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After a century of Monday to Friday, could the 4-day week finally be coming to Australia?

<div class="theconversation-article-body">The reality of shorter working hours could be one step closer for many Australians, pending the outcome of the federal election. The Greens, who could control crucial cross bench votes in a hung parliament, have announced plans for a <a href="https://greens.org.au/news/media-release/greens-launch-4-day-work-week-election-policy">four-day</a> working week, with no loss of pay. They say the policy would alleviate stress and burn out, and increase women’s participation in the workforce. Earning the same money for fewer hours would appeal to most workers. But is it too good to be true? Could it really be rolled out cost free to all workplaces, especially to “client facing” companies and service providers? Or does research suggest the Greens could be onto something? <h2>The Greens’ plan</h2> The Greens’ policy would involve a new National Institute for the Four Day Work Week and a test case through the Fair Work Commission. A series of national trials would be set up in a number of different industries, whereby workers would work 80% of their normal hours, while maintaining 100% of their pay. According to Greens Senator Barbara Pocock, it’s a win-win for everyone: <blockquote> It can increase productivity, reduce absenteeism, improve recruitment and retention and give employees more time to manage their home life. This change will allow workers to create a working week that works for them. </blockquote> <h2>The 100:80:100 model</h2> The four-day work week being proposed in this instance is commonly regarded as the 100:80:100 model. It delivers 100% of the pay, for 80% of the hours, in <a href="https://www.4dayweek.com/news-posts/100-80-100-rule">return</a> for maintaining 100% of productivity. This is unlike other forms of shorter working weeks, which compress five days’ worth of work into four longer days. This obviously disadvantages some employees. Recent <a href="https://figshare.swinburne.edu.au/articles/report/Emerging_Four_Day_Work_Week_Trends_in_Australia_New_insights_based_on_interviews_with_Australian_firms_who_have_already_adopted_4DWW_arrangements_Preview_report_/26282311?file=47647063">research</a> conducted by Swinburne University of Technology involved interviews with ten Australian firms that have already adopted the 100:80:100 model. They were a mixture of small and medium sized private sector businesses, including management consulting firms, a shipping and logistics company, and recruitment and marketing agencies. The research underlined the potential for a range of positive outcomes for both employers and employees. Workers reported having better work-life balance, more time to complete “life administration” tasks, and more time to invest in hobbies, exercise, wellness and self-care. Bosses cited productivity gains, reduced sick days, and significant improvements in recruitment and retention rates. However, the 100:80:100 model is viewed with scepticism in some quarters. There is still doubt that productivity and output would be maintained, or in some cases improved, when workers are working one day fewer per week. Also, there could be costs associated with the implementation of this work model for front-line roles, such as retail, schools, hospitals and nursing homes. Additional workers may need to be hired, at extra expense, to cover the hours dropped by the existing workforce. <h2>100 years of working 5 days a week</h2> The year 2026 will mark the 100th anniversary of the five-day work week. It was car maker Henry Ford who <a href="https://teachingamericanhistory.org/document/henry-fords-five-day-week/">reduced</a> the working week in the United States from six days to five. Other sectors and countries followed suit. This was at a time when the average life expectancy of Australian workers was just 55 and households typically only had one bread-winner. Despite the time saved by the many technological breakthroughs in the past 100 years – from the photocopier, desktop computer and fax machine, to the internet, mobile phones and AI – the average Australian is now <a href="https://futurework.org.au/report/taking-up-the-right-to-disconnect-unsatisfactory-working-hours-and-unpaid-overtime/">working longer hours</a> in paid and unpaid labour than ever before. The Greens point out Australian society is changing. More women and carers are either in the workforce or would be encouraged into the workforce by more flexible arrangements: <blockquote> yet we are constrained by archaic labour laws that see the fruits of our efforts swallowed up in profits for bosses and shareholders. </blockquote> The role of generative AI technologies in the workplace may also deliver benefits to workers. Separate Swinburne <a href="https://figshare.swinburne.edu.au/articles/report/Generative_AI_at_work_Empowering_employee_mental_wellbeing/27252948">research</a> has revealed an increasing expectation among workers that they will receive a share in the time saved by future technologies in the form of improved work-life balance and wellbeing gains. <h2>Time to enter the 21st century</h2> Earlier this year, <a href="https://www.theguardian.com/money/2025/jan/27/two-hundred-uk-companies-sign-up-for-permanent-four-day-working-week">200 UK companies</a> signed up to the 100:80:100 model, as part of a campaign to “reinvent Britain’s working week”. Large scale trials are also underway in <a href="https://4dayweek.io/country/canada">Canada</a> and several <a href="https://www.euronews.com/next/2024/02/02/the-four-day-week-which-countries-have-embraced-it-and-how-s-it-going-so-far">European</a> countries. The global interest in a shorter working week is not surprising, and has likely been fuelled by the COVID pandemic, which has caused workers and employers to re-imagine their working lives. If the Greens are in a position to leverage any balance of power after the coming election, it could be Australia’s turn to recognise the conventional five-day working week is no longer fit for purpose.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/252379/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> By <a href="https://theconversation.com/profiles/john-l-hopkins-255434">John L. Hopkins</a>, Associate Professor of Management, <a href="https://theconversation.com/institutions/swinburne-university-of-technology-767">Swinburne University of Technology</a> This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/after-a-century-of-monday-to-friday-could-the-4-day-week-finally-be-coming-to-australia-252379">original article</a>. </div>

Money & Banking

Century-old Anzac memorial damaged

A century-old Anzac memorial has been damaged in northern New South Wales, prompting a police appeal for information from the public. Police were told on Thursday that the marble statue, depicting a soldier, in Walgett Memorial Park, had suffered some damage. Authorities found the statue's arm had been damaged and the marble rifle missing. It's believed the statue was damaged between Monday February 10th and Thursday February 13th. The memorial statue was originally imported to the regional town from France in 1922. Anybody with dashcam footage, CCTV, or information on the vandalism, is urged to contact police or Crime Stoppers on 1800 333 000. Image credits: Facebook

Legal

Some ancient Romans got to retire with a pension at 42, but retirement’s changed a bit over the centuries

<div class="theconversation-article-body"> <a href="https://theconversation.com/profiles/anthony-asher-247115">Anthony Asher</a>, <a href="https://theconversation.com/institutions/unsw-sydney-1414">UNSW Sydney</a> Over the ages, there have been broadly three reasons why people have retired. Some are forced to by poor health – theirs or someone they care for. Others have alternative income sources, meaning they don’t rely on a regular pay cheque. And some are made to retire by an employer who wants to overhaul staffing. But where did the idea of retirement come from? And how was it handled in ancient times? <h2>Origins of support</h2> Retirement support – which these days comes in the form of superannuation or a government pension – dates back to ancient history in various forms. Some forms of retirement support were funded by local taxes or tithes, others by donations. Some systems were corrupt and the coverage was patchy. Records are not readily available from other cultures, but we know a little about ancient Rome and English history since then. Emperor Augustus, who ruled after Julius Caesar died, set up a <a href="https://pensionresearchcouncil.wharton.upenn.edu/wp-content/uploads/2020/01/03Chap3.pdf">scheme</a> for Roman soldiers more than 2,000 years ago. The scheme aimed to ensure they retired while still strong and healthy, and would be less likely to cause trouble. The scheme paid a decent amount for soldiers after 25 years of service, so retirement age could be as young as 42. Pensions for older people in need also have ancient origins. The New Testament <a href="https://biblehub.com/1_timothy/5-9.htm">Bible</a> records the churches had schemes for needy widows right from the beginning. In the early Middle Ages, monasteries often provided for the needy, but Henry VIII famously <a href="https://en.wikipedia.org/wiki/Dissolution_of_the_monasteries">closed them</a> and took their assets. A fair share of their assets ended up with <a href="https://en.wikipedia.org/wiki/John_Russell,_1st_Earl_of_Bedford">high government officials</a> after the king’s takeover. Industry funds can also be seen to date back <a href="https://www.britannica.com/money/friendly-society">at least to the Middle Ages</a>, where the trade guilds provided for members and their families who fell on hard times. Retail funds mainly began as <a href="https://www.google.com/search?client=firefox-b-d&q=history+of+life+insurance">mutual life insurance companies</a> that began more than 200 years ago. In the 18th century, the East India Company and the Bank of England began <a href="https://sas-space.sas.ac.uk/9224/1/McIlvenna%20PhD%20final.pdf">offering pensions</a>. These were at first discretionary based on need and loyalty, but later covered all employees. This idea then spread to other larger companies such railways and banks. As modern states developed the capacity to collect income taxes, it became feasible to provide comprehensive retirement benefits funded by central government. Beginning with <a href="https://www.ssa.gov/history/ottob.html">Germany in 1889</a>, developed countries began introducing universal national age pension arrangements. Unfortunately, a number of countries, such as <a href="https://www.uncdf.org/article/8799/governor-innovation-key-to-expanding-insurance-and-pension-coverage-in-png">Papua New Guinea</a>, still do not have the capacity to provide a universal safety net to cover older people. <h2>Retirement in Australia</h2> Three Australian states <a href="https://treasury.gov.au/publication/economic-roundup-centenary-edition-2001/article-3-towards-higher-retirement-incomes-for-australians-a-history-of-the-australian-retirement-income-system-since-federation">began schemes</a> in 1900, and the federal government provided a universal (but means tested) scheme from 1909. Most Australian retirees seem to enjoy a favourable standard of living. The <a href="https://grattan.edu.au/news/5-key-takeaways-from-the-retirement-income-review/">Grattan Institute</a> finds that the poorest 30% are, in fact, better off in retirement. Massive house price and rental inflation in the last 30 years, however, has gutted the living standards of those who don’t own their own homes. This gap in the safety net needs to be addressed. <h2>Retirement ages</h2> The Roman army model persists in some countries to this day: retirement from the US military is available <a href="https://sgp.fas.org/crs/misc/RL34751.pdf">after 20 years</a> of service. Retirement this early is obviously very expensive. The church scheme mentioned in the New Testament had a minimum age of 60, which is still the normal retirement age in many countries. The <a href="https://www.oecd.org/en/publications/2023/12/pensions-at-a-glance-2023_4757bf20.html">OECD</a> reports the average age of retirement in their 38 member countries is just under 64 for women, and just over 64 for men. Australians now qualify for the <a href="https://www.servicesaustralia.gov.au/who-can-get-age-pension?context=22526">age pension</a> at 67, which is slightly older than average. Retirement ages are, however, rising to allow for “population ageing”, a longer life expectancy and lower birth rates. Life expectancy at retirement age is the important number when calculating the cost of pensions. In ancient Rome it was about seven years and was <a href="https://www-cambridge-org.wwwproxy1.library.unsw.edu.au/core/services/aop-cambridge-core/content/view/30ED00A164475432670833C87D2F9E97/S2046164X00000405a.pdf/contributions_to_the_history_of_insurance_and_of_the_theory_of_life_contingencies_with_a_restoration_of_the_grand_pensionary_de_wits_treatise_on_life_annuities_concluded_from_no_vi.pdf">about the same</a> in Sweden in the middle of the 18th century. In Australia, the life expectancy of a 65 year old woman has risen from 12 years in 1895 to <a href="https://aga.gov.au/sites/aga.gov.au/files/2020-07/Australian%20Life%20Tables%202015-17%20v5.pdf">23 years on average</a>. <h2>Earnings-related pensions</h2> The <a href="https://www.ssa.gov/history/ottob.html">1889 German scheme</a> paid a minimum pension, plus an earnings-related component. Workers had a book for stamps for each week’s earnings. The Australian age pension has always just paid a minimum “liveable” amount. This has been subject to different means tests over time, but retirees have been able to supplement it with their own savings. Until 1987, only 40% of Australian employees were covered by employer sponsored schemes. Then in 1992, the <a href="https://www.apra.gov.au/superannuation-australia-a-timeline">Superannuation Guarantee Scheme</a> was introduced. Under this, employers were required to contribute 3% into all exployees’ super. The standard rate will rise to 12% in July next year. <h2>The future</h2> A growing ageing population will mean the Australian government and superannuation industry will need to adjust current support systems. <a href="https://treasury.gov.au/consultation/c2023-441613">Over the next decade</a>, about 2.5 million Australians will move from accumulation (where you’re building up your super) to join the 1.6 million already receiving super benefits. We can expect more people to be living into their nineties and needing pensions for life. One government <a href="https://treasury.gov.au/sites/default/files/2023-12/c2023-441613-dp.docx">priority</a> is to make lifetime pensions as much part of the Australian system as they are in <a href="https://www.mercer.com/en-au/about/newsroom/mercer-cfa-institute-global-pension-index-2024/">the rest of the world</a> And after 30 years of growing complexity in the rules covering superannuation, regulators are <a href="https://www.alrc.gov.au/publication/superannuation-and-the-legislative-framework-for-financial-services-fsl11/">counting the cost</a>, and <a href="https://www.brokernews.com.au/news/breaking-news/asic-targets-regulation-overhaul-286067.aspx">planning some simplification</a>. <hr /> This article is part of The Conversation’s retirement series, in which experts examine issues including how much money we need to retire, retiring with debt, the psychological impact of retiring and the benefits of getting financial advice. Read the rest of the series <a href="https://theconversation.com/au/topics/retirement-series-2024-168372">here</a>.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/241121/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/anthony-asher-247115">Anthony Asher</a>, Associate Professor in the UNSW Business School, <a href="https://theconversation.com/institutions/unsw-sydney-1414">UNSW Sydney</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/some-ancient-romans-got-to-retire-with-a-pension-at-42-but-retirements-changed-a-bit-over-the-centuries-241121">original article</a>. </div>

