> </div> </blockquote> <p>Other ex-<em>Project</em> personalities Gorgi Coghlan and Georgia Love offered moral support in the form of popcorn and laughing emojis, which in 2025 might as well be legal tender.</p> <p>But the rogue admin isn’t just here for the nostalgia. They’ve been keeping up with current events – kind of. One post featured a video of a woman being taken out by wild winds during this week’s “bomb cyclone” in NSW.</p> <p>“We have been off air for less than a week, and a woman has been knocked over by a fridge box?” read the caption. “You just can’t make this stuff up.”</p> <p>Honestly? This person deserves their own spin-off show. Or at the very least, a raise – assuming they’re still employed.</p> <p>No word yet from Ten HQ, but we suspect someone in middle management is frantically Googling “how to revoke Instagram access”.</p> <p>Until then, we live, laugh and like.</p> <p><em>Images: Instagram</em></p>

TV

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Deborah Knight leaving 2GB for major role with Nine

<p>Veteran journalist Deborah Knight is making a full-time return to television, stepping down from her top-rating radio show Money News on 2GB to take on a major role at the Nine Network.</p> <p>Knight, 52, will anchor the national 9News Morning bulletin at 11.30am on weekdays and will also front the Sydney edition of 9News Afternoon, cementing her as a key face in Nine’s daytime news coverage.</p> <p>Currently hosting <em>A Current Affair</em> on Saturday nights, Knight will continue that role alongside her expanded responsibilities.</p> <p>“I’m incredibly excited to be stepping back into a full-time television role with 9News and Current Affairs,” she said. “It’s a fantastic opportunity to be part of the daily news cycle and connect with viewers during these important bulletins.”</p> <p>Knight also expressed gratitude to her Money News listeners, saying, “I’ve thoroughly enjoyed my time in radio… and I’m grateful for the wonderful listeners who tuned in.”</p> <p>Her final Money News broadcast will be on July 3, with her successor yet to be announced.</p> <p>Knight’s appointment brings stability to the morning and afternoon bulletins, which have recently featured a rotating roster of presenters including Kate Creedon, Sophie Walsh, Mark Burrows and Lizzie Pearl.</p> <p>Her broadcast career began at the ABC before moving to Network Ten, where she served as US correspondent. Knight joined the Nine Network in 2011 and has since held several prominent roles, including a controversial 2019 stint as <em>Today</em> co-host alongside Georgie Gardner, following Karl Stefanovic’s temporary departure.</p> <p>She replaced Steve Price on 2GB Afternoons in 2020 and went on to host Money News in early 2023, taking over from Brooke Corte.</p> <p>Knight’s full-time return to TV marks a new chapter in her versatile and enduring media career.</p> <p><em>Images: Instagram</em></p>

TV

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"Bring back The Project!": Viewers divided over new Channel 10 show

<p>Just weeks after Channel 10 confirmed the shock axing of <em>The Project</em>, its replacement show <em>10 News+</em> made its prime-time debut – and reactions have been anything but quiet.</p> <p>The new current affairs program, hosted by seasoned journalists Amelia Brace and Denham Hitchcock, launched Monday night with bold promises and a serious tone, setting itself apart from its long-running predecessor.</p> <p>“Firstly, we’re not here to tell you what to think. We’re not here to scare or depress you,” Hitchcock told viewers in the show’s opening minutes. “We will give you facts, information you can trust, the truth,” Brace added, outlining the show’s mission for “digging deeper with investigations and original reporting you won’t see anywhere else”.</p> <p>Despite landing a world-exclusive with convicted drug smuggler Debbie Voulgaris – speaking from a prison cell in Taiwan – and featuring an interview with Prime Minister Anthony Albanese, the show failed to win over many of <em>The Project</em>’s former fans.</p> <p>“Seriously Channel 10!” one viewer wrote on social media. “There’s enough depressing news already out there and now you’ve brought it to us at 6pm! Bring back The Project.”</p> <p>Another slammed the show as “A Current Affair, yawn!” while one frustrated viewer branded it “a SNOOZE FEST of a show with NO SOUL”, accusing the network of underestimating its audience.</p> <p>“Cut and paste of Channel 9’s A Current Affair. Not interested. Already changed channel,” another viewer declared.</p> <p>The comparisons to <em>A Current Affair</em> – and the shift in tone from <em>The Project</em>’s lighter, panel-style format – were a recurring theme in the online backlash.</p> <p>“Genuine feedback and not at all a criticism of the hosts,” one person commented, “but this show is so vastly different from The Project and more like A Current Affair. It’s not unique... Was it just a cost-cutting measure all along?”</p> <p>Others went even further, suggesting the show might not last the year. “Give it a month,” one viewer said. Another quipped, “Are the hosts AI-generated?”</p> <p>Still, <em>10 News+</em> wasn’t without its defenders. Some viewers praised the show’s content and approach.</p> <p>“Loving @10NewsPlus – strong launch story. Is this the new Schapelle Corby story we all need to know about?” one user posted on X (formerly Twitter). “10 News should be very proud.”</p> <p>“I liked 10 News+. It was very interesting and I liked the interview with the astronaut,” another added.</p> <p>For now, Channel 10 is betting on its revamped format to reinvigorate its 6pm slot. Whether audiences warm to the serious tone – or keep demanding the return of <em>The Project</em> – remains to be seen.</p> <p><em>Images: Network 10</em></p>

TV

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"It hurts like a b***h!" TV star axed ahead of 2026 season

<p>After nearly a decade at the helm, longtime <em>Australian Survivor</em> host Jonathan LaPaglia has been axed from the show ahead of its 2026 season.</p> <p>LaPaglia, 55, who has hosted the Channel 10 reality series since its 2016 revival, confirmed in an emotional Instagram post that he had been “blindsided” by the decision, delivered via a phone call from the network.</p> <p>“<em>Australian Survivor</em> has seen some of the most epic blindsides over the last 10 years, but this one might just be the craziest of them all… because it happened to me,” LaPaglia wrote.</p> <p>He explained that Channel 10 thanked him for his contribution but said they were “going in a different direction” after recent ratings dips, prompting what he described as not a tribe swap, but a “HOST SWAP®.”</p> <p>LaPaglia, who has already filmed the upcoming 13th season titled <em>Australia v The World</em>, described the decision as painful.</p> <p>“I wish I could say, ‘Before we go to vote, tonight is a little different….no one’s going home.’ But I can’t. None of that non-elim bulls**t tonight! Someone IS going home. And with no idol in my back pocket, that someone is me,” he said.</p> <p>He also paid tribute to the show’s crew, contestants and loyal fans, calling it “one of the greatest adventures” of his career. “It is without a doubt the hardest challenge of all to snuff my own torch,” he added. “But here goes; ‘JLP… the tribe has spoken.’”</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/reel/DLghpD-tzIv/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/DLghpD-tzIv/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by @jonathanlapaglia</a></p> </div> </blockquote> <p>While no official replacement has been named, it’s widely rumoured that <em>Survivor</em> alum and <em>Deal or No Deal Island</em> winner David Genat, 45, will step into the role. Genat, who won<em> Australian Survivor: All Stars</em> in 2020, recently <a href="https://www.oversixty.com.au/finance/money-banking/aussie-tv-star-wins-9-2m-on-game-show-the-largest-in-history" target="_blank" rel="noopener">made global headlines</a> after winning a staggering $US5.8 million ($A9.2 million) on the US game show.</p> <p>LaPaglia will return for one final season when <em>Australia v The World</em> airs later this year – an instalment he has called “probably our best season EVER” – then ended it all with one last thought on being let go from the network this way:</p> <p>"Whoever said a blindside is the most humane way to put someone down is an idiot. It hurts like a b***h!”</p> <p><em>Images: Instagram</em></p>