Retirement Income

ABC host ignites feud of the century with Kyle Sandilands

In a clash of breakfast radio titans that can only be described as “delightfully petty”, ABC comedian-turned-radio-host Sammy J has escalated his light-hearted rivalry with Kyle Sandilands into the realms of philanthropy – by asking the public to help cover his “rent” in Sandilands’ head. The feud (or fauxd, depending on who you ask) began earlier this month when Sammy J, riding the high of his final Melbourne radio ratings, took a playful jab at the KIIS FM host. “My final ratings today went up and Kyle went down,” Sammy J declared online. “I am his white whale; his tormentor; the last face he sees at night and the first face he will see each morning. When he strolls on the beach at night, the wind will whisper ‘Sammy J.’” Melburnians collectively sipped their lattes and leaned in. Sandilands, broadcasting from Sydney’s superior ratings kingdom, apparently hadn’t heard the wind – or Sammy J. "What a deluded flog," he shot back. “I don’t know who you are, dog.” <iframe style="border: none; overflow: hidden;" src="https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2Fsammyjcomedian%2Fposts%2Fpfbid02P9tS8b4N6uz1uG81Fk3ToWbePxkwEzTUE5yTctEWjtcBVKuLu4YhtyvZKHArQzCWl&show_text=true&width=500" width="500" height="554" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe> Sammy J had gleefully noted his superior ratings in Melbourne’s fiercely competitive radio market, where Sandilands’ Kyle and Jackie O Show has struggled to find a foothold. Despite dominating Sydney airwaves for years, Sandilands and co-host Jackie have been largely snubbed by Melbourne listeners, capturing just 5.1% of the breakfast audience. Sammy J, meanwhile, has consistently outperformed the KIIS duo, though both trail behind market leader 3AW. “It must be painful,” Sammy J retorted. “Like, it’s bad enough to be beaten by a dog, or a flog, or somebody with delusions. But to be beaten by all three at once? How humiliating.” Adding fuel to the fire, Sammy J released a tongue-in-cheek media statement earlier this week, addressing the so-called “feud” “To describe this as a ‘feud’ is incorrect and offensive to both myself and Mr. Sandilands,” he wrote. “I wish Mr Sandilands well and hope his 4am starts get easier with time.” <iframe style="border: none; overflow: hidden;" src="https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2Fsammyjcomedian%2Fposts%2Fpfbid0drGpPdfVTjPvQgCUfWdNbbDBXVMuzNqQLQ57Y8qgWaggSojoY8JnQFUYCFZbTE5Nl&show_text=true&width=500" width="500" height="568" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe> But the pièce de résistance came on Thursday, when Sammy J shrugged off the insult and <a href="https://www.gofundme.com/f/help-sammy-j-pay-rent-for-living-in-kyle-sandilands-head" target="_blank" rel="noopener">launched a GoFundMe campaign</a>, cheekily titled “Help Sammy J Pay Rent for Living in Kyle Sandilands’ Head”. The real beneficiaries, however, are far from imaginary. Proceeds are being donated to Big Brothers Big Sisters Australia, a charity Sammy J has supported for two decades. “I don’t earn $15 million a year like Kyle,” Sammy J quipped in the fundraiser description, “so I’ll need some help raising these funds.” Within hours, his modest $1,000 original goal was smashed faster than a Melbourne café’s avocado toast. Sammy J then upped the goal to $10k, and at last count, donations were approaching $11,000, leaving Sammy J’s fictional landlord very satisfied indeed. While Sandilands has yet to comment on this charitable turn of events, it’s hard to imagine he’d find the gesture offensive – after all, even a “dog”, “flog” and “deluded nobody” can inspire generosity in others. Meanwhile, Melbourne radio listeners have enthusiastically embraced Sammy J’s cheeky approach, with many applauding the charitable twist on a rivalry that has become the breakfast show equivalent of a soap opera. As Sammy J prepares to sign off the airwaves on December 13, one thing is clear: the wind will continue whispering his name – if only to remind Sandilands of Melbourne’s enduring resistance to Sydney’s radio royalty. Images: Facebook

Music

For a century, it’s been illegal to swim in the Seine. Will Paris’s clean-up make the river safe for Olympic swimmers?

<div class="theconversation-article-body"><a href="https://theconversation.com/profiles/ian-a-wright-5162">Ian A. Wright</a>, <a href="https://theconversation.com/institutions/western-sydney-university-1092">Western Sydney University</a> Five eagerly anticipated events in the Paris Olympics will be the mens and womens 10 kilometre marathon swimming races, as well as the 1,500 metre swimming section of three triathlon events. Why? Because all will be held in the Seine River in the centre of Paris. The swimmers – including <a href="https://www.swimmingworldmagazine.com/news/trio-complete-an-historic-australian-olympic-marathon-swim-team-for-paris-2024">four Australians</a> – will pass famous landmarks such as the Musee d'Orsay as they swim through the historic heart of the city. This will have enormous scenic appeal for spectators. But will it be safe for swimmers? Rivers running through large cities are <a href="https://www.nature.com/articles/s42949-021-00026-w">often polluted</a>, whether from stormwater, chemical pollution or wastewater spills. As the marathon swimmers pass the <a href="https://musee-egouts.paris.fr/en/">Paris Sewer Museum</a>, they may well wonder if they’re in clean water. For more than 100 years, swimming in the Seine has actually been illegal, due to concerns over what the water could do to human health. Authorities <a href="https://www.theguardian.com/sport/article/2024/may/24/olympic-games-clean-up-aims-to-leave-parisians-swimming-in-the-seine">have been working</a> to clean up the water, spending A$2.2 billion (€1.3 billion) on improving water quality. The goal: cut bacterial contamination by 75% before the first swimmer touches the water. These measures are having an impact – but recent heavy rains have seen bacteria levels spike. While officials have put on brave faces, there’s now a <a href="https://www.reuters.com/sports/olympics/paris-2024-sets-up-reserve-site-marathon-swimming-if-seine-unsuitable-2024-07-05/">contingency plan</a> in case the Seine isn’t safe. <h2>Why swim in the Seine at all?</h2> Urban rivers have a questionable reputation. But this isn’t the first time the Seine River has been used for Olympic swimming. In the 1900 Paris Olympics, <a href="https://olympics.com/en/olympic-games/paris-1900/results/swimming">seven swimming events</a> were all held in the river. These games were the first modern Olympics where <a href="https://olympics.com/ioc/faq/history-and-origin-of-the-games/when-did-women-first-compete-in-the-olympic-games">women could compete</a> in some sports, but swimming was not one of those permitted. The Australian swimmer who competed, Frederick Lane, had to swim under the United Kingdom’s flag as Australia did not have a flag until Federation the following year. He won two gold medals. One was for the 200 metre freestyle race, and the other for a bizarre race never held again: the 200m <a href="https://www.olympedia.org/results/4433">swimming obstacle race</a>, where swimmers had to climb over poles and boats. These Olympics also saw the first and last underwater swimming race, which was also in the Seine. <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/606823/original/file-20240715-17-kajph6.jpg?ixlib=rb-4.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/606823/original/file-20240715-17-kajph6.jpg?ixlib=rb-4.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/606823/original/file-20240715-17-kajph6.jpg?ixlib=rb-4.1.0&q=45&auto=format&w=600&h=378&fit=crop&dpr=1 600w, https://images.theconversation.com/files/606823/original/file-20240715-17-kajph6.jpg?ixlib=rb-4.1.0&q=30&auto=format&w=600&h=378&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/606823/original/file-20240715-17-kajph6.jpg?ixlib=rb-4.1.0&q=15&auto=format&w=600&h=378&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/606823/original/file-20240715-17-kajph6.jpg?ixlib=rb-4.1.0&q=45&auto=format&w=754&h=475&fit=crop&dpr=1 754w, https://images.theconversation.com/files/606823/original/file-20240715-17-kajph6.jpg?ixlib=rb-4.1.0&q=30&auto=format&w=754&h=475&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/606823/original/file-20240715-17-kajph6.jpg?ixlib=rb-4.1.0&q=15&auto=format&w=754&h=475&fit=crop&dpr=3 2262w" alt="historic photo swimming seine river paris" /></a><figcaption>Swimmers took to the Seine’s waters at the 1900 Paris Olympics, when the river ran cleaner. <a class="source" href="https://commons.wikimedia.org/wiki/File:Swimming_1900.jpg">Wikimedia Commons</a>, <a class="license" href="http://creativecommons.org/licenses/by/4.0/">CC BY</a></figcaption></figure> Back then, the waters of the Seine were cleaner. That’s because there was a great demand for human waste on farms – and cities were the main source. Back then, “night soil” (human waste) had a <a href="https://hess.copernicus.org/articles/11/1757/2007/hess-11-1757-2007.pdf">real market value</a>. No one would think of dumping it in rivers. But as time went on, sewerage systems developed and other fertilisers such as guano and mineral fertilisers arrived. By the early 20th century, most of the city’s wastewater went into the Seine. In 1923, the swimming ban came into effect. A year later, Paris hosted the Olympics for its second time – and swimmers competed in 50 metre pools. In recent years, many cities around the world have worked to clean up their urban waterways. River swimming is <a href="https://www.timeout.com/news/the-european-cities-cleaning-up-rivers-for-wild-swimmers-101821">now common</a> in cities such as Copenhagen, Berlin and Vienna, where river health has improved dramatically. <h2>How can you clean a river like the Seine?</h2> Cleaning the Seine is a challenge. Paris is home to 11 million people, with plenty of industry. Urban rivers are almost inevitably polluted by waste from the <a href="https://www.nature.com/articles/s42949-021-00026-w%5D">surrounding city</a>. Leaking and overflowing sewage systems are a major source of pollution. In places like the UK, <a href="https://www.bbc.com/news/explainers-62631320">sewage spills</a> into waterways have become a major political issue. When wastewater spills into rivers, it carries pollutants and dangerous loads of <a href="https://www.cdc.gov/mmwr/volumes/67/wr/mm6725a1.htm">disease-causing microorganisms</a>, such as Escherichia coli (commonly known as E. coli). Untreated water can have viruses, bacteria and disease-causing protozoa. In the lead-up to the Paris games, authorities have been working to improve water quality enough to bring some Olympic swimming back to the Seine. Stormwater – often contaminated by dog poo or sewage overflows – is <a href="https://www.theguardian.com/environment/2023/oct/08/can-paris-clean-seine-for-next-year-2024-olympics">being cleaned</a> before it is released into the river. Despite the money and effort, there are still real questions over whether it will be enough to guarantee swimmer safety. Bacterial levels hit risky levels <a href="https://edition.cnn.com/2024/07/11/sport/paris-olympics-seine-triathlon-bacteria-spiking-intl/index.html">most days in June</a> due to unseasonally heavy rains, but the water has <a href="https://www.france24.com/en/france/20240712-seine-clean-enough-to-swim-for-most-of-past-12-days-paris-says-ahead-of-olympics">improved in July</a>. This week, French sports minister Amélie Oudéa-Castéra <a href="https://www.nbclosangeles.com/paris-2024-summer-olympics/french-sports-minister-takes-dip-in-seine-river-2024-paris-olympics/3458469/">swam a few metres</a> in the Seine in an effort to douse concerns. By contrast, the other Olympic swimming events will take place in a recently constructed 50 metre pool, which will have very good water quality. The pool water is filtered and treated with a disinfectant such as chlorine or bromine. It will be regularly tested to ensure optimal water quality. At the Tokyo 2020 Olympics, triathletes had to swim in polluted Tokyo Bay. But similar concerns over sickness proved unfounded. The real challenge was the <a href="https://www.theguardian.com/environment/2021/aug/05/olympic-athletes-and-volunteers-in-tokyo-tortured-by-heat">oppressive heat</a>. <h2>What’s at risk?</h2> The most likely outcome if races are held when bacterial levels are unsafe would be getting a gastrointestinal bug. Officials have some control over this. Contamination is worst after heavy rain. Races could be delayed if need be. Many swimmers – especially those who compete in open-water competitions – are familiar with swimming in water with some level of pollution. Some see it as worth the risk. Italian double world champion swimmer Gregorio Paltrinieri <a href="https://www.france24.com/en/live-news/20240226-paris-holds-its-breath-for-olympic-swimming-events-in-murky-seine">said in January</a>: <blockquote> Even if the water is dirty, I would rather swim in an electric atmosphere in the centre of Paris than in an anonymous stretch of water. </blockquote> Paris 2024 organisers previously warned there was no plan B for the 10 km marathon races in the Seine if water quality testing is unsuitable. But this has now changed. If the river isn’t clean enough, open water swimming <a href="https://www.reuters.com/sports/olympics/paris-2024-sets-up-reserve-site-marathon-swimming-if-seine-unsuitable-2024-07-05/">will be moved</a> to the rowing venue. The Olympic triathlon is planned around a swimming leg in the Seine. But triathletes <a href="https://www.espn.com.au/olympics/story/_/id/39912675/triathlon-leg-cancelled-seine-quality-paris-2024-chief">have been told</a> the swim leg could be skipped if the water is unsafe, which would turn the race into a running and cycling duathlon. As the world’s attention turns to Paris, there will be many anxious officials behind the scenes hoping their hard work on making the Seine swimmable pays off.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/231705/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/ian-a-wright-5162">Ian A. Wright</a>, Associate Professor in Environmental Science, <a href="https://theconversation.com/institutions/western-sydney-university-1092">Western Sydney University</a> Image credits: CARON/ZEPPELIN/SIPA/Shutterstock Editorial This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/for-a-century-its-been-illegal-to-swim-in-the-seine-will-pariss-clean-up-make-the-river-safe-for-olympic-swimmers-231705">original article</a>. </div>

Travel Trouble

Incredible treasure trove of unseen royal images

In a mesmerising blend of history and artistry, Buckingham Palace's newly christened King's Gallery has unveiled a captivating journey through time and royalty with the debut of "Royal Portraits: A Century of Photography". Opening its on May 17, this groundbreaking exhibition delves into the illustrious lineage of the Royal Family through more than 150 carefully curated portraits – some never before seen by the public eye. A highlight among these treasures is a poignant snapshot capturing a rare familial moment: Queen Elizabeth II, Princess Margaret, Princess Alexandra, and The Duchess of Kent cradling their newborns. Lord Snowdon, Princess Margaret's husband, immortalised this touching scene as a token of gratitude to Sir John Peel, the esteemed royal obstetrician responsible for delivering all four babies within a mere two-month span. In this heartfelt image, Queen Elizabeth II tenderly holds Prince Edward, her youngest offspring, while Princess Margaret, Princess Alexandra and The Duchess of Kent embrace their own bundles of joy. Accompanying this snapshot is a handwritten letter penned by Princess Margaret to her sister, affectionately addressed as "Darling Lilibet", requesting a signature on a print destined as a cherished memento for the esteemed doctor. The exhibition transcends mere family portraits, delving deep into the evolution of royal portraiture over the past century. Visitors are treated to a visual feast of iconic images captured by renowned photographers, including Dorothy Wilding, Annie Leibovitz, David Bailey and Rankin. Notably, the legendary Cecil Beaton's immortalisation of Queen Elizabeth II's coronation remains a cornerstone of the collection, offering a timeless glimpse into history. The exhibition also pays homage to the enduring allure of Princess Anne through her striking appearances on Vogue covers and a celebrated coming-of-age portrait by Norman Parkinson, commemorating her 21st birthday. From the timeless elegance of Princess Anne to the radiant charm of Prince William and Kate Middleton, and the spirited grace of Zara Tindall, the exhibition showcases a diverse tapestry of royal personalities spanning generations. Yet, it is not merely the portraits themselves that captivate visitors, but the untold stories and intimate moments woven into each frame. Delving into the depths of royal history, the exhibition reveals unseen wartime images by Cecil Beaton, illustrating King George VI and Queen Elizabeth's unwavering resolve amidst the chaos of conflict. As visitors explore the gallery, they are guided by a free multimedia experience narrated by Dame Joanna Lumley, offering a behind-the-scenes glimpse into the artistry and craftsmanship behind these timeless portraits. From Hugo Burnand's vivid recollections of photographing the royal coronation to the candid insights of royal photographers such as Rankin and John Swannell, the multimedia guide adds depth and dimension to the exhibition, inviting visitors to immerse themselves fully in the rich tapestry of royal history. "Royal Portraits: A Century of Photography" is not merely an exhibition; it is a testament to the enduring legacy of the British monarchy, captured through the lens of some of the most esteemed photographers of our time. From the grandeur of coronations to the tender embrace of a mother cradling her newborn, each portrait tells a story – a story of tradition, resilience and the timeless allure of royalty. Images: Royal Collection Trust / © His Majesty King Charles III 2024.