TV

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Channel 9 looking to hold onto Karl with huge new deal

<p>Karl Stefanovic is reportedly on the verge of securing a staggering $3 million-a-year contract, even as Nine Entertainment embarks on a major cost-cutting drive and other broadcasters tighten their belts.</p> <p>According to <a href="https://www.theaustralian.com.au/business/media/media-diary-karl-stefanovic-poised-to-cash-in-on-new-multimilliondollar-deal-at-nine/news-story/a333bb751d5f9fd5665f72ffbc3f2266" target="_blank" rel="noopener"><em>The Australian</em></a>, the 50-year-old <em>Today</em> host is negotiating a new multi-year deal that would see his salary climb from his already impressive $2.8 million agreement signed in 2022. Network executives are said to be eager to keep Stefanovic, with reports suggesting he was prepared to walk if offered a lesser sum.</p> <p>The proposed pay rise comes at a time when Nine has signalled a need to slash $100 million in costs by 2027 as part of its “strategic and cultural transformation”. The broadcaster has already undergone significant restructuring, letting go up to 200 staff last year, mainly from its print divisions, after Meta abandoned commercial arrangements with Australian news outlets. Additional changes included axing Nine Darwin’s local bulletin, scaling back the Gold Coast bulletin, and scrapping long-running shows like <em>Millionaire Hot Seat</em>, <em>Australian Ninja Warrior</em>, and <em>My Mum, Your Dad</em>.</p> <p>The network’s willingness to retain its marquee star at a premium stands in stark contrast to reports of salary cuts for other high-profile figures. Veteran journalist Liz Hayes was rumoured to be among those facing a pay cut before her departure from Nine earlier this year after a 44-year tenure.</p> <p>Meanwhile, over at Channel 7, <em>Sunrise</em> hosts Natalie Barr and Matt Shirvington are believed to earn significantly less than Stefanovic, with salaries said to be around $1 million each, despite <em>Sunrise</em> continuing to dominate the breakfast TV ratings.</p> <p>It’s not just Nine grappling with challenges. The broader broadcasting industry is facing turbulence amid a soft economy and shifting viewer habits. Ten recently announced it will axe <em>The Project</em> after almost 16 years and more than 4,500 episodes, with the final show airing Friday, June 27. The move is part of a broader shake-up that will see <em>Deal or No Deal</em> take the 7pm slot and a new national one-hour news and current affairs program launch at 6pm.</p> <p>As Australian networks navigate the pressures of a changing media landscape, Stefanovic’s rumoured bumper pay rise is sure to spark debate about the future of big-ticket broadcast salaries.</p> <p><em>Images: Instagram</em></p>

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Karl's Origin bet sees NRL star run nude across Bondi Beach

<p>Nothing kicks off the weekend quite like your morning coffee, a cheeky croissant, and a surprise unblurred penis on national television. That’s exactly what <em>Today</em> show fans copped around 6am this morning when Channel 9’s breakfast crew decided, apparently, that broadcast standards were merely a suggestion.</p> <p>Karl Stefanovic and Sarah Abo were front and centre for the chaos, as sports reporter Danika Mason crossed live from Bondi Beach. Mason was joined by retired NRL star Aaron Woods – who, thanks to a State of Origin bet gone sideways, had only his dignity to keep him warm (spoiler: it didn’t).</p> <p>Woods had promised to streak if NSW lost Game 2. Queensland, being Queensland, delivered the goods in Perth on Wednesday night, so Woods kept his word, stripped down, and bolted starkers into the surf. The <em>Today </em>team howled with laughter as he made his break for the briny deep – so far, so PG.</p> <p>But then Woods did what no one expected. In what can only be described as a truly bold move, he turned to face the camera. Editors had roughly zero seconds to react. Viewers had roughly zero seconds to look away. And the <em>Today</em> show had roughly zero seconds before the complaints line started ringing off the hook.</p> <p>“No! Don’t show it!” shrieked Abo, as newsreader Jayne Azzopardi presumably contemplated her next career move. Meanwhile, Woods grinned like a man who knew exactly what he'd done.</p> <p>Danika Mason, ever the professional, summed up the moment with the sort of innuendo that will no doubt earn her a spot at next year’s Logies: “The smallest sporting event I’ve seen.”</p> <p>The man of the hour eventually reappeared on screen – mercifully clothed – declaring, “I’m feeling good, it was good fun. It was a long run, it was like ‘when is this water going to get closer?’” A sentiment shared by viewers who were wondering when their corneas might recover.</p> <p>It turns out Woods' bare-all sprint wasn’t just eyebrow-raising, but technically illegal. NSW Premier Chris Minns had warned him beforehand, but Woods seemed blissfully unaware that public nudity is frowned upon – even at Bondi. “But at the beach!” he protested, in what’s sure to become the rallying cry of accidental exhibitionists everywhere.</p> <p>Minns, showing off his dry wit, suggested Woods try his luck at one of Sydney’s many legal nude beaches next time. “It’s been illegal forever,” he deadpanned on radio. Woods could now be staring down a fine, though fans are hoping common sense (and perhaps a sense of humour) prevails.</p> <p>Meanwhile, Woods’ mate Beau Ryan said the footy star was “genuinely shocked” by the revelation. “You can’t be nude in public,” Ryan told him. Woods: “But at the beach!” Ryan: “Still public, mate.”</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/reel/DLGNU0tToP9/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/DLGNU0tToP9/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by thetodayshow (@thetodayshow)</a></p> </div> </blockquote> <p>To add another layer to the inter-state banter, Minns himself has a State of Origin bet with Queensland Premier David Crisafulli – the loser must star in the other state’s advertising campaign. So at least if Woods ends up in court, he can rest easy knowing that somewhere out there, a Premier might soon be forced to smile awkwardly in a “beautiful one day, perfect the next” ad.</p> <p>In the meantime, <em>Today</em> producers are probably googling “delay button for live TV” and breakfast viewers are recovering from seeing a little more than they bargained for with their Weet-Bix.</p> <p><em>Images: Today show</em></p>

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"Her light touched millions": TV chef found dead at home

<p>Beloved chef and television personality Anne Burrell has died at the age of 55, leaving fans, colleagues and loved ones heartbroken.</p> <p>The Food Network star was found unconscious at her Brooklyn home on Tuesday morning, local time, and was pronounced dead at the scene by emergency services, according to the New York Police Department. The cause of her death has not yet been determined, with authorities confirming that an investigation is ongoing.</p> <p>Burrell’s family shared a moving statement, remembering her as a “beloved wife, sister, daughter, stepmother, and friend”.</p> <p>“Her smile lit up every room she entered,” the statement read. “Anne’s light radiated far beyond those she knew, touching millions across the world. Though she is no longer with us, her warmth, spirit and boundless love remain eternal.”</p> <p>The Food Network also paid tribute to the culinary icon, describing Burrell as “a remarkable person and culinary talent – teaching, competing and always sharing the importance of food in her life and the joy that a delicious meal can bring.”</p> <p>“Our thoughts are with Anne’s family, friends and fans during this time of tremendous loss,” the network’s statement continued.</p> <p>Burrell’s sudden passing came just days after she shared a cheerful selfie on Instagram, appearing happy and healthy. Known for her signature spiky blonde hair and vibrant personality, Burrell built a career that inspired home cooks and professionals alike.</p> <p>She married Stuart Claxton in 2021, becoming stepmother to his son, Javier. The couple wed in Burrell’s hometown of Cazenovia, New York, in a ceremony filled with joy and personal touches that reflected her zest for life.</p> <p>A graduate of the Culinary Institute of America, Burrell honed her craft in Italy before returning to the US, where she worked in renowned kitchens and later taught at the Institute of Culinary Education. Her television break came as a sous chef on <em>Iron Chef America</em> in 2005, followed by her own show, <em>Secrets of a Restaurant Chef</em>, which ran for eight seasons. She also became a familiar face on <em>Worst Cooks in America, Chopped, Chef Wanted</em>, and other Food Network programs.</p> <p>Only months before her death, Burrell welcomed viewers into her colourful Brooklyn loft, a space she described with characteristic humour and charm. “Everything here is a little crooked, and I think that suits me just well,” she said at the time. “I think I’m a little crooked, so I feel right at home here.”</p> <p>Anne Burrell’s sudden loss leaves a void in the culinary world, but her influence – and the joy she found in sharing her passion for food – will not be forgotten.</p> <p><em>Images: Instagram</em></p>

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2025 Logie nominees revealed, all new category announced

<p>The nominees for the 65th annual TV Week Logie Awards have been announced, with a fresh award category paying tribute to one of Australian television’s most respected journalists.</p> <p>The Ray Martin Award for Most Popular News or Public Affairs Reporter, named after the legendary <em>Four Corners</em> and <em>60 Minutes</em> presenter, will recognise excellence in news and public affairs reporting. Among the inaugural nominees are <em>A Current Affair</em>’s Ally Langdon, <em>7.30</em> host Sarah Ferguson, and <em>60 Minutes</em> veteran Tara Brown.</p> <p>In the race for television’s most coveted prize, the Gold Logie for Most Popular Personality, former ABC Breakfast presenter Lisa Millar is a standout contender. She’ll face stiff competition from <em>Today</em> star Ally Langdon, past winner Sonia Kruger, and two-time Gold Logie recipient Hamish Blake – the only man in this year’s field of nominees.</p> <p>Blake, who previously took home the top prize in 2012 and 2022, joked about his inclusion, telling <em>Today</em> viewers: “I think it really does need to go to a far more worthy recipient — and I’m not just saying that because it would be a PR nightmare if the only bloke got up and stole the Gold Logie from a sea of deserving women. It can’t happen and it shouldn’t happen!”</p> <p>The ABC led the pack with an impressive 44 nominations, thanks to popular titles such as <em>Fisk</em>, which earned five nods, and Guy Montgomery’s <em>Guy Mont Spelling Bee</em>, which secured Montgomery a nomination for Most Popular New Talent.</p> <p>Streaming platforms also made a strong showing, with Netflix emerging as the most nominated streamer, bolstered by hits like <em>Apple Cider Vinegar</em> and <em>Territory</em>.</p> <p>The 2025 Logie Awards will be held in Sydney on August 3, with comedian Sam Pang returning to host the event for a third consecutive year.</p> <h2>Highlights of major categories:</h2> <p><strong>Most Popular Personality on Australian Television</strong></p> <ul> <li>Ally Langdon</li> <li>Hamish Blake</li> <li>Julia Morris</li> <li>Lisa Millar</li> <li>Lynne McGranger</li> <li>Poh Ling Yeow</li> <li>Sonia Kruger</li> </ul> <p><strong>Bert Newton Award for Most Popular Presenter</strong></p> <ul> <li>Hamish Blake (<em>LEGO Masters Australia</em>)</li> <li>Julia Morris (<em>I’m A Celebrity … Get Me Out Of Here!</em>)</li> <li>Ricki-Lee (<em>Australian Idol</em>)</li> <li>Sonia Kruger (<em>The Voice, Dancing With The Stars, Logies Red Carpet Show</em>)</li> <li>Todd Woodbridge (<em>Tipping Point Australia, Australian Open, Paris 2024 Olympic & Paralympic Games</em>)</li> <li>Zan Rowe (<em>Take 5 With Zan Rowe, ABC New Year’s Eve</em>)</li> </ul> <p><strong>Graham Kennedy Award for Most Popular New Talent</strong></p> <ul> <li>Guy Montgomery (<em>Guy Montgomery’s Guy Mont Spelling Bee</em>)</li> <li>Hailey Pinto (<em>Home and Away</em>)</li> <li>Jenny Tian (<em>Taskmaster Australia</em>)</li> <li>Kate Miller-Heidke (<em>The Voice</em>)</li> <li>Kylah Day (<em>Territory</em>)</li> <li>Sofia Levin (<em>MasterChef Australia</em>)</li> <li><strong>Best Drama Program</strong></li> <li><em>Bump</em> (Stan)</li> <li><em>Heartbreak High</em> (Netflix)</li> <li><em>Return To Paradise</em> (ABC)</li> <li><em>Territory</em> (Netflix)</li> <li><em>The Newsreader</em> (ABC)</li> <li><em>The Twelve</em> (BINGE/FOXTEL)</li> </ul> <p><strong>Best Comedy Program</strong></p> <ul> <li><em>Austin</em> (ABC)</li> <li><em>Colin From Accounts</em> (BINGE/FOXTEL)</li> <li><em>Fisk</em> (ABC)</li> <li><em>Good Cop/Bad Cop</em> (Stan)</li> <li><em>Melbourne International Comedy Festival</em> (ABC)</li> <li><em>Optics</em> (ABC)</li> </ul> <p>With a blend of long-time favourites, fresh talent, and powerful new programs, the 2025 Logies are shaping up to be a night to remember.</p> <p><em>Images: TV Week / Channel 9</em></p>