Art

Groom faces serious jail time after $89 million "wedding of the century"

A groom whose viral $89 million wedding was dubbed the "wedding of the century" is now facing a possible life sentence in prison. Jacob LaGrone, 29, and wife, car dealership heiress Madelaine Brockway, took social media by storm last month after videos of their lavish, five-day wedding in France went viral on TikTok. The wedding which featured an overnight stay at the Palace of Versailles, rehearsal dinner at the Paris Opera House, and a performance by Maroon 5 at the Texan couple's reception, was nothing short of amazing. Now, instead of going on their honeymoon, the groom could be facing life in prison, after getting arrested for allegedly shooting at three police officers in an incident on March 14. The Nashville native was indicted eight months ago on three counts of aggravated assault on a public servant, which is a first-degree felony in Texas, that, if convicted, could see him face a sentence from less than five years to life in prison. According to city officials, officers responded to multiple disturbance calls about a gun being discharged at a home – and when the three officers arrived, "they were fired upon” by LaGrone. An indictment obtained by The Washington Post, said that LaGrone "did intentionally and knowingly threaten imminent bodily injury" to the officers and “did use or exhibit a deadly weapon during the commission of the assault, namely, a firearm”. The indictment did not specify where the incident took place, and no further details were given regarding the disturbance calls. The Dallas Morning News reported that the Tarrant County District Attorney offered LaGrone a plea deal of 25-years in jail . Neither LaGrone nor his wife have publicly addressed the charges, and both have since made their social media accounts private. Images: Instagram/ News.com.au

Legal

Antiques Roadshow guest floored by value of father’s gift

For most people, finding out that their old items are worth a few hundred dollars is a treat enough, and maybe a few thousand if the antique is particularly special. But for one woman in the United Kingdom and her treasured brooches, that would have been small change. It was Antiques Roadshow’s expert Geoffrey Munn who broke the news after inspecting her pieces in Wales, assigning an impressive value to the 18th century collection. As the guest - and owner - explained, the two diamond brooches from her set had been gifted to her by her father. “[The smaller bow] on my wedding day. [The floral brooch] came a little bit later,” she said, “and [the ruby bow] was inherited from my grandmother.” She went on to share that her father had actually been involved in the antiques world, and so it was “something that I’ve grown up with.” <img src="https://oversixtydev.blob.core.windows.net/media/2023/05/AntiquesRoadshow_EMBED.jpg" alt="" width="1280" height="720" /> Upon inspecting the items, Munn noted that they were in “perfect condition”, and that they seemed to be “18th century jewels of the finest pitch”. When it came to the smaller bow, he remarked that it was more than it appeared, being “a true lovers knot, because the harder it is pulled, the tighter it becomes. “And the diamonds are forever, so this little subliminal message for your wedding was perfectly well chosen.” According to Munn, the same could be said of the ruby bow, but that things were “more complicated” when it came to the floral brooch. After sharing that it was most likely a sort of dress ornament, he noted that “there may have been 20 or 30 of them, and they might have gone down the back of a woman of very high rank and huge wealth. “[In the 18th century], people didn’t simply recognise the sovereign because there was no photography and precious few portraits. So, when [they] entered the room, there had to be an enormous display of sumptuary.” He then theorised that the floral brooch could possibly have belonged to Russian royalty, and that he wanted to believe that was the case. “The Russian crown jewels were sold in London after the revolution to raise funds for the new regime,” he continued. “It’s just possible that this is a Russian crown jewel. Wouldn’t [that] be marvellous?” Munn dubbed the entire collection “marvellous things”, declaring that “they’re not showy. They’re utterly beautiful expressions of an era gone by and that’s what we’re looking for”, as well as announcing that the trio came in at a staggering value of approximately $62,000. The smaller bow came in at around $15,000, while the ruby brooch was valued at $18,800, and the ruby at $28,300. And while selling the set would have given the guest’s bank balance quite the boost, she had no intentions of parting with them any time soon. Instead, she intended for her daughters to inherit them. She enjoyed wearing the pieces, she said, but unfortunately, the bigger of the brooches were getting “difficult to wear nowadays … perhaps [they are] a bit more dated.” Images: Antiques Roadshow / BBC

Money & Banking

Picking up a King Charles III coronation commemorative plate? You’re buying into a centuries-old tradition

Mugs and plates celebrating the coronations, marriages and deaths of British royalty are not unusual sights in the Australian home. With the forthcoming coronation of King Charles III on May 6, such memorabilia cluttering our cupboards are only likely to increase. Guides to “<a href="https://www.houseandgarden.co.uk/article/king-charles-coronation-memorabilia-2023">the best King Charles III memorabilia</a>” are already advising what souvenirs to buy, including commemorative coins, biscuit tins, tea towels, plates and, of course, mugs. Yet the royal souvenir is not a recent invention. <h2>History of the royal mug</h2> The tradition of celebrating royal events with a mug or drinking vessel dates to at least the 17th century when the current king’s ancestor and namesake, Charles II, was restored to the English throne in 1660-1. Several mugs and cups produced at the time have survived and depict the “<a href="https://www.historyextra.com/period/stuart/charles-ii-guide-restoration-why-merry-monarch-how-many-children-rule/">merry monarch</a>”. The restoration of Charles II (after his father Charles I had been executed by order of parliament in 1649) was greeted with rejoicing throughout England, Scotland and Ireland. The famous social climber and diarist Samuel Pepys embodied the general feeling of this time when he wrote that on the day of Charles II’s coronation he watched the royal procession with wine and cake and all were “<a href="https://www.pepysdiary.com/diary/1661/04/22/">very merry</a>” and pleased at what they saw. Drinking and eating in celebration may account for why mugs and plates were, and remain, such popular forms of royal memorabilia; they were used to <a href="https://stuarts.exeter.ac.uk/education/objects/delftware-cup-c-1661/">drink loyal toasts</a> of good health to the monarch on special days of celebration. While a strong ale was the preferred liquid for 17th-century toasts, as the British Empire expanded tea drinking became a common pastime. Teacups became popular royal souvenirs during the reign of Queen Victoria in the 19th century. <h2>Fostering support</h2> The earthenware mugs made for Charles II’s coronation were relatively inexpensive, but not produced on a mass scale. With the industrial revolution of the 19th century and the rise of souvenir culture, royal memorabilia in all forms became more <a href="https://theconversation.com/royal-family-why-even-a-charles-and-diana-divorce-mug-is-important-for-the-monarchy-176588">popular and widespread</a>. Since 1900, royal births, deaths, marriages and coronations have been big money for manufacturers of royal memorabilia. The pitfalls of mass production were realised in 1936 when Edward VIII abdicated from the throne just months before his planned coronation in May 1937. Manufacturers were stuck with <a href="https://trove.nla.gov.au/newspaper/article/178313173?searchTerm=%22coronation%20mug%22">thousands of mugs</a>, plates and other items celebrating the coronation of a king that would not happen. Many of these mugs still made their way out to the market, while other manufacturers such as Royal Doulton <a href="https://www.britishmuseum.org/collection/object/H_2012-8022-5-a-c">adapted existing designs</a> and used them for the coronation of his brother, George VI. English monarchs were not the only royals to encourage the use of their image on objects collected, worn or used by their subjects. Renaissance Italian princes popularised the <a href="https://www.metmuseum.org/exhibitions/listings/2016/renaissance-portrait-medals/exhibition-themes">portrait medal</a> and the Holy Roman Emperor and King of Spain, Charles V, fostered support in his vast territories using mass-produced medallions <a href="https://www.metmuseum.org/art/collection/search/197126">bearing his image</a>. Objects with images of royalty served similar functions in the 20th century. Australian school children were often <a href="https://trove.nla.gov.au/newspaper/article/141777602?searchTerm=%22coronation%20mug%22">given medals</a>to commemorate coronations, while children in England were gifted pottery mugs to drink to the sovereign’s health. When Elizabeth II was crowned in 1953, <a href="https://www.liverpoolmuseums.org.uk/artifact/coronation-of-hm-queen-elizabeth-ii">English children</a>received mugs, tins of chocolate and a spoon or coin. <h2>Measuring popularity</h2> Royal memorabilia don’t just foster support but act as a barometer of the popularity of the royal family around the globe. Coronation mugs became popular in the reign of Charles II in 1661 because these objects captured the joyous feeling of a nation that had endured 20 years of warfare and political chaos. Support for the royal family has often been shown through royal weddings and marriages: plates depicting Charles II and his Portuguese bride, Catherine of Braganza, were made to celebrate their union in 1662. Recently a <a href="https://www.smithsonianmag.com/smart-news/metal-detectorist-discovers-rare-gold-pendant-celebrating-henry-viiis-first-marriage-180981557/">gold pendant</a> inscribed with the initials of Henry VIII and his first wife, Catherine of Aragon, likely worn by a supporter, was also discovered. For Prince William and Kate Middleton’s highly anticipated wedding in 2011, thousands of types of mundane and wacky <a href="https://www.latimes.com/entertainment/gossip/la-et-royal-wedding-souvenirs-pictures-photogallery.html">souvenirs</a> were produced, such as plates, mugs, magnets, graphic novels, toilet seat covers and PEZ dispensers. Over 1,600 lines of official merchandise were produced for the marriage of Princes Charles to Lady Diana Spencer in 1981. <a href="https://issuu.com/accpublishinggroup/docs/june_july_2022_mag/s/15960301">Less than 25 lines</a> were produced for Charles’ unpopular second marriage to Camilla Parker Bowles in 2005. While Charles may not be <a href="https://www.forbes.com/sites/danidiplacido/2023/03/01/celebrities-dont-care-to-perform-for-king-charles-iii/?sh=56487b7a20f8">as popular</a> as his mother, coronation fever has most definitely taken hold in the United Kingdom. Royal fans are set to spend £1.4 billion (A$2.6 billion) on <a href="https://www.thesun.co.uk/money/21911733/shoppers-spend-billion-king-coronation-may/">coronation parties and souvenirs</a>. The availability of coronation souvenirs and party supplies in Australia is somewhat more limited – perhaps an indicator of Australia’s diminishing appetite for the royal family amid increased calls for another <a href="https://www.abc.net.au/news/2022-12-24/king-charles-australias-head-of-state-alternative-republic/101470156">vote on a republic</a>. Image credits: Getty Images This article originally appeared on <a href="https://theconversation.com/picking-up-a-king-charles-iii-coronation-commemorative-plate-youre-buying-into-a-centuries-old-tradition-200646" target="_blank" rel="noopener">The Conversation</a>.

Home & Garden

New lessons about old wars: keeping the complex story of Anzac Day relevant in the 21st century

What happened on the Gallipoli peninsula in Turkey 108 years ago has shocked and shaped Aotearoa New Zealand ever since. The challenge in the 21st century, then, is how best to give contemporary relevance to such an epochal event. The essence of the Anzac story is well known. As part of the first world war British Imperial Forces, the Australian and New Zealand Army Corps (Anzacs) landed at Gallipoli on April 25 1915. For eight months they endured the constant threat of death or maiming in terrible living conditions. Ultimately, their occupation of that narrow and rugged piece of Turkish coast failed. The 30,000 Anzacs were evacuated after eight months. More than 2,700 New Zealand and 8,700 Australian soldiers died, with many more wounded. The <a href="https://nzhistory.govt.nz/war/anzac-day-resources">first anniversary</a> of the landing was a day of mourning, with Anzac Day becoming a public holiday in 1922. A remembrance day of sorrow mixed with pride, it has grown over the years to include all those who served and died in later international conflicts. Over time, various narratives and themes have emerged from that Gallipoli “origin story”: of Aotearoa New Zealand’s emergence as a nation, proving itself to Britain and Empire; of the brave, fit, loyal soldier-mates who emblemised the Kiwi spirit of egalitarianism, fairness and duty. All this mingled with the lasting shock and underlying anger at class hierarchy and the British leadership’s incompetence. But historians know well that the “Anzac spirit” is a complex and ever-evolving idea. In 2023, what do we teach school-aged children about its meaning and significance? One way forward is to rethink those Anzac narratives and tropes in a more complex way. <h2>Colonialism and class</h2> The Anzac story is tied up in the nation’s history as part of the British Empire. The Anzac toll was just part of a staggering 46,000 “Britons” – including many from India and Ireland – who died at Gallipoli. Some 86,000 Turks also died defending their peninsula. We need to teach about the Anzac sacrifice in the context of a global conflict where the magnitude of loss was horrific. Importantly, Anzac themes are bound up in early forms of colonial nationalism: New Zealand proving itself to Britain and developing its own fighting mentality on battlefields far from home. Part of this involves the notion of incompetent British commanders who let down the Anzac troops – but this is part of a bigger story. Focusing on imperial and class hierarchies of the time can place what happened in that broader context. The legendary story of <a href="https://nzhistory.govt.nz/wellington-battalion-captures-chunuk-bair">Chunuck Bair</a>, taken on August 8 by Colonel William Malone’s Wellington Regiment, but where most of the soldiers were killed when they weren’t relieved in time, is particularly evocative. <h2>Māori and the imperial project</h2> From our vantage point in the present, of course, we cannot ignore the Māori experience of war and colonialism. As the historian Vincent O’Malley has suggested, New Zealand’s “great war” of nation-making was actually <a href="https://teara.govt.nz/en/new-zealand-wars">Ngā pakanga o Aotearoa</a> – the New Zealand Wars. It’s time to teach the complexity of this past and the multiple perspectives on it. For example, Waikato leader <a href="https://nzhistory.govt.nz/people/te-kirihaehae-te-puea-herangi">Te Puea Hērangi</a>led opposition to WWI conscription and spoke against Māori participation on the side of a power that had only recently invaded her people’s land. Conversely, Māori seeking inclusion in the settler nation did participate. On July 3 1915, the 1st Māori Contingent landed at Anzac Cove. <a href="https://teara.govt.nz/en/biographies/3b54/buck-peter-henry">Te Rangi Hiroa</a> (Sir Peter Buck) (Ngāti Mutunga) was to say, "Our feet were set on a distant land where our blood was to be shed in the cause of the Empire to which we belonged." These words echo the familiar Anzac trope of the New Zealand nation being born at Gallipoli. Such sentiments led to postwar pilgrimages to retrace the steps of ancestors and claim the site as part of an Anzac heritage – a corner of New Zealand even. For many young New Zealanders it has become a rite of passage, part of the big OE. That a visit to Anzac Cove is still more popular than visiting the sites of Ngā pakanga o Aotearoa is something our teaching can investigate. <h2>Mateship and conformity</h2> The notion of the Anzac soldier as courageous and beyond reproach, willing to make the ultimate sacrifice for nation and empire, is also overdue for revision. The “glue” of mateship – a potent combination of masculine bravery and strength with extreme loyalty to fellow soldiers – is again a contested narrative. By the 1970s, as historian Rowan Light’s work shows, there was a significant challenge to such perceptions from the counterculture, peace protesters and feminists. And by the 1980s, veterans were sharing their stories more candidly with writer Maurice Shadbolt and war historian Chris Pugsley. Teaching about the meaning of mateship might examine the history of those peer-pressured into participating in war, those who were conscripted and had no choice, and more on the fate of conscientious objectors like Archibald Baxter. At its worst, the idea of mateship was window dressing for uniformity and parochialism. New Zealanders today have complex multicultural and global roots. We have ancestors who were co-opted to fight on different sides in 20th-century wars, including those who fought anti-colonial wars in India, Ireland and Samoa. Some came here as refugees escaping conflict. Jingoism and what it really represents deserves critical analysis. <h2>Poppies and peace</h2> The ubiquitous poppy, an icon much reproduced in classrooms, is also ripe for contextualisation and debate over its meaning. In the age of global environmental crisis, it can be seen as more than a symbol of sacrifice immortalised in verse and iconography. The poppy also reminds us of the landscapes devastated by the machinery of war that killed and maimed people, plants and animals. It contains within it myriad lessons about the threats science and technology can pose to a vulnerable planet. Anzac Day rose from the shock, loss and grief felt by those on the home front. And beyond the familiar tropes of nationalism, mateship and egalitarianism, this remains its overriding mood. Remembering and learning about the terrible physical and mental cost of war is the real point of those familiar phrases “lest we forget” and “never again”. That spirit of humanitarianism chimes with Aotearoa New Zealand’s modern role and evolving self-image as a peacekeeping, nuclear-free nation. Anzac Day also speaks to the need for global peace and arbitration, and how war is no viable solution to conflict. Those are surely lessons worth teaching. Image credits: Getty Images This article originally appeared on <a href="https://theconversation.com/new-lessons-about-old-wars-keeping-the-complex-story-of-anzac-day-relevant-in-the-21st-century-204013" target="_blank" rel="noopener">The Conversation</a>.

Caring

Century-old typo at Melbourne train stop finally fixed

One of Melbourne’s oldest public spelling errors will be fixed after almost a century. In 1937, the suburb of "Glen Huntly" was incorrectly written as a one-word sign at the train station and has remained that way ever since. The southeast suburb is finally getting an updated sign, as two level crossing removals are about to take place. “That’s a historical spelling error ... It’s taken us nearly a century to fix that,” Victorian Premier Daniel Andrews said at a press conference. “But the local historical society and others who have an eye for detail will be very pleased to see us remedying that error.” Glen Huntly was named after a ship that arrived in Port Phillip all the way back in 1940, but there has been confusion surrounding the spelling ever since. Some local businesses in the suburb still have the spelling as 'Glenhuntly' and the name of the railway station has been changed three times. The stop was called ‘Glen Huntly Road’ when it was opened in 1881, before being changed to ‘Glen Huntly’ in 1882 and then ‘Glenhuntly’ in 1937. Andrews unveiled the new train station signage with the correct spelling as works to remove the level crossings and upgrades to the station commence. Those congested level crossings are at Neerim and Glen Huntly roads with expected closures in the area from May 5 until mid-July. Buses will be replacing trains on the Frankston line between Caulfield and Moorabbin during this time. The new, typo-free Glen Huntly train station will open in August 2023. Image credit: Facebook

Travel Trouble

Trans people aren’t new, and neither is their oppression: a history of gender crossing in 19th-century Australia

This article contains references to anti-trans, colonial and institutional violence, and includes information about an Aboriginal person who died in the early 20th century. Anti-transgender hatred is on the rise. Driven by pseudoscience and backed by <a href="https://www.crikey.com.au/2023/03/10/anti-trans-disinformation-australia-transphobia/">well-funded far-right pressure groups</a>, part of the premise of the anti-trans “gender critical” movement is that trans people are new and unnatural. History shows us this is not the case. The “trans” prefix emerged in 1910 with Magnus Hirschfeld’s research on “<a href="https://www.transgendermap.com/politics/sexology/magnus-hirschfeld/">transvestism</a>” (initially a medical term). Hirschfeld was a gay German Jewish doctor whose research centre, the <a href="https://magnus-hirschfeld.de/ausstellungen/institute/">Institut für Sexualwissenschaft</a>, has been called the world’s first trans clinic. The institute was destroyed by Nazis in 1933. You might be familiar with this image of Nazi book-burning – the books in question were Hirschfeld’s research. In the 1800s, people who crossed gender categories were not understood to be “transvestites” or transgender, but were referred to as “masqueraders”, “impersonators”, “men-women” and “freaks”. As such, I consider my research to be a work of shared queer and trans history, but not necessarily a history of trans people. I am not interested in how people in the past might have identified today, but in how they lived and how their communities responded to them. <h2>Gender variance in First Nations communities</h2> Far from being new, gender variance on this continent predates Europeans’ arrival in Australia. Several Aboriginal nations have traditions of <a href="https://www.transhub.org.au/trans-mob">culturally specific gender categories</a>. In 2015 the organisation Sisters and Brothers NT noted the terms “Kwarte Kwarte” in Arrernte, “Kungka Kungka” in Pitjantjatjara and Luritja, “Yimpininni” in Tiwi, and “Karnta Pia” in Warlpiri, which can be interpreted as “like a girl”, while “Kungka Wati” in Pintipi and “Girriji Kati” in Waramungu literally mean “woman/man”. Sandy O’Sullivan, a Wiradjuri trans scholar and professor, notes that the imposition of European gender norms on First Nations peoples was part of a broader colonial project that sought to eliminate Indigenous cultures and kinship systems. <h2>Gender transgression in colonial Australia</h2> In colonial Australia, gender transgression was structurally managed via carceral systems such as lunatic asylums, police and prisons. Although there was no formal legislation against cross-dressing or gender-crossing, people were often charged with vagrancy, fraud, sodomy, impersonation or indecent behaviour. A lot of Australian legislation was inherited from or influenced by British legislation, including the 1533 Buggery Act and the 1885 Criminal Law Amendment Act, also known as “An Act to make further provision for the Protection of Women and Girls”, which strengthened existing legislation against homosexuality and sex work. In the 19th century there was no formal or medical process for gender transition. When people crossed gender categories, they did so socially, sometimes for their entire lifetimes. On a local level, gender crossers were frequently accepted in their communities if they met certain conditions. People were more likely to be accepted if they were white, transmasculine, and contributing to the productive workforce. People who were socially marginalised or lacking in support from family and friends were more likely to have hostile interactions with the law and with medicine. <h2>Madness, medicalisation, and criminalisation</h2> Gender transgression over years or decades was often interpreted as evidence of insanity. There were cases such as Tom Hurly, institutionalised in Parramatta Lunatic Asylum in 1861, and Edward de Lacy Evans, institutionalised in Bendigo Hospital and Kew Asylum in 1879. Edward Moate – referred to in the press as “another De Lacy Evans” – was institutionalised in Beechworth Asylum in 1884. The lunatic asylum was a structure that maintained and restored the colonial order. To be discharged and re-enter the community, patients had to demonstrate that their insanity had been “cured”, which for gender transgressors generally meant being forced to detransition. Edward de Lacy Evans was made to return to dressing as a woman and was discharged only a few months after his admission. Edward Moate, on the other hand, refused to provide a female name or reassume a female gender expression, and died in the asylum three years later, still under the name Edward Moate. Vagrancy charges were the most common way of criminalising gender crossing. This was frequently applied to people who lived as women, who were more likely to be seen as dangerously deviant than tolerably eccentric. In 1863, Ellen Maguire was charged with vagrancy in Melbourne for “personating a woman”. Officially, the vagrancy charge was one of “having no visible means of support”, despite most of the court trial focusing on her employment as a sex worker and her supposed deception of her male clients. She was eventually convicted of sodomy and died in prison after six years. Sometimes the twin modes of medicalisation and criminalisation were applied simultaneously. In 1896, the Warengesda Aborigines’ Mission reported an Aboriginal (probably Wiradjuri) youth named H Paroo for “masquerading in the garb of a man”. Paroo was ordered to leave the station, but refused to comply. The station wrote a letter to the Aborigines’ Protection Board asking if Paroo could be removed, either by being “given in charge as a vagrant” or “as not fit to be at large” (that is, as a “wandering lunatic”). <h2>Full and authentic lives</h2> Not everyone who was exposed in the press was vilified or incarcerated as a result. Some people lived full lives in their chosen gender categories, and were only outed after their deaths. In 1893, a farmer named Jack Jorgensen died in Elmore, near Bendigo, and was promptly exposed in the press as yet “another De Lacy Evans”. Jorgensen had suffered an injury at work but refused to go to Bendigo Hospital. He signed his will as Johann Martin Jorgensen, and died at home under the care of his housemates, who knew about his gender but kept the secret until after his death. These stories are important because they show that the criminalisation and pathologisation of gender transgression is not a new phenomenon. Medicine and the justice system have a long history of being weaponised against trans people and anyone trespassing from the gendered status quo. If we are to work towards trans liberation in the present, we must reckon with these histories and address their structural legacies. Image credits: Getty Images This article originally appeared on <a href="https://theconversation.com/trans-people-arent-new-and-neither-is-their-oppression-a-history-of-gender-crossing-in-19th-century-australia-201663" target="_blank" rel="noopener">The Conversation</a>.