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ABC rumoured to be axing Q+A amid fresh round of cuts

<p>Long-running ABC current affairs program <em>Q+A</em> is reportedly facing the axe after 17 years on Australian television, with multiple media outlets citing unnamed sources within the national broadcaster.</p> <p>The influential panel show, which launched in 2008 with Tony Jones as host, is said to have been dropped ahead of its scheduled return in August. The decision places <em>Q+A</em> among a growing list of legacy programs facing the chopping block, coming just days after Channel Ten confirmed it was ending <em>The Project</em> following a 16-year run.</p> <p><em>Q+A</em> went into its scheduled hiatus in mid-May, and it remains unclear whether it will return at all in 2025. ABC’s new managing director, Hugh Marks, is expected to reveal sweeping changes at the public broadcaster this week, including potential staff redundancies and confirmation of the show’s fate.</p> <p>The Media Entertainment and Arts Alliance (MEAA) warned ABC staff on Tuesday that job cuts were imminent, with employees reportedly being called into meetings to discuss a major restructure. Marks, who replaced David Anderson in March, has previously signalled a focus on streamlining the broadcaster’s operations, suggesting the ABC may need to “do fewer things better” in the future.</p> <p>In addition to cuts, the ABC is expected to announce new content initiatives, including a dedicated documentary unit championed by ABC chair Kim Williams.</p> <p>Created by executive producer Peter McEvoy, <em>Q+A</em> debuted in May 2008 and quickly became a flagship program for the ABC. Its format, inspired by the BBC’s <em>Question Time</em>, brought politicians, experts and members of the public together to debate national issues in real time.</p> <p>Following Jones’ departure in 2019, the show struggled to maintain its ratings. Hamish Macdonald took over as host in 2020, before stepping down amid mixed reviews. Stan Grant’s brief tenure in 2022 ended after he became the target of racist abuse unrelated to the show. The current host, Patricia Karvelas, has led the program since early 2023.</p> <p>While viewership has modestly improved under Karvelas, the show’s ratings remain among the lowest in the ABC’s current affairs stable. A 2023 “Garma Special” episode drew just 84,000 metro viewers – <em>Q+A</em>’s lowest figures on record.</p> <p>The ABC has not officially confirmed the program’s cancellation. However, the coming days are expected to bring clarity as the national broadcaster embarks on a major overhaul under new leadership.</p> <p><em>Image: ABC</em></p>

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Nick Kyrgios dealt another career blow

<p>Tennis bad boy Nick Kyrgios has been dropped by both the BBC and ESPN ahead of this year’s Wimbledon tournament, in a double blow to the 30-year-old as he continues to battle ongoing injury setbacks.</p> <p>Reports surfaced on Wednesday revealing the BBC has decided not to include Kyrgios in its broadcast team when coverage begins on June 30. The move comes a year after his controversial debut as a pundit for the network, which drew both praise and backlash from audiences and public figures.</p> <p>Adding to the disappointment, <a href="https://www.telegraph.co.uk/tennis/2025/06/10/nick-kyrgios-no-longer-part-of-bbc-wimbledon-coverage/" target="_blank" rel="noopener"><em>The Telegraph</em></a> has also reported that Kyrgios will not feature in ESPN’s Wimbledon coverage, despite his recent commentary roles with the American broadcaster during the Australian Open in both 2024 and 2025.</p> <p>The former world No.13 has faced a difficult run of weeks, pulling out of the French Open last month due to a flare-up of a knee injury that also forced him to withdraw from this year’s Wimbledon. On Instagram, Kyrgios shared his frustration and assured fans he was working hard on his recovery:</p> <p>“Just wanted to give everyone a quick update – I’ve hit a small setback in my recovery and unfortunately won’t make it back for grass season this year… This is just a bump in the road though, and I’m already working hard to get back stronger than ever.”</p> <p>Kyrgios hasn’t played at Wimbledon since his memorable run to the final in 2022, where he lost to Novak Djokovic. Last year, with no plans to compete, he joined the BBC’s commentary team, offering insights that divided opinion. While some fans appreciated his frank analysis and distinctive personality, others criticised his laid-back delivery and flamboyant fashion.</p> <p>More seriously, his appointment in 2023 was condemned by women's rights groups and politicians due to a past domestic assault charge involving his former partner Chiara Passari. Kyrgios pleaded guilty, but the charge was later dismissed. Among his critics was UK MP Caroline Nokes, chair of the Women and Equalities Committee, who slammed the BBC for the hire, calling it “a disgrace” and accusing the broadcaster of showing “utter contempt” for women.</p> <p>At the time, the BBC defended its decision in a statement, saying it did not condone Kyrgios' past behaviour and that his involvement was strictly limited to tennis commentary.</p> <p>A source close to Kyrgios has since claimed his absence from this year’s commentary box was influenced by his desire to compete at Wimbledon in 2024 – hopes that were dashed by injury.</p> <p>As he continues his recovery, Kyrgios remains a polarising figure in the tennis world – equally capable of commanding attention with a racquet or a microphone, whether on court or off.</p> <p><em>Images: Instagram</em></p>

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"Ignorant": Steve Price hits out after The Project's axing