Caring

From Chaucer to chocolates: how Valentine’s Day gifts have changed over the centuries

For Valentine’s Day, some couples only roll their eyes at each other in mutual cynicism. The capitalisation of love in the modern world can certainly seem banal. But Valentine’s Day gifts are hardly a contemporary invention. People have been celebrating the day and gifting love tokens for hundreds of years. We should first turn to Geoffrey Chaucer, the 14th-century poet, civil servant and keen European traveller. Chaucer’s poem from the 1380s, The Parliament of Fowls, is held to be the first reference to February 14 as a day about love. This day was already a feast day of several mysterious early Roman <a href="https://theconversation.com/st-valentines-a-minor-day-in-a-medieval-calendar-packed-with-festivals-71225">martyred Saint Valentines</a>, but Chaucer described it as a day for people to choose their lovers. He knew that was easier said than done. The narrator of the poem is unsuccessful in love, despairing that life is short compared with how long it takes to learn to love well. He falls asleep and dreams of a garden in which all the different birds of the world have gathered. Nature explains to the assembled flocks that, like every year on St Valentine’s Day, they have come to pick their partners in accordance with her rules. But this process causes confusion and debate: the birds can’t agree what it means to follow her rules because they all value different things in their partners. <h2>Legal and emotional significance</h2> Like today, in Chaucer’s time gift-giving could be highly ritualised and symbolise intention and commitment. In Old and Middle English, a “wed” was any sort of token pledged to guarantee a promise. It was not until the 13th century that a “wedding” came to mean a nuptial ceremony. The same period saw marriage transform into a Christianised and unbreakable commitment (<a href="https://www.washingtonpost.com/news/acts-of-faith/wp/2016/04/08/the-catholic-church-didnt-even-consider-marriage-a-sacrament-for-centuries/">a sacrament of the Church</a>). New conventions of love developed in songs, <a href="https://www.bl.uk/medieval-literature/articles/love-and-chivalry-in-the-middle-ages">stories</a> and other types of <a href="https://collections.vam.ac.uk/item/O90898/scenes-from-romance-literature-casket-unknown/">art</a>. These conventions influenced broader cultural ideas of emotion: love letters were written, grand acts of service were celebrated, and tokens of love were given. Rings, brooches, girdles (belts), gloves, gauntlets (sleeves), kerchiefs or other personalised textiles, combs, mirrors, purses, boxes, vessels and pictures – and even fish – are just some examples of <a href="https://books.google.com.au/books/about/The_Medieval_Art_of_Love.html?id=vDqSQgAACAAJ&redir_esc=y">romantic gifts</a> recorded from the late middle ages. In stories, gifts could be imbued with magical powers. In the 13th century, in a history of the world, Rudolf von Ems recorded how Moses, when <a href="https://yalebooks.yale.edu/2021/04/13/medieval-artists-painted-such-things-images-that-surprise-and-delight-in-illuminated-world-chronicles/">obliged to return home</a> and leave his first wife Tharbis, an Ethiopian princess, had two rings made. The one he gave her would cause Tharbis to forget him. He always wore its pair which kept her memory forever fresh in his mind. Outside of stories, gifts could have legal significance: wedding rings, important from the 13th century, could prove that a marriage had occurred by evidencing the intention and consent of the giver and recipient. <h2>The art of loving</h2> Like Chaucer, 20th-century German psychologist Erich Fromm thought people could learn the art of loving. Fromm thought love was an act of giving not just material things, but one’s joy, interest, understanding, knowledge, humour and sadness. While these gifts might take some time and practice, there are more straightforward ideas from history. Manufactured <a href="https://www.vam.ac.uk/blog/caring-for-our-collections/victorian-valentines">cards</a> have dominated since the industrial revolution, taking their place alongside other now traditional presents such as flowers, jewellery, intimate apparel and consumables (now more often <a href="https://www.npr.org/sections/thesalt/2017/02/14/514565105/chocolate-love-s-sweet-but-not-necessarily-innocent-consort">chocolates</a> than fish). All can be <a href="https://emotionsblog.history.qmul.ac.uk/2014/12/love-in-objects/">personalised</a> for that intimate touch. There have, of course, been weirder examples of love gifts, such as Angelina Jolie and Billy Bob Thornton exchanging necklaces with silver pendants smeared with <a href="https://www.vanityfair.com/hollywood/2014/10/billy-bob-thornton-angelina-jolie-blood-vial">each other’s blood</a>. Artist Dora Maar was so upset when her <a href="https://www.theparisreview.org/blog/2017/11/09/how-picasso-bled-the-women-in-his-life-for-art/">notoriously bad lover Pablo Picasso </a>complained about having to trade a painting for a ruby ring she immediately threw the ring in the Seine. Picasso soon replaced it with <a href="https://www.sothebys.com/en/auctions/ecatalogue/2017/actual-size-l17007/lot.18.html">another</a>, this one featuring Maar’s portrait. A good love token can long outlast the feelings that prompt its giving: a flower pressed in a book, a trinket at the bottom of a box, a fading heartfelt card or a bittersweet song that jolts you back to an earlier time. In this way, the meaning of gifts can change as they become reminders that all things pass. Image credits: Getty Images This article originally appeared on <a href="https://theconversation.com/from-chaucer-to-chocolates-how-valentines-day-gifts-have-changed-over-the-centuries-198512" target="_blank" rel="noopener">The Conversation</a>.

Relationships

Award-winning century-old house smashes local records

Despite drastically diminishing market conditions, the century-old mansion in the luxurious suburb of Kingsville, Victoria, has surpassed the local pricing record more than 12 months after first being listed for sale. The four-bedroom property – that even has its own ballroom – lies on 1,578 square metres and was snapped up for $2.7m just one week before Christmas – and that was after being sadly passed-in at an auction in November. Even though it was initially listed with a prospective pricing target of $4m way back in October 2021, the final price of $2.7m was a good $800,000 clear of the previous local pricing record of $1.93m. Leo Dardha from Hockingstuart Yarraville told <a href="realestate.com.au/news/kingston-house-price-record-mansion-smashes-record-by-800000/" target="_blank" rel="noopener">The Herald Sun</a> that buyers “loved the history, they loved the character and they loved the size of the land”. “It’s one of a kind in Kingsville,” he said. “It’s won a couple of awards. It won a beautification award in 1991 from Maribyrnong Council and has had only two owners in 100 years. “The first owners who commissioned the build were in the transport industry and the second were a local family who moved from another home on Somerville Rd and enjoyed the past 40 years there; it was their pride and joy, their trophy home and they raised their family there.” The upper level of the home is a ballroom that has been the scene of many functions with family and friends over the years, while the wider house features rich timber throughout. An entrance hall, formal lounge and dining rooms, sitting room, and office or sunroom, are among the other traditional highlights. Images: Hockingstuart Yarraville

Real Estate

Sale of the Century "quiz legend" dies

The famous winner of a popular quiz show has passed away after a long battle with Alzheimer’s disease. Cary Young died peacefully at a Melbourne retirement village at the age of 83. Young was a regular contestant on the 1980s quiz show Sale of the Century and won a record 60 times. Mr Young’s family shared a tribute to him on Thursday, saying he will be remembered for being an ordinary bloke who captured the hearts of Australians around the country. “People just had this affection for him because he was just this very average person. He wasn’t an academic or professional,” his daughter Michelle said in a statement to the <a title="www.heraldsun.com.au" href="https://www.heraldsun.com.au/entertainment/tv-quiz-king-cary-young-dies-in-wheelers-hill-aged-83/news-story/753fd13eebec05aff64d1a82bbf855fa" data-tgev="event119" data-tgev-container="bodylink" data-tgev-order="753fd13eebec05aff64d1a82bbf855fa" data-tgev-label="entertainment" data-tgev-metric="ev">Herald Sun</a>. “He was working in the meatworks when he went on the show – he saw an opportunity to make a better life for his family.” A native New Zealander, Mr Young originally picked up a knack for general knowledge when, as a child, he was stuck in bed with asthma and had to read to fend off the boredom. Brydon Coverdale, best known for being one of the “chasers” on The Chase Australia, also shared a tribute for the late Cary Young, hailing him a "quiz legend". “Cary became a really recognisable face on Australian television throughout that era, despite the fact he was just a normal, everyday person,” Mr Coverdale said. “He would go through encyclopedias and sources and write a whole list of names and memorise them.” TV personality Mark Humphries also commented on social media, saying, “Oh man. What a legend.” Mr Young became a household name in 1982 when he became a regular champion on the quiz show, hosted by Tony Barber. Since then he appeared on another 59 episodes of Sale of the Century and he was honoured as the show’s most well-known champion. Image credits: Nine

News

Obese yet malnourished toddler mummy sheds light on life in 17th century aristocratic Austria

In a creepy discovery published, a collaboration of German scientists have performed a ‘virtual autopsy’ on a mummified toddler’s body, found in a 17th century Austrian crypt. Buried in a wooden coffin that was slightly too small and deformed the skull, the young child’s body appeared to be both obese and malnourished. Researchers say the findings might provide a rare insight into historical Austrian aristocratic society. By using CT scanning, scientists were able to perform a ‘virtual autopsy’ on the mummy which was naturally mummified in the conditions of the crypt. Well-preserved soft tissue showed the child was a boy, overweight for his age, and radiocarbon dating suggests a date of death between 1550 and 1635 CE. By examining the formation and length of the body’s bones, plus evidence of tooth eruption, the researchers were able to estimate that the child was about one year old when he died. The bones also showed that despite being well-fed, the boy was malnourished, with his malformed ribs displaying signs of rachitic rosary. This condition presents in a pattern of prominent bony knobs at points where the rib joins cartilage and results from diseases associated with specific vitamin deficiencies such as rickets (vitamin D) and scurvy (vitamin C). Vitamin D is found in foods like salmon, tuna, mackerel and beef liver and egg yolks, but we typically only get around 10% of our required Vitamin D from our diets – the rest is made by our bodies when exposed to ultraviolet B (UVB) from the sun. “The combination of obesity along with a severe vitamin-deficiency can only be explained by a generally ‘good’ nutritional status along with an almost complete lack of sunlight exposure,” said Dr Andreas Nerlich of the Academic Clinic Munich-Bogenhausen and lead researcher. The child appears to have died from pneumonia, judging by the evidence of inflammation in the lungs. Rickets is known to make children more vulnerable to pneumonia, suggesting that, sadly, not only was the child malnourished, but that this condition may have also led to his untimely demise. “We have to reconsider the living conditions of high aristocratic infants of previous populations,” said Nerlich. Relatively little is known about aristocratic childhood in the late Renaissance period, so these mummified remains give key insights into life in Europe of a period generally known for its fervent creativity and intellectual development. “This is only one case,” said Nerlich, “but as we know that the early infant death rates generally were very high at that time, our observations may have considerable impact in the over-all life reconstruction of infants even in higher social classes.” To understand more about this period, researchers scoured historical records of the crypt and the family to whom the crypt belonged. Curiously, the child was buried in a simple, unmarked, wooden coffin, although he was dressed in an expensive silk hooded coat. The unmarked coffin appeared to have been slightly too small for the body such that the skull became deformed and was the only infant buried amongst the identifiable adult metal coffins in the crypt. Historical records of renovations on the crypt confirmed the radiocarbon dating, indicating the child was likely buried sometime after 1600 CE. The crypt belonged to the Counts of Starhemberg and traditionally was kept exclusively for the burial of heirs to their titles, and their wives, making the body likely to be that of the first-born (and only) son, Reichard Wilhelm, of Count Starhemberg. “We have no data on the fate of other infants of the family,” Nerlich said, regarding the unique burial. “According to our data, the infant was most probably [the count’s] first-born son after erection of the family crypt, so special care may have been applied.” This article originally appeared on <a href="https://cosmosmagazine.com/history/toddler-mummy-17thcentury-austria/" target="_blank" rel="noopener">cosmosmagazine.com</a> and was written by Clare Kenyon. Image: Andreas et al. (2022)

Travel Trouble

7th century gold coins found hidden in wall

A collection of coins have been found concealed in a wall at a nature reserve in what has been described as an "extremely significant archaeological find". During an excavation at the Hermon Stream (Banias) in Israel, archaeologists found 44 gold coins dating back to the 7th century. Weighing in at about 170g, experts estimate that the hoard was hidden during the Muslim conquest in 635 CE. They say the discovery sheds light on this significant moment in history which saw the end of the Byzantine rule in the area. "We can imagine the owner concealing his fortune in the threat of war, hoping to return one day to retrieve his property," Yoav Lerer, the director of the excavation, told the <a href="https://www.bbc.com/news/world-middle-east-63122180" target="_blank" rel="noopener">BBC</a>. "In retrospect, we know that he was less fortunate." <img src="https://oversixtydev.blob.core.windows.net/media/2022/10/ancient-coins1.jpg" alt="" width="1280" height="720" /> Numismatic (currency) expert Dr Gabriela Bijovsky of the Israel Antiquities Authority said some of the coins were minted by Emperor Phocas (602-610 CE), while the majority were of his successor, Emperor Heraclius, with the latest coins the latter minted dating back to 635 CE. Eli Escusido, the director of the Israel Antiquities Authority, said it was a significant find and that the public could soon see the coins for themselves. "The coin hoard is an extremely significant archaeological find as it dates back to an important transitional period in the history of the city of Banias and the entire region of the Levant," he said. "The Israel Antiquities Authority, together with the National Parks Authority, will work together to exhibit the treasure to the public." Along with the coins, Israeli authorities said the excavation also uncovered remains of buildings and bronze coins, as well as water channels and pipes. Images: Israel Antiquities Authority (Facebook)

Money & Banking

17th-century Polish ‘vampire’ found buried with sickle across neck

The remains of a woman found in a 17th-century graveyard in Poland are believed to be an example of an ‘anti-vampire’ burial after a sickle was also found placed across her neck to prevent her from rising from the dead. Dariusz Poliński, a professor at Nicholas Copernicus University, led the archaeological dig where the remains were uncovered, with the <a href="https://www.dailymail.co.uk/news/article-11173505/Remains-VAMPIRE-pinned-ground-sickle-throat-Poland.html" target="_blank" rel="noopener">Daily Mail</a> reporting that the skeleton was found wearing a silk cap and with a protruding front tooth. “The sickle was not laid flat but placed on the neck in such a way that if the deceased had tried to get up… the head would have been cut off,” Professor Poliński told the outlet. According to the <a href="https://www.smithsonianmag.com/smart-news/17th-century-poland-vampires-werent-boogeymen-out-town-girl-or-boy-next-door-180953476/" target="_blank" rel="noopener">Smithsonian</a> magazine, Eastern Europeans reported fears of vampires and began treating their dead with anti-vampire rituals during the 11th century. By the 17th century, these practices were common across Poland in response to reports of a vampire outbreak, per <a href="https://www.sciencealert.com/research-reveals-the-origin-of-poland-s-mysterious-vampires" target="_blank" rel="noopener">ScienceAlert</a>. <img src="https://oversixtydev.blob.core.windows.net/media/2022/09/skeleton-lady1.jpg" alt="" width="1280" height="720" /> The skeletal remains, pictured from above. Image: Łukasz Czyżewski, NCU Professor Poliński told the New York Post that there were other forms of protection to prevent vampires from returning from the dead, including cutting off limbs and using fire. “Other ways to protect against the return of the dead include cutting off the head or legs, placing the deceased face down to bite into the ground, burning them, and smashing them with a stone,” he said. The skeleton’s toe was also padlocked, which Professor Poliński said likely symbolised “the closing of a stage and the impossibility of returning”. This isn’t the first time a ‘vampire’ has been discovered by archaeologists either. Matteo Borrini, a lecturer at Liverpool John Moore University, discovered the remains of a woman who died in the 16th century and was buried with a stone in her mouth in a mass grave with plague victims. He explained that outbreaks of ‘vampires’ were often associated with periods where people were dying from unknown causes at the time - such as pandemics or mass poisoning. “These ‘vampires’ start to hunt and kill family members first, then the neighbours, and then all the other villages,” he said. “This is the classical pattern of a disease that is contagious.” The most recent ‘vampire’ remains, which were dug up in August, are being further investigated by scientists. Image: Mirosław Blicharski

International Travel

Don’t look a GIF horse in the mouth: Short, shareable animations have been delighting humans for centuries