<p>Veteran broadcaster Steve Price has hit out at critics celebrating the axing of <em>The Project</em>, following Channel 10’s confirmation the long-running panel show will end later this month.</p> <p>The network officially announced on Monday morning that <em>The Project</em> will wrap up on Friday, June 27, after 16 years on Australian television. The show’s current hosts, including Sarah Harris and Waleed Aly, later addressed the decision in an emotionally charged segment on Monday night.</p> <p>But it was longtime contributor Steve Price who offered the strongest response, using his <a href="https://www.heraldsun.com.au/news/opinion/steve-price-those-dancing-on-grave-of-woke-the-project-expose-their-own-ignorance/news-story/501e7571691910f519c6664883a7c036" target="_blank" rel="noopener">latest Herald Sun column</a> to condemn those who have mocked the show’s demise.</p> <p>“Those ignorant people doing the ‘glad they got sacked’ dance over the cancellation called the show woke and leftie – hello, I am the exact opposite of that description – and have been there from almost the start,” Price wrote.</p> <p>“Show me that sort of political balance on any ABC TV show – you can’t,” he added, defending the program’s diversity of viewpoints and insisting<em> The Project</em> was “the best resourced media show I have ever worked on”.</p> <p>Price also expressed dismay over Channel 10’s decision to base the upcoming replacement show in Sydney, lamenting the impact on <em>The Project</em>’s Melbourne-based crew.</p> <p>“Behind the scenes was a gifted, hardworking crew of young producers, comedy writers, editors, journalists, camera operators, make-up artists and wardrobe assistants,” he wrote. “Most if not all these talented crew are now out of work as the replacement show moves to Sydney.”</p> <p>“Melbourne and Australia has lost something unique this week – a live TV show with passion, courage, humour and a heart. It’s sad.”</p> <p>During Monday night’s broadcast, co-host Sarah Harris also fought back tears as she paid tribute to the production team that made the nightly show possible.</p> <p>“I am so grateful that I got to sit on this desk and play TV with all of you,” Harris said. “But it is the people who make a show, and <em>The Project</em> isn’t just the people on this desk. It is the cast and crew behind the scenes… They’re the real stars.”</p> <p>She went on to praise the unsung workers who kept the show running night after night: “The producers, editors and cameramen and women, the floor crew, the people in the control room, the director and the hair and make-up team – all of them who work their guts out every night, six nights a week to get us on air.”</p> <p><em>The Project</em> launched in 2009 with a fresh take on news and current affairs and became a staple of the primetime lineup. It featured a rotating panel of journalists, comedians and commentators, with a mix of hard-hitting interviews and light entertainment.</p> <p>While its ratings have fluctuated in recent years, the show retained a loyal audience and played host to high-profile guests, including world leaders, Hollywood stars and prominent Australians.</p> <p>Its cancellation marks the end of an era for Channel 10, and a major shift in Australia’s TV landscape as the network retools its primetime strategy in a fiercely competitive market increasingly dominated by streaming platforms.</p> <p><em>Image: Network 10</em></p>

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"Star power": Dancing with the Stars salaries leaked

<p>Break out the sequins and brace for the paso doble – <em>Dancing With The Stars</em> is back for its 22nd season on Sunday June 15, and while the celebrity cast is polishing their foxtrots and fake tans, the real drama has already begun… in their bank accounts.</p> <p>Twelve familiar Aussie faces will take to the floor in a blur of feathers, fringe and footwork, all in the name of charity (and, let’s be honest, a shot at the gloriously glittery Mirror Ball Trophy). But thanks to a <a href="https://www.nowtolove.com.au/entertainment/reality-tv/dancing-with-the-stars-australia-2025-salaries/" target="_blank" rel="noopener">cheeky little leak by <em>Woman's Day</em></a>, we now know what else they’re dancing for: a surprisingly tiered pay system that splits the cast into three star-powered salary brackets.</p> <p>According to an “insider” who clearly missed the memo about NDAs, <em>Woman’s Day</em> has revealed that the 2025 cast is being paid based on a heady mix of legacy status, Logie nominations and possibly how many times Sonia Kruger has said their name on TV.</p> <p>Sitting pretty at the top of the pyramid (and we imagine, in the nicest rehearsal rooms) are national treasures Rebecca Gibney, Osher Günsberg and Shaun Micallef, each reportedly waltzing away with a cool $100,000. Between them, they’ve got decades of TV experience, Gold Logie nods and more charm than a Bunnings sausage sizzle.</p> <p>In the mid-range tier – the cha-cha-<em>ching</em>, if you will – are Olympic gold medallist Susie O’Neill, AFL great Trent Cotchin and 7NEWS stalwart Michael Usher, each allegedly earning $47,000. Not quite six figures, but still a pretty decent reward for risking public humiliation in Lycra.</p> <p>And finally, rounding out the glitterati is the budget-conscious brigade, earning a still-respectable $27,000: radio personality Brittany Hockley, influencer Mia Fevola, boxer Harry Garside, comic Felicity Ward, <em>Home and Away</em> heartthrob Kyle Shilling and 7NEWS’ Karina Carvalho. If enthusiasm and willingness to wear rhinestones were currencies, they'd all be millionaires.</p> <p>This tiered approach marks a departure from the great equal-pay kumbaya of 2023, when every one of the 14 celebrity contestants – including Matt Preston and Paulini – reportedly took home “just under $50,000”. Democracy in action... or perhaps just a simpler year for Channel 7’s payroll department.</p> <p><em>Dancing With The Stars</em> premieres Sunday, June 15, with sparkly stalwart Sonia Kruger and fresh-faced co-host Dr Chris Brown returning to oversee the glittery chaos. Expect tears, twirls and at least one dramatic tumble — hopefully not from the top earners.</p> <p><em>Image: Channel 7</em></p>

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"Bloodbath": Mass defection at Channel 7 as top reporters jump ship

<p>Channel 7 is facing a growing crisis, with three of its prominent journalists abruptly resigning to join rival Network 10 in what’s being dubbed a “bloodbath” in the newsroom.</p> <p>Senior 7News Sydney reporter Bill Hogan, seasoned foreign correspondent Amelia Brace, and Denham Hitchcock – a key figure in the network’s flagship current affairs show <em>Spotlight</em> – have all defected, according to <em>The Australian</em>. The trio will join a new long-form investigative unit at Network 10, led by head of broadcast news Martin White.</p> <p>Brace and Hitchcock reportedly began their new roles on Monday, leaving Seven’s Martin Place offices just hours after resigning. Hogan is expected to follow suit after completing a three-week notice period.</p> <p>Network 10, owned by US media giant Paramount since 2017, is bolstering its news division with a renewed focus on in-depth investigative reporting. The initiative is seen as an effort to compete with established programs such as the ABC’s <em>Four Corners</em>, Nine’s <em>60 Minutes</em> and Channel 7’s own <em>Spotlight</em>.</p> <p>Brace, whose new role comes with a reported $270,000 salary – a $50,000 jump from her Seven pay – bid farewell to colleagues last Friday with a candid message.</p> <p>“It feels off to not have an official ‘last day’ to say goodbye,” she said, “but it’s best for me to just fade away for now. Stand up for yourselves, and each other… and think of me every time you have to find a f**king case study.”</p> <p>Hitchcock’s move adds another layer of drama. Having returned to <em>Spotlight</em> in February after a sabbatical spent sailing with his family, he now departs again – this time for what he calls a full-circle moment. His father once worked at Channel 10, and Hitchcock shared his enthusiasm in a social media post.</p> <p>“Well, here we go. I’ve switched channels,” he wrote. “But also in a way – I’ve come full circle. I grew up watching my father on Channel 10 News every night. I had a bunk bed with Eyewitness News stickers all over it – and can still sing the theme song.”</p> <p>As the talent exodus accelerates, questions are mounting about the future of Seven’s news strategy – and whether the network can stem the flow of high-profile losses.</p> <p><em>Images: Instagram, Network 10</em></p>

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The Project in peril as Channel Ten plots bold news overhaul

<p>Speculation is mounting over the future of Channel Ten’s flagship current affairs program <em>The Project</em>, <a href="https://www.dailymail.co.uk/tvshowbiz/article-14748609/Brutal-sign-Project-canned-Channel-10.html" target="_blank" rel="noopener">with reports suggesting</a> the long-running panel show may be on the chopping block amid a broader shakeup at the network.</p> <p>According to <a href="https://www.theaustralian.com.au/business/media/the-project-under-review-as-ten-plans-to-announce-new-show/news-story/280ab62724d67c2eed16bb04cafc3e97" target="_blank" rel="noopener">The Australian</a>, <em>The Project</em> is “100 per cent” under review as Ten’s current affairs division undergoes scrutiny in response to dwindling ratings. The show, which first aired in 2009, is reportedly struggling to connect with audiences across key demographics.</p> <p>“<em>The Project</em> is a bit too old and irritating for younger viewers online… and a bit too young and irritating for older viewers on television,” the outlet reported, summarising the show’s struggle to appeal to either end of the age spectrum.</p> <p>Recent ratings appear to reflect this disconnect. Over the past week, <em>The Project</em> failed to break into the top ten most-watched programs, with Tuesday night’s episode recording its highest audience at 945,000 viewers. Friday’s episode fared worst, drawing just 626,000 viewers. In contrast, rival bulletins from Seven and Nine consistently drew more than 2 million viewers during the same 6pm timeslot.</p> <p>The program’s declining viewership comes amid broader criticism of its perceived political slant and the fallout from the departures of several high-profile hosts, including Carrie Bickmore, Peter Helliar and Lisa Wilkinson. Despite a relaunch in 2023 featuring Sarah Harris, Sam Taunton, Michael Hing and Waleed Aly, the shakeup has yet to reverse the trend. Michael Hing’s departure earlier this year marked another shift in the panel’s makeup.</p> <p>Adding to the uncertainty, Daily Mail Australia <a href="https://www.dailymail.co.uk/news/article-14509357/Channel-Ten-cancels-Project.html" target="_blank" rel="noopener">reported earlier this year</a> that Channel Ten executives were eyeing a new "news magazine show" to rival established programs like Nine's <em>60 Minutes</em>, Seven's <em>Spotlight</em>, and the ABC's <em>Four Corners</em>.</p> <p>A “crack team” of producers – referred to internally as the “investigations unit” – is reportedly being assembled to lead this new venture. Dan Sutton, a seasoned Channel Ten reporter, is tipped to serve as the executive producer, with screen testing currently underway for potential reporters.</p> <p>Network Ten confirmed the formation of the investigative unit in a statement to Daily Mail Australia, saying: “Following the continued growth and success of our news brand, 10 News, we are investing in a 10 News investigative unit that will work on long-form investigative stories as part of our news offering across all our platforms.”</p> <p>When pressed about the future of <em>The Project</em>, however, a network spokesperson maintained that there were “no changes” currently planned. "The Project remains an integral part of our content line-up and rest assured, it’s not going anywhere," they reiterated, echoing a similar statement made in July of last year.</p> <p>The show has also been experimenting with new distribution strategies, including the decision earlier this year to upload full episodes to YouTube in a bid to capture younger audiences. Segments from the show continue to be shared widely across social media platforms like Instagram and X (formerly Twitter).</p> <p>One glimmer of hope for the embattled program came last Tuesday, when former host Carrie Bickmore made a brief return to the panel to celebrate the tenth anniversary of her charity, Carrie’s Beanies 4 Brain Cancer. The special appearance helped boost ratings to 945,000 viewers – the highest for the week.</p> <p>Despite the network’s reassurances, the combination of faltering ratings, a changing panel and mounting speculation over a new investigative format suggests that <em>The Project</em> could be heading into uncertain territory.</p> <p>Whether it can reestablish its place in the Australian television landscape – or be quietly phased out – remains to be seen.</p> <p><em>Image: Channel Ten / The Project</em></p>

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Chaos at Sunrise as Nat Barr and Shirvo told to evacuate

<p>It was a normal morning at <em>Sunrise</em> – until it wasn’t. Nat Barr and Matt Shirvington, Australia’s trusted duo for morning headlines, found themselves in an unexpected plot twist when a blaring alarm interrupted their broadcast.</p> <p>Just as they were busy reminiscing about <em>The Sound of</em> Music turning 60, their usual smooth delivery was derailed by an insistent fire alarm.</p> <p>“Hey, that’s a fire alarm! We might have to evacuate here,” a concerned Shirvo said, his journalistic instincts kicking in faster than a sprinter off the blocks.</p> <p>Barr, ever the professional, sought confirmation from the floor crew. “Are we being told to evacuate?” she asked, as though a second opinion might change the fact that alarms generally mean "leave".</p> <p>Despite a classic “Should we stay or should we go?” moment, the pair was finally ushered out – only to be showered in gold confetti by the <em>Sunrise</em> crew, who clearly had been planning this for weeks.</p> <p>“Of course it is – April Fools’,” Shirvo said, shaking his head as he wiped glitter from his suit. Barr, likely already composing a strongly worded email to the prank masterminds, chuckled in defeat.</p> <p>And so, another <em>Sunrise</em> April 1st came and went, proving once again that news anchors aren’t just here to report the stories – they sometimes <em>are</em> the story.</p> <p><em>Images: Network 7</em></p>

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Aussie TV star wins $9.2m on game show – the largest in history