They are a popular feature of social media and text messaging in 2022, but many people are surprised to discover short sharable animations or videos, like GIFs have been around in digital format for 35 years, but in analogue for nearly two centuries. Today many have become internet memes, added for emphasis, and mostly played on continuous loop. GIFs (short for Graphics Interchange Format) Steve Wilhite, a computer scientist working at CompuServe is <a href="https://www.smithsonianmag.com/history/brief-history-gif-early-internet-innovation-ubiquitous-relic-180963543/" target="_blank" rel="noreferrer noopener">acknowledged as the creator</a> of the Graphics Interchange Format, or GIF in 1987. A GIF is a small image file that can support short animations or videos. GIFs work by stringing together several frames or images into a single file, which plays like a short clip. Compressed they are small file sizes; GIFs are easily shared on email and social media. While most can share in the delight of a well-chosen GIF, there is a long-running heated disagreement over how to pronounce the acronym, tracked <a href="https://time.com/5791028/how-to-pronounce-gif/" target="_blank" rel="noreferrer noopener">by Time</a> (this COSMOS journalist had been pronouncing GIF with a hard ‘g’, while Wilhite apparently preferred the softer version, like ‘JIF’). But long before the GIF there were various forms of short sharable animation made in analogue. Here we flick through a few. <figure class="wp-block-embed is-type-photo is-provider-giphy wp-block-embed-giphy"> <div class="wp-block-embed__wrapper"> <div class="entry-content-asset"> <div class="embed-wrapper"> <div class="inner"><img src="https://oversixtydev.blob.core.windows.net/media/2022/08/giphy1.gif" alt="" width="500" height="337" /></div> </div> </div> </div><figcaption>Ghost GIF / Credit: Matthias Brown</figcaption></figure> Thaumatropes (from the Greek for ‘wonder turner’) Dating back as early as 1827, a thaumatrope is a two-sided disc which creates a simple animation when spun. The device is a disc with different but related pictures on each side and strings attached at opposite ends. When those strings are wound up tightly, and then released, the disc spins creating a simple animation. While the idea was described and popularised by John Ayrton Paris, the inventor of this wonder turner is not known. Phenakistoscopes (from the Greek for ‘deceitful viewer’) <div class="newsletter-box"> <div id="wpcf7-f6-p202287-o1" class="wpcf7" dir="ltr" lang="en-US" role="form"> <form class="wpcf7-form mailchimp-ext-0.5.62 spai-bg-prepared init" action="/technology/computing/dont-look-a-gif-horse-in-the-mouth/#wpcf7-f6-p202287-o1" method="post" novalidate="novalidate" data-status="init"> <input class="wpcf7-form-control wpcf7-text referer-page" name="referer-page" type="hidden" value="https://cosmosmagazine.com/technology/" data-value="https://cosmosmagazine.com/technology/" aria-invalid="false" /> </form> </div> </div> In 1832 an analogue form of the modern GIF was made by spinning a circular card on its centre. In that year, two scientists Joseph Plateau from Belgium and Simon von Stampfer from Austria independently created looping animations called phenakistoscopes. The phenakistoscope creates the illusion of moving images by slicing the circle into segments and placing a sequential image at slightly shifting locations within each slice, using vector graphics. Each slice of the circle acts like a frame in an animation. Between each slice is a black radial slit. When the circle is spun on its centre, and its reflection viewed using a mirror, the effect creates the illusion of smoothly moving images like a short, repeating video. Zoetropes (from the Greek for ‘life turn’) Two years later, mathematician William Horner <a href="https://collections.museumsvictoria.com.au/articles/2908" target="_blank" rel="noreferrer noopener">created the zoetrope</a>, an idea based on the phenakistoscope but able to be viewed by more than one person at a time. A larger cylinder like a drum has slits cut into the sides for viewing. Strips of sequential images spin inside the cylinder so that the viewer sees one after the other. The technology was popularised by American business magnate, game pioneer and publisher, Milton Bradley in 1866 who sold zoetropes as a toy with replaceable picture strips. Several animation studios have built three-dimensional versions of the zoetrope using sequentially posed figurines instead of pictures. Visitors to the Australian Centre for the Moving Image (ACMI) in Melbourne can experience a <a href="https://www.acmi.net.au/stories-and-ideas/acmis-cuphead-zoetrope-cool/" target="_blank" rel="noreferrer noopener">3D zoetrope</a> of video game character Cuphead. Meanwhile visitors to the <a href="https://www.ghibli-museum.jp/en/" target="_blank" rel="noreferrer noopener">Ghibli Museum</a> in Tokyo, can see a zoetrope of skipping and running totoros built using figurines from the Studio Ghibli movie My Neighbour Totoro. Find out more about phenakistoscopes and GIFs on the 2022 SCINEMA International Science Film Festival For more on the history and science of the phenakistoscope (and instructions on how to make one) watch the 2022 SCINEMA International Science Film festival entry, Animated GIFS: Celebrating Scientific Genius, by <a href="https://scinema.org.au/register" target="_blank" rel="noreferrer noopener">registering</a> to view it for free on the SCINEMA website. Follow the prompts on the email you receive and you’ll find Animated GIFS: Celebrating Scientific Genius in the Animation / Experimental playlist. You can watch all the films until August 31 2022 when the festival ends. <figure class="wp-block-embed is-type-photo is-provider-giphy wp-block-embed-giphy"> <div class="wp-block-embed__wrapper"> <div class="entry-content-asset"> <div class="embed-wrapper"> <div class="inner"><img src="https://oversixtydev.blob.core.windows.net/media/2022/08/giphy-1.gif" alt="" width="480" height="480" /></div> </div> </div> </div><figcaption>GIF based on a phenakistoscope / Credit: Sanni Lahtinen on GIPHY</figcaption></figure>  <img id="cosmos-post-tracker" style="opacity: 0; height: 1px!important; width: 1px!important; border: 0!important; position: absolute!important; z-index: -1!important;" src="https://syndication.cosmosmagazine.com/?id=202287&title=Don%26%238217%3Bt+look+a+GIF+horse+in+the+mouth%3A+short%2C+shareable+animations+have+been+delighting+humans+for+centuries" width="1" height="1" />  <div id="contributors"> <a href="https://cosmosmagazine.com/technology/computing/dont-look-a-gif-horse-in-the-mouth/" target="_blank" rel="noopener">This article</a> was originally published on <a href="https://cosmosmagazine.com" target="_blank" rel="noopener">Cosmos Magazine</a> and was written by <a href="https://cosmosmagazine.com/contributor/petra-stock" target="_blank" rel="noopener">Petra Stock</a>. Petra Stock has a degree in environmental engineering and a Masters in Journalism from University of Melbourne. She has previously worked as a climate and energy analyst. Image: Getty Images </div>

Technology

Chloé: how a 19th-century French nude ended up in a Melbourne pub – and became an icon for Australian soldiers

Chloé, the French nude by <a href="https://en.wikipedia.org/wiki/Jules_Joseph_Lefebvre">Jules Joseph Lefebvre</a>, is an Australian cultural icon. Chloé made its debut at the 1875 Paris Salon and won medals at the 1879 Sydney and 1880 Melbourne international exhibitions. In December 1880, Thomas Fitzgerald, a Melbourne surgeon, bought Chloé for his private collection. Two years later, when Fitzgerald loaned Chloé to the National Gallery of Victoria, a furious debate erupted in the press. Public opinion was <a href="https://trove.nla.gov.au/newspaper/article/224814361">sharply divided</a> over the propriety of displaying a French nude painting on the Sabbath. Chloé spent the next three years at the Adelaide Picture Gallery, before Fitzgerald <a href="https://trove.nla.gov.au/newspaper/article/94392855">removed her</a> from the public gaze. After the surgeon’s death in 1908, Henry Figsby Young bought Chloé for £800 and hung the famous nude in the saloon bar of Young and Jackson Hotel, opposite Flinders Street Station in Melbourne. Enjoying a drink with Chloé at the hotel has been a good luck ritual for Australian soldiers since the first world war. <h2>Longing for her lover</h2> According to the 1875 Paris Salon catalogue, Chloé depicts the water nymph in “Mnasyle et Chloé” by 18th century poet martyr <a href="https://en.wikipedia.org/wiki/Andr%C3%A9_Ch%C3%A9nier">André Chénier</a>. Toes dipped in a puddling stream, longing and heartache etched on her lovely features, she listens for the voice of her lover. Chloé was created in the winter of 1874-75. France was still rebuilding after its defeat in the <a href="https://www.kcl.ac.uk/the-franco-prussian-war-150-years-on">Franco Prussian War</a> and the Versailles government’s brutal repression of the revolutionary <a href="https://www.youtube.com/watch?v=jWrnGZ_975I">Paris Commune</a>. Newspapers in France and around the world described women who supported the Commune as lethal <a href="https://en.wikipedia.org/wiki/P%C3%A9troleuses">pétroleuses</a>, or petrol carriers. The women were often blamed for destructive acts of arson carried out by Versailles troops during <a href="https://www.historytoday.com/miscellanies/paris-communes-bloody-week">The Bloody Week</a>. <a href="https://index-journal.org/issues/identity/evanescence-of-an-artist-s-model-by-katrina-kell">Jules Lefebvre claimed</a> his working class model for Chloé was involved with former Communards. She may have fought alongside other girls and women, and witnessed the widespread bloodshed that stained the streets of Paris red in 1871. This volatile chapter in French history has been absent from <a href="https://index-journal.org/issues/identity/evanescence-of-an-artist-s-model-by-katrina-kell">Chloé mythologies</a>. But Chloé was painted in the wake of war and revolution and of women’s inspiring activism, as women challenged the class and gender barriers that had limited their opportunities. <h2>Chloé and the Australian soldier</h2> The ritual of having a drink with Chloé at Young and Jackson Hotel, opposite <a href="https://heritagecouncil.vic.gov.au/get-involved/tours/melbourne-at-war-hidden-histories-1914-18-audio-tour/melbourne-at-war-stop-2a/">Melbourne’s busiest railway station</a>, began after <a href="http://nla.gov.au/nla.news-article89096318">Private A. P. Hill</a>, who was killed in action, put a message in a bottle and tossed it overboard. When the bottle was found in New Zealand in January 1918, his message read, "To the finder of this bottle. Take it to Young and Jackson’s, fill it, and keep it till we return from the war." The <a href="http://nla.gov.au/nla.news-article148561880">hotel and Chloé</a> proved irresistible for returning soldiers. By the start of the second world war, Chloé and Young and Jackson’s were so enmeshed in military mythology they were included in the 2/21st Australian Infantry Battalion’s <a href="https://trove.nla.gov.au/newspaper/article/11305333">official march song</a>: "Good-by Young and Jackson’s, Farewell Chloé too, It’s a long way to Bonegilla, But we’ll get there on stew." Tragically, on February 2 1942, the B and C Companies of the 2/21st Australian Infantry Battalion were massacred by Japanese forces at Laha Airfield on the Indonesian island of Ambon. Those who weren’t killed became prisoners of war. After Japan’s surrender in 1945, the Australian prisoners’ hopes for liberation were frustrated when Japanese officers refused to give them radio access. When they finally got a radio transmitter their SOS message was received on the neighbouring island of Morotai. The men were asked questions to prove they were “dinki-di Aussies”. One of the first questions Melbourne soldier John Van Nooten <a href="https://www.goodreads.com/book/show/23494802-ambon">was asked was</a> “how would you like to see Chloé again?” When Van Nooten replied “Lead me to her”, the operator asked “where is she?” Van Nooten responded with Young and Jackson’s, finally convincing the operator he was Australian. <h2>A soldier’s consolation</h2> In his 1945 article <a href="https://trove.nla.gov.au/newspaper/article/38559150">Seein’ Chloé</a>, West Australian journalist Peter Graeme claimed, "Chloé is to Melbourne what the Bridge is to Sydney. From the soldier’s point of view of course. All over Australia you meet men who have seen her […] Chloé belongs to the Australian soldier." Graeme recalled meeting a soldier at Young and Jackson’s who drained three drinks in front of Chloé. When he asked the soldier why he drank the beers in quick succession, the soldier said he was honouring a promise he and two mates had made to Chloé. The three of them had pledged to have a drink with her when they returned to Melbourne. His two friends never returned, buried at Scarlet Beach in New Guinea. As Graeme concluded in his poignant tale, Chloé may have been, "the symbol of the feminine side of his life. That part which he puts away from him, except in his inarticulate dreams." The soldier’s grief for the mates he lost, and the comfort drinking with the painting gave him, seems to resonate with the longing in Chloé’s melancholy expression, and the war-torn history behind this celebrated Melbourne icon. Image credits: Getty Images This article originally appeared in <a href="https://theconversation.com/chloe-how-a-19th-century-french-nude-ended-up-in-a-melbourne-pub-and-became-an-icon-for-australian-soldiers-180032" target="_blank" rel="noopener">The Conversation. </a>

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Chloé: how a 19th-century French nude ended up in a Melbourne pub – and became an icon for Australian soldiers

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