<p>In an electrifying moment that will surely go down in television history, Australian reality TV star David Genat has claimed a jaw-dropping AUD$9.2 million prize on US television, securing the largest single cash payout ever seen on American TV.</p> <p>The 44-year-old, widely recognised by Aussie audiences from <em>Survivor Australia</em>, <em>Celebrity Apprentice</em>, <em>Rush</em> and <em>Getaway</em>, delivered a masterclass in risk-taking and intuition in NBC’s <em>Deal or No Deal Island</em>.</p> <p>Genat, dubbed the “Survivor golden god” after his 2020 <em>Survivor Australia: All Stars</em> victory, knew he had the upper hand early in the final showdown. But the real twist came when the show’s notorious banker was revealed as none other than Chrissy Teigen.</p> <p>Faced with 26 cases – one containing the life-changing sum of AUD$12.2 million – Genat navigated a nail-biting elimination round, fuelled by his father’s memory and a razor-sharp strategy. Rejecting a staggering seven offers, including multiple million-dollar deals, he played with nerves of steel until just two cases remained.</p> <p>Then came the final offer: a mind-blowing $US5.8 million ($AUD9.2 million). With tension at an all-time high, Genat made the call – he took the deal.</p> <p>It was a decision that paid off in monumental fashion. When his chosen case was opened, it contained just $75. Had he gambled one step further, he would have walked away with next to nothing. Instead, he etched his name into television history with the record-breaking win.</p> <p>“It was surreal,” Genat later shared with <em>USA Today</em>. <span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">“The offer came in at US$5.8 million and I started thinking about it, and that is just so much money. I was having a spiritual experience, man. I just knew where that money was. I knew which cases to open. I was looking for signs from my father, who passed away a couple of years ago. I felt his presence there, and he was just guiding me on what cases to open.”</span></p> <p>That deep connection gave him the clarity to seize the moment and walk away with a life-altering fortune. “My frequency is on another level,” he added. “I fully feel like I’m floating.”</p> <p><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">With his newfound millions, Genat already has a few indulgences in mind, including a new motorcycle, a luxury watch and some sleek new cars for his four kids.</span></p> <p>But the adventure might not stop here. Rumours are swirling that Genat could be gearing up for another reality TV showdown on the upcoming <em>Survivor: Australia vs. the World</em>, set to air later this year.</p> <p><em>Images: Instagram</em></p>

Money & Banking

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Melissa Leong is back!

<p>Following months of speculation, it has been confirmed that Melissa Leong, best known for her role as a judge on <em>MasterChef Australia</em> from 2020 to 2023, will be competing in the upcoming season of <em>The Amazing Race Australia</em>. The <em>Dessert Masters</em> star will be joined by her close friend Leah Wilson as they take on the globe-trotting adventure.</p> <p>The full cast for the new season was officially announced on Wednesday, revealing an exciting lineup of celebrities and their loved ones vying for the grand prize of $100,000 for their chosen charities. Hosted by Beau Ryan, this season promises intense challenges and fierce competition as teams race around the world.</p> <p>Melissa Leong isn't the only high-profile name on the roster either. Among the contestants is <em>SAS Australia</em>’s chief instructor Ant Middleton, who is teaming up with his brother Dan. Also joining the adventure are <em>Below Deck</em> star and <em>I’m A Celebrity</em> finalist Aesha Scott, who will compete alongside her fiancé Scott Dobson. Radio personality and former <em>I’m A Celebrity</em> champion Brendan ‘Fev’ Fevola is set to race with his 18-year-old daughter Leni.</p> <p>Reality TV fans will also recognise <em>Big Brother Australia</em>’s original host, Gretel Killeen, who is pairing up with her daughter Epiphany Mason. Killeen’s participation coincides with Channel 10’s highly anticipated reboot of <em>Big Brother</em>, to be hosted by Mel Tracina.</p> <p>Other notable contestants include:</p> <ul> <li>Four-time Olympian Bronte Campbell and her fiancé Benfield Lainchbury</li> <li>Parkour athlete Dom ‘Tomato’ Di Tommaso and his friend Marx Marsters</li> <li>Comedian Ed Kavalee and fitness trainer Tiffiny Hall</li> <li>TikTok sensations Luke and ‘Sassy’ Scott O’Halloran</li> <li>Model Lindy Klim and her daughter Stella Klim</li> <li>Engaged couple Rob Mills and Georgie Tunny</li> <li>Comedian Steph Tisdell and her brother Ben Tisdell</li> <li>Brothers and actors Stephen Curry and Bernard Curry</li> </ul> <p>Following the announcement, fans took to social media to share their thoughts on the cast, with reactions ranging from excitement to confusion. While some viewers expressed enthusiasm for certain contestants, others questioned the celebrity status of the lineup.</p> <p>“Who are half of these so-called celebrities?” one user asked, while another commented, “Not one celebrity in sight, honey.” Others humorously speculated, “Is the celebrity in the room with us?”</p> <p>Despite some skepticism, there was significant excitement surrounding Luke and Sassy Scott, with many fans already cheering them on as early favourites.</p> <p>“Team @lukeandsassyscott ❤️ I can’t wait for all the belly laughs from these two,” one supporter wrote. Another added, “@lukeandsassyscott for the win. Luke, you better behave or Sassy will kick your a**.”</p> <p>Filming for the new season has just begun, meaning viewers will have to wait a few months before they can watch the action unfold. Based on previous seasons, which filmed in May and aired in September, it is likely that the upcoming instalment will follow a similar schedule or potentially premiere earlier due to changes in production timelines.</p> <p><em>Images: Network Ten</em></p>

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"Get under your desks!": Incredible moment tornado strikes TV studio during live broadcast

<p>Dramatic footage captured the moment an EF-2 tornado slammed into the FOX 35 television studio in Lake Mary, Florida, on Monday morning. The on-air meteorologist, Brooks Garner, swiftly ordered his colleagues to take cover as the storm bore down on them in real time.</p> <p>Garner, a seasoned meteorologist for FOX 35, remained remarkably composed as the tornado, with winds reaching up to 200km/h, moved directly toward the station. The storm was first spotted on the studio’s outdoor camera, showing it charging across Interstate 4 before closing in on the journalists inside.</p> <p>Once the wind and heavy rain obscured visibility, leaving only swirling debris on the cameras, Garner issued an urgent warning.</p> <p>“We got debris? Okay. Take shelter! Everybody in the FOX 35 building, get to your safe space. Under your desk if you’re not in a designated area. We’re catching debris right now on the roof,” he said during the live broadcast.</p> <p>As debris pounded the building, Garner repeated his instructions with greater urgency. “Seek shelter immediately! Get under your desks, guys, anchors. Under the desks. Producers, everybody get under the desks.”</p> <p>After the storm passed, Garner quickly shifted his focus back to the safety of viewers still in its path.</p> <p>“Get to the ground level, an interior room, away from the windows,” he urged. “This is a very serious situation. This is a real, live tornado. It just hit our station.”</p> <p>According to the National Weather Service (NWS), the tornado formed at 9:35am. near the southeastern edge of Wekiwa Springs State Park. The twister carved a destructive path through residential areas in Longwood, damaging homes, shattering windows and tearing off roofs.</p> <p>Officials later confirmed that at least one home collapsed. Additionally, a semi-truck was overturned with its driver and his dog inside. Fortunately, no fatalities were reported, though the region suffered widespread power outages and fallen trees. Even inside the fortified FOX 35 building, lights flickered as the tornado struck.</p> <p>Emergency crews have since been deployed to assess the damage and assist affected residents. Authorities urge locals to remain alert, as severe weather conditions persist in the area.</p> <p><em>Image: FOX 35</em></p>

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A late start, then a big boom: why it took until 1975 for Australians to finally watch TV in colour

<div class="theconversation-article-body"> <p>Some 50 years ago, on March 1 1975, Australian television stations officially moved to colour.</p> <p>Networks celebrated the day, known as “<a href="https://artsandculture.google.com/story/c-day-and-the-colour-monster-national-archives-of-australia/LAWRcgnnNY1cKA?hl=en">C-Day</a>”, with unique slogans such as “come to colour” (ABC TV), “Seven colours your world” (Seven Network), “living colour” (Nine Network) and “first in colour” (<a href="https://televisionau.com/feature-articles/network-ten">0-10 Network</a>, which later became Network Ten). The ABC, Seven and Nine networks also updated their logos to incorporate colour.</p> <figure><iframe src="https://www.youtube.com/embed/T7gZdYVZJNc?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>For most viewers, however, nothing looked much different. The majority owned a black and white TV, while a coloured broadcast required a colour TV set.</p> <p>Advertisers were initially reluctant to accept the change, which required them to re-shoot black and white commercials with colour stock at a significantly higher cost.</p> <p>Many reasoned viewers were still watching the ads in black and white. And initially this assumption was correct. But by nine months later, 17% of Australian homes <a href="https://trove.nla.gov.au/newspaper/article/110829595?searchTerm=colour%20television%20in%20australia%201975">had a colour receiver</a>. This rose to 31% by July 1976.</p> <p>By 1978, 64% of Melbourne and 70% of Sydney households owned colour TV sets, making Australia one of the world’s fastest adopters of colour TV.</p> <p>According to the Federation of Australian Commercial Television Stations (FACTS) annual report for 1975–76, colour TV increased overall viewership by 5%, with people watching for longer periods.</p> <p>The 1976 Montreal Olympics also led to an <a href="https://www.nfsa.gov.au/collection/curated/asset/96836-olympic-games-coverage-colour">increase in TV sales</a>, with the colour broadcast shared between the ABC, Seven and Nine.</p> <figure><iframe src="https://www.youtube.com/embed/L-75iIoshak?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">Highlights from the Montreal 1976 Olympic Games marathon event.</span></figcaption></figure> <h2>A late start</h2> <p>With the United States introducing colour TV from 1954, it’s peculiar that Australia took so long to make the transition – especially since conversations about this had been underway since the 1960s.</p> <p>In 1965, a report outlining the process and economic considerations of transitioning to colour was tabled in parliament.</p> <p>Feedback from the US highlighted problems around broader acceptance in the marketplace. Colour TV sets were expensive and most programs were still being shot in black and white, despite the availability of colour.</p> <p>Networks were the most hesitant (even though they’d go on to become one of the most major benefactors). In 1969, it was <a href="https://australianfoodtimeline.com.au/colour-tv-introduced/">estimated transitioning to colour</a> would cost the ABC A$46 million (the equivalent of $265,709,944 today) over six years.</p> <p>The federal government, led by then prime minister Robert Menzies, decided to take a cautious approach to the transition – allowing manufacturers, broadcasters and the public time to prepare.</p> <p>The first colour “test” broadcast took place on June 15 1967, with <a href="https://televisionau.com/2025/03/tv-50-years-in-colour.html">live coverage</a> of a Pakenham country horse racing event in Victoria (although few people would have had coloured TV sets at this point).</p> <p>Other TV shows also tested broadcasting in colour between 1972 and 1974, with limited colour telecasts aired from mid-1974. It wasn’t until March 1975 that colour TV was being transmitted permanently.</p> <figure><iframe src="https://www.youtube.com/embed/vIqqiK4ncfs?wmode=transparent&amp;start=40" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">‘Aunty Jack Introduces Colour’ was a one-off television special of The Aunty Jack Show, broadcast on the ABC on February 28 1975.</span></figcaption></figure> <h2>The cinema industry panics</h2> <p><a href="https://anzacportal.dva.gov.au/wars-and-missions/vietnam-war-1962-1975/events/withdrawal-from-1971">Australia’s involvement</a> in the Vietnam War created further urgency to televise in colour. With the war ending in April 1975, Australians watched the last moments in colour.</p> <p>Other significant events broadcast in colour that year included the December federal election, in which Malcolm Fraser defeated Gough Whitlam after the latter was <a href="https://www.youtube.com/watch?v=SXq056TJhU4">dramatically dismissed</a> as prime minister on November 11.</p> <p>With the public’s growing interest in colour TV, local manufacturers began lobbying for higher tariffs on imports to encourage domestic colour TV production.</p> <p>In the mid 1970s, a new colour set in Australia cost between $1,000 and $1,300, while the average full-time annual income was <a href="https://www.abs.gov.au/AUSSTATS/abs@.nsf/Lookup/6302.0Main+Features1Sep%201975?OpenDocument=">around $8,000</a>. Still in the throes of a financial recession, customers began seeking out illegally-imported colour TV sets – which were appearing at car boot markets across the country.</p> <figure><iframe src="https://www.youtube.com/embed/wTKMqPg4hM8?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">British childrens show The Wombles came to Australian screens shortly after colour TV was introduced.</span></figcaption></figure> <p>The government also created an advertising campaign warning the public of scammers who would offer to convert black-and-white TVs to colour. These door-to-door “salesmen” <a href="https://hoaxes.org/archive/permalink/instant_color_tv#google_vignette">claimed to have</a> a special screen which, when placed over a TV, would magically turn it colourful.</p> <p>By 1972, the estimated cost of upgrading broadcasting technology to colour <a href="https://www.nfsa.gov.au/latest/colour-tv-part-1">had reached $116 million</a>. The cinema industry, in a panic, even questioned whether colour TV could damage a viewer’s eyesight.</p> <p>The industry had previously suffered huge losses in cinema attendance with the introduction of black-and-white TV from 1956. Cinemas had a monopoly on colour and were petrified over what the introduction of colour to television could do to their attendances.</p> <p>Such fears were founded. In 1974 Australia had 68 million admissions to the cinema. By 1976, there were just 28.9 million admissions. Never again would yearly cinema admissions reach <a href="https://www.screenaustralia.gov.au/fact-finders/cinema/industry-trends/historical-admissions">above 40 million</a>.</p> <p>But despite the complaints – from the cinema industry, advertisers, broadcasters and manufacturers – audiences were ready for colour. And any network that dared to program in black and white would subject itself to a barrage of annoyed viewers.</p> <p>Colour TV was here to stay.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/251363/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/stephen-gaunson-265553">Stephen Gaunson</a>, Associate Professor in Cinema Studies, <a href="https://theconversation.com/institutions/rmit-university-1063">RMIT University</a></em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/a-late-start-then-a-big-boom-why-it-took-until-1975-for-australians-to-finally-watch-tv-in-colour-251363">original article</a>.</em></p> <p><em>Image: </em><em>Youtube/Austvarchive</em></p> </div>

